For some, it may be difficult to leave the holidays behind and face the prospect of a long, bleak winter. That would not be me.
But if it describes you, this week on “Sweetness and Light,” I’ll have some Victor Borge to brighten your day. “The Unmelancholy Dane” was born on this date in 1909.
Borge always proved to be quick on his feet, comfortable in his own skin, and unusually personable. Born into a family of Jewish musicians in Copenhagen (his birth name was Børge Rosenbaum), he was already before the public, giving recitals at the age of 8. He received a scholarship to the Royal Danish Academy of Music, and later studied with pupils of both Liszt (Frederic Lamond) and Busoni (Egon Petri).
After a few years of presenting straight classical concerts, he began to develop his act. His mix of music and comedy proved to be popular in Scandinavia, but some of his gibes didn’t exactly sit well with Hitler. When German forces occupied Denmark, Borge hopped a U.S. Army transport out of Finland – though he would return, not long after, disguised as a sailor, to visit his dying mother.
He arrived in the United States in 1940, with 20 dollars in his pocket and no understanding of English. But he was a fast learner, and he taught himself the language by going to American movies.
By 1941, he was already appearing with Rudy Valee and Bing Crosby, and adapting his jokes for U.S. audiences. In 1942, he was named “best new radio performer of the year.” By 1946, he had his own radio show and developed many of his signature routines.
He became a naturalized American citizen in 1948. His Broadway show, “Comedy in Music,” entered the Guinness Book for its unprecedented run, from 1953 to 1956. In the 1960s, he was one of the highest-paid entertainers in the world.
Borge continued to expand his popularity through appearances on television programs ranging from “What’s My Line?” to “The Muppet Show.” He continued to entertain to a ripe old age. He died in 2000, a few days shy of his 92nd birthday.
As he was fond of observing, “Laughter is the closest distance between two people.”
Join me for a selection of Borge at his improvisatory best, working the audience, as he grants requests, from a recording of his record-breaking Broadway show. The program will also include classic bits by Anna Russell and Peter Schickele (“discoverer” of P.D.Q. Bach) and a few more selections from the first of the notorious and uproarious Hoffnung Music Festival concerts.
Enter the new year laughing with an hour of musical humorists on “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX Classical Oregon!
Stream it, wherever you are, at the link:
Category: Sweetness and Light
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Welcome 2026 with a Smile on “Sweetness and Light”
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Carols Are Served on “Sweetness and Light”
I don’t know what it’s like where you are, but the madness is already underway here. If you celebrate Christmas, it’s likely your adrenaline is already up, as we prepare for a last-minute dash to the stores, a little surreptitious gift-wrapping, some early baking, or perhaps already receiving family.
This week on “Sweetness and Light,” we’ll stick to the basics, with an hour of music inspired by familiar Christmas carols and traditional Christmas songs.
In the former category, we’ll hear works by Philip Lane, Benjamin Britten, and Rick Sowash (his “Variations on The Boar’s Head Carol”). Then we’ll enjoy selections from a favorite Christmas album of mine, “Old Christmas Return’d,” from 1992, featuring early music performances by the York Waits. Some of these Christmas melodies have been around for an awfully long time!
In between, we’ll hear an original carol by John Rutter – now SIR John Rutter, who turned 80 in September – unbelievably, composed all the way back in 1972. I remember when it was a fairly new piece!
None of us are getting any younger. Recollect the holidays of your misspent youth with an hour of traditional carols for Christmas, on “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, now in syndication on KWAX Classical Oregon!
Stream it wherever you are at the link:
https://kwax.uoregon.edu/ -

Jingle All the Way on “Sweetness and Light”
Yes, I know the winter solstice isn’t until next Sunday. But from where I’m typing, here on the East Coast, we’re expecting snow! Perhaps you’ve already had your share where you are. That’s the wonder of worldwide streaming. You could be sipping piña coladas south of the Equator, for all I know. But here, I’m busy designing an all-weather food-station for my backyard wildlife.
Be that as it may, since by next Saturday I’ll already be going full-bore ho-ho-ho, now’s the time to get a jump on Old Man Winter on “Sweetness and Light.” I’ll do my unlevel best to conjure some seasonal atmosphere, in providing a pleasant backdrop for compiling your holiday checklist and perhaps even filling out a few Christmas cards over a cup of tea. It will be all music evocative of wintry scenes and activities.
We’ll hear works by Philip Lane, Frederick Delius, Erich Wolfgang Korngold, and Leopold Mozart; also the original version of “Jingle Bells,” published in 1857 by James Pierpont as “The One-Horse Open Sleigh,” in a hilarious performance by the Robert DeCormier Singers. Be forewarned: sleighs will be “upsot!”
Put on the kettle and link arms with Classic Ross Amico. We’ll be walking in a winter wonderland on “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX Classical Oregon!
Stream it wherever you are at the link:
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Taking Our Tea Sweet and Light
This week on “Sweetness and Light,” I invite you to a holiday tea party. That’s right, the music will all in some way be related to tea.
We’ll get the kettle roiling with Dmitri Shostakovich’s charming arrangement of “Tea for Two,” recollect the elegant Palm Court of the Plaza Hotel in days of yore with Samuel Barber’s “Souvenirs,” and experience sugar-induced hallucinations of dancing tea leaves in Richard Strauss’ high-calorie ballet “Schlagobers,” or “Whipped Cream.”
Lewis Carroll’s Hatter may have been mad, but even he would think twice before imperiling an “unbirthday” with a fidgety monkey. The maddening patter of the 1953 novelty song “The Little Red Monkey” relates a simmering simian’s reactions to violin, euphonium, and tea.
Your eyes will be pinwheeling and your brain will be humming from an overindulgence of caffeine and cake when you join me for “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX Classical Oregon!
Stream it wherever you are at the link:
https://kwax.uoregon.edu/
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