With all the hoo-ha surrounding the 100th anniversary of the death of Claude Debussy, it’s easy to forget that Ralph Vaughan Williams (who studied for a time with Ravel) died 60 years ago today. Yeah, I know 60 doesn’t quite have the marketing punch of 50 or 100, but Vaughan Williams is one of my all-time favorite composers, so I am going to go with it.

This Sunday night on “The Lost Chord,” we’ll remember one of England’s finest composers by way of three rare recordings he made of his own music.

Unlike Sir Edward Elgar, who was given the opportunity to record most of his major output, Vaughan Williams was generally overlooked as a conductor by the major labels – which is a shame, because the few recordings he did make are superb.

Among the acoustical documents, none match the hilarity of RVW’s 1925 performance of “The Wasps” overture. Vaughan Williams’ recording is by far the fastest – and jauntiest – “Wasps” on record, although I’m unsure whether it is due to the composer’s own preference, or because of the limitations of the technology. It’s hard not to smile at such manic high spirits.

By contrast, his 1937 recording of the Symphony No. 4 is a masterpiece of temperament and ferocity – all the more jarring in that the turbulence evoked in the work is not at all what most people associate with this composer. The urgency of the music is captured, eerily, at a time when the ink was still fresh on the page and the world was on the brink of chaos. It certainly belies the snide dismissal of much of the composer’s output as languid “cow-pat” music.

In all, Vaughan Willliams’ meager commercial discography as a conductor wouldn’t even fill two hours. It is most fortunate, then, that a few concert recordings have emerged over the years. We’ll conclude with of one of RVW’s loveliest pieces, the “Serenade to Music,” the work which actually brought tears to the eyes of Sergei Rachmaninoff at its first performance in 1938. The text is from Act V, scene I, of Shakespeare’s “The Merchant of Venice.”

“How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night,
Become the touches of sweet harmony.”

This performance was captured at Royal Festival Hall on November 22, 1951. Vaughan Williams was 79 years old. What’s especially remarkable is that the recording features 11 of the 16 soloists who sang in the work’s 1938 premiere. We’ll hear it from a compact disc issued on Albion Records, the official label of the Ralph Vaughan Williams Society.

Vaughan Williams’ ashes are interred in Westminster Abbey alongside some of the nation’s greatest artists – yet, in some measure, the composer is still underestimated, especially by those outside the British Isles. I hope you’ll join me as we remember RVW on the 60th anniversary of his death. That’s “Vaughan, But Not Forgotten,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.