• Beast With Five Fingers Peter Lorre Halloween

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    31 DAYS OF HALLOWEEN (DAY 7)

    Taking left-hand piano to a whole other level – Peter Lorre in “The Beast with Five Fingers” (1946)


  • Forgotten Swiss Composers on WWFM

    Forgotten Swiss Composers on WWFM

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    Alphorns, cuckoo clocks, chocolates, and “Heidi.” You won’t encounter any of these this Sunday night on “The Lost Chord.” What you will hear are two neglected works by Swiss composers.

    Ernest Bloch, who is best known for his music on Jewish themes (such as his Hebraic rhapsody “Schelomo” or last week’s “Israel Symphony”), actually spent most of his life in the United States. He died in Portland, Oregon, in 1959, at the age of 78.

    50 years earlier, while still in Switzerland, he composed his song cycle “Poèmes d’automne.” At the time, he was at work on his opera, “Macbeth,” but was sidelined when he made the acquaintance of a young poet by the name of Beatrix Rodès. He fell instantly in love with her, and set four of her poems within two months. Rodès would eventually become his mistress, though in the end Bloch chose to remain with his wife. It’s said that the texts, even in the original French, are of dubious literary quality.

    The composer arranged them to form a kind of progression, in which a woman passes from sadness and desolation, to peace and love, to lamentation for the passing of her beauty, to an air of serenity as she becomes a priestess (!).

    Okay, so it’s not his strongest work, but it is seasonal and interesting to listen to.

    Hans Huber, who lived from 1852 to 1921, was the composer of nine symphonies (of which he acknowledged eight), five operas, and a number of concertos for various instruments. His four concertos for piano and orchestra are somewhat unusual in that, like Brahms’ experiments in the form, they are made up of four movements – he added a scherzo – as opposed to the customary three.

    The Piano Concerto No. 3 was given its debut in Basel in February of 1899. The work is also unique in the way it teases the principal theme of its finale in the first movement, as the underpinnings of a passacaglia. A deft piece of craftsmanship, to be sure, and one that demonstrates that the composer wasn’t just cranking out Romantic concertos as if they were cervelats.

    As Groucho Marx once quipped, “The Lord Alps those who Alp themselves.” Alp yourself to forgotten Swiss music, on “Swiss Missed,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.


  • Bats in the Belfry Halloween Piano Music

    Bats in the Belfry Halloween Piano Music

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    31 DAYS OF HALLOWEEN (DAY 6)

    “Bats in the Belfry” by Billy Mayerl


  • Larry Fine The Stooge From Philly

    Larry Fine The Stooge From Philly

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    Porcupine!

    Larry Fine was born on this date in 1902. It’s been scientifically proven that all men know who Larry Fine is. For the benefit of the rest of you, Larry Fine was the bushy-haired, reactive Stooge. You know, the guy who stood there and mostly underplayed as Moe slapped the hell out of Curly. Until he himself became collateral damage.

    Fine was born Louis Feinberg at 3rd and South Streets in Philadelphia. The son of a watch repairman and jewelry shop owner, he was encouraged to take up the violin to counteract the effects of an acid burn, which damaged the muscles in his forearm when he was boy. The acid had been used by his father to test jewelry for gold content. Young Larry was about to drink the stuff, when his father slapped it away.

    Larry showed such dedication to the violin that his parents wanted to send him to study the instrument at a conservatory in Europe, but with the outbreak of World War I, he remained in Philadelphia. He took up boxing to further strengthen his arm and won his only professional fight, before his father put a stop to it.

    Larry brought his violin to the vaudeville circuit. It was there that he met Shemp Howard and the problematic Ted Healy. Healy, who was a raging alcoholic and notoriously abusive, would eventually come to a bad end under mysterious circumstances, possibly at the hands of Wallace Beery (the original onscreen “Champ”). These days, Healy is remembered, if at all, as the man who introduced The Three Stooges.

    Shemp was looking to take a break from Healy’s act for a few months, so he asked Larry if he might be interested in being a substitute “stooge.” The pay was good (Healy offered him an extra ten dollars a week if he would “throw that fiddle away”), so Larry was amendable.

    At first, he was tossed in with Bob Pinkus and Sam “Moody” Braun. Once Shemp returned, however, Larry, Shemp, and Shemp’s brother Moe – who had worked with Healy from the beginning – were brought together for the first time.

    Shemp would depart to pursue a solo career in film, working with W.C. Fields, Fatty Arbuckle, and Abbott and Costello. He was replaced by his and Moe’s younger brother, Jerome – better known as Curly.

    The reconfigured Stooges followed Healy to the big screen. Soon Healy was being groomed by MGM for a career as a solo comedian. The Stooges signed their own contract with Columbia and left their abrasive former boss in the dust. From the mid-1930s through the late-‘40s, The Three Stooges were the movies’ most popular short subject attractions. Shemp would return to the team after Curly suffered a stroke in 1946.

    Larry, Philadelphia’s native Stooge, is commemorated in a mural near his birthplace at 3rd & South. We’re coming up on the 20th anniversary of the original mural’s dedication on October 26, 1999. The mural was overpainted with another Larry mural in 2006.

    While we’re on the subject of boxers and violinists, Curly is unstoppable in his ascent to the championship, thanks to Larry’s stirring rendition of “Pop Goes the Weasel,” in “Punch Drunks” (1934):

    https://vimeo.com/60991844

    Happy birthday, Larry Fine!


    PHOTO: Larry, as immuralized in 2006


  • Headless Horseman Halloween Music

    Headless Horseman Halloween Music

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    31 DAYS OF HALLOWEEN (DAY 5)

    “Headless Horseman” by Edgar Stillman Kelley


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