• Shakespeare’s Birthday Celebration on KWAX

    Shakespeare’s Birthday Celebration on KWAX

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    Some are born great, some achieve greatness, and some have greatness thrust upon them.

    We don’t know exactly when Shakespeare was born, but he was baptized on April 26, 1564 – which means it could have been a few days earlier. Since he died on April 23, 1616, and because everyone loves symmetry, his birthday is most commonly observed on the presumptively-shared anniversary of his death. His little life may have been rounded with a sleep, but posterity has fluffed the pillows in an impulse to keep things tidy.

    At any rate, we hardly need an excuse to celebrate his plays, which have inspired lots of colorful music. This morning on “Sweetness Light,” we’ll quaff our fill of Shakespearean comedy, with selections by Otto Nicolai, Edward German, Felix Mendelssohn (as transcribed and performed by Sergei Rachmaninoff), and William Walton.

    We’ll also hear a fragment of a projected opera by Pyotr Ilych Tchaikovsky on the subject of “Romeo and Juliet,” left incomplete at the time of the composer’s death. It was edited and orchestrated by his pupil, Sergei Taneyev. You may not know the fragment, but you will most definitely recognize the thematic material!

    Partying is such sweet sorrow. We’ll celebrate the Bard on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/


    IMAGE: William Hamilton, “As You Like It” (1790)


  • Alexandre Dumas Music on KWAX Radio

    Alexandre Dumas Music on KWAX Radio

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    He is best known as the author of “The Three Musketeers” and “The Count of Monte Cristo.” However, Alexandre Dumas churned out historically-inspired prose on all manner of subjects, and he did so by the metre.

    This week on “The Lost Chord,” we present an hour of music inspired by his writings, including rarely-heard incidental music composed for a revival of his play “Caligula,” by Gabriel Fauré; ballet music from an opera, “Ascanio,” taken from a novel featuring Benvenuto Cellini, by Camille Saint-Saëns; and a poetic monologue, “Joan of Arc at the Stake,” by Franz Liszt. We’ll also hear the suite for symphonic band “The Three Musketeers,” by George William Hespe.

    It’s all for one, and one for all! I hope you’ll join me for “The Lost Sword,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/


  • Armchair Travel Through Film Scores on Picture Perfect

    Armchair Travel Through Film Scores on Picture Perfect

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    This week on “Picture Perfect,” we’ll settle in for a little armchair traveling as, musically, we follow the English abroad.

    We’ll hear selections from “Enchanted April” (Richard Rodney Bennett), “A Passage to India” (Maurice Jarre), “The Best Exotic Marigold Hotel” (Thomas Newman), and “Around the World in 80 Days” (Victor Young).

    Bennett, quite the accomplished concert composer (and occasional torch song singer), supplies a sensitive score for the 1991 Merchant/Ivory adaptation of Elizabeth von Arnim’s novel about four English ladies who spend an idyllic month at an Italian villa.

    Jarre received his third Academy Award for his music to David Lean’s final film, a 1984 adaptation of E.M. Forster’s novel of repression and racial tension in colonial India.

    Newman incorporates traditional Indian elements into his score for “The Best Exotic Marigold Hotel,” the 2012 surprise hit about English pensioners reinventing themselves in retirement in Jaipur.

    And Young won his only Oscar (alas, posthumously bestowed) for “Around the World in 80 Days,” the star-studded, light-as-a-feather, though admittedly charming mega-victor at the 1956 Academy Awards. It takes longer to watch the movie than it does to read Jules Verne’s novel – though it does provide a rare opportunity to see Ronald Colman in color.

    No need to haul that steamer trunk. It will be an hour of transporting selections on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/


    PHOTO: There’s no balloon in Verne’s original, but as long as there’s champagne, who cares?


  • 1980s Concert Programs A Blast from the Past

    1980s Concert Programs A Blast from the Past

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    Recently, during one of my domestic excavations, I tapped into a rich vein of concert programs from the 1980s. I’m only just now flipping through some of them, and they’re churning up waves of nostalgia and making me wistful for an irretrievable past. I mean, I always have been, sort of, but it is only getting worse with age. I can’t believe how lucky we had it back then and the performers and concerts I saw! And these represent but the merest fraction.

    What surprises me is how vividly even the program notes and articles conjure a faded world. It’s unfortunate that in the quest to “demystify” classical music, everything has become so watered-down. And of course the recording industry, at least as it existed in those days, is in tatters.

    But back then, giants still walked the earth. Artists had major recording contracts, and when they came to town, people were eager to see them. Also, you could put on the radio and hear a complete symphony, even one that’s not played all the time. So when it turned up in concert, you were excited to be able to hear it live. Elgar’s Symphony No. 2? Berlioz’s “Symphonie funèbre et triomphale?” Tchaikovsky’s “Manfred?” I’m there!

    Now, after decades of pandering, instead of elevating, in our movies and our television and our books and our music, and with the rise of the internet, people’s attention spans have withered, and interest in any kind of personal growth or brush with the transcendent is practically nonexistent. People can’t even be bothered to get dressed up to go to church anymore. Why should they put on a clean shirt to attend an interminable concert? The snake has been devouring its tail for a long time. I wonder how many regard music these days as more than entertainment, as “product.”

    Alas, it is what it is. I am so glad these printed programs survive. These days, even I hang onto those for most recent concerts only for a week or two before they go to the recycle bin.

    I figure from time to time I can share some images and conjure a few happy memories from 40 years ago, especially on days when I’m up against deadline or have other work to do. I hope they give you some vicarious enjoyment. Try not to be embittered like me.


  • Princeton Festival Oral History Interview

    Princeton Festival Oral History Interview

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    Just finishing up a late lunch, following another round of documentary/promotional/archival interviews for an oral history of The Princeton Festival. The festival’s founding artistic director, Richard Tang Yuk, flew all the way up from his home in Trinidad for this one. I had a blast listening to his stories. He’s a great speaker. Richard was joined by Markell “Mickey” Shriver and Marcia Atcheson (also founding members of the festival). For many years, Marcia was my festival press contact when I wrote about classical music for The Trenton Times. Again, the interviews were documented by videographer Briann Dixon. This year’s festival runs June 6-21.

    https://www.princetonsymphony.org/festival


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