Tag: Beethoven

  • Pizza Delivery Guy Plays Beethoven Viral

    Pizza Delivery Guy Plays Beethoven Viral

    We’ve all heard of “moonlighting” as a way to make ends meet, but this is taking things to a whole other level.

    While out delivering pizzas, Bryce Dudal, soon to begin his freshman year of college, surprised one of his customers by sitting down at his piano and effortlessly dispatching the third movement of Beethoven’s “Moonlight” Sonata (which, obviously, is not the sheet music on the piano). This would be remarkable in itself; but then Dudal claims to be entirely self-taught.

    Here’s the full “story,” complete with inane newscaster commentary:

    If you listen closely, you can hear he’s transposed it to Cheese sharp minor.

  • Marlboro Music Festival Beethoven & Spohr

    Marlboro Music Festival Beethoven & Spohr

    Caution! Musicians at play!

    The Marlboro Music Festival will present this summer’s opening concerts this weekend, in Marlboro, VT. Extraordinarily talented young performers will share the stage with seasoned veterans when presenting music by Mozart, Copland and Schumann (Saturday) and Beethoven, Schubert, Nielsen and Schumann (Sunday). For the complete schedule and to plan your visit, look online at marlboromusic.org.

    Then join me this Wednesday evening on The Classical Network, for performances by Marlboro musicians of works by Ludwig van Beethoven and Ludwig “Louis” Spohr.

    In his day, Spohr was as highly regarded as Beethoven. A triple threat – a violinist, a conductor, and a composer – he churned out music in all genres. He wrote nine symphonies, ten operas, fifteen violin concertos, four clarinet concertos, and 36 string quartets. Add to that, innumerable chamber works for all sorts of instrumental combinations – with a special emphasis on the harp, since it was the instrument of his wife, with whom he often appeared in concert.

    Following his death, in 1859, his reputation plummeted. It wasn’t until the late 20th century that his music underwent a significant revival.

    We’ll hear Spohr’s Sextet in C major, Op. 140, a comparatively late work, but one infused with a remarkably youthful spirit. A supporter of German unification, republicanism, and democratic causes, Spohr was inspired by the revolutions that swept across Europe in 1848.

    From the 1980 Marlboro Music Festival, we’ll enjoy a performance by violinists Pina Carmirelli and Veronica Knittel, violists Philipp Naegele and Karen Dreyfus, and cellists Peter Wiley and Georg Faust.

    Spohr was a friend and colleague of Beethoven. He participated in a memorable run-through of Beethoven’s “Ghost” Trio, with the composer banging away at an out-of-tune piano. He also played in the premiere of Beethoven’s Seventh Symphony.

    With their association in mind, we’ll also hear Beethoven’s Wind Octet in E-flat major, Op. 103, from 1792. The 1957 recording will feature Marlboro cofounder Marcel Moyse as director of an ensemble made up of oboists Alfred Genovese and Earl Schuster, clarinetists Harold Wright and Richard Lesser, bassoonists Anthony Checchia and Roland Small, and hornists Myron Bloom and Richard Mackey.

    I hope you’ll join me for music by the two Ludwigs, this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Poulenc Beethoven Scherzo? Music from Marlboro

    Poulenc Beethoven Scherzo? Music from Marlboro

    Is it just me, or does Francis Poulenc playfully riff on the scherzo to Beethoven’s “Eroica” Symphony in the third movement of his Trio for Oboe, Bassoon and Piano? Maybe not, but I’m going to go with it, since the potential delusion serves as an excellent excuse for me to juxtapose music of Poulenc and Beethoven on this week’s “Music from Marlboro.”

    Poulenc’s Trio, composed in 1926, begins very somberly indeed, before taking off with irrepressible joie de vivre. The central movement is both elegant and wistful in a manner characteristic of this composer, and the cheeky finale is presented with an ironic smile. We’ll hear a 1972 performance featuring oboist Rudolph Vrbsky, bassoonist Alexander Heller, and pianist Seth Carlin.

    Then Pablo Casals will preside over a makeshift orchestra consisting of dozens of musicians at the 1969 Marlboro Music Festival for a warm traversal of Beethoven’s Symphony No. 4. (While Casals conducted a number of the Beethoven symphonies at Marlboro, he did not do the “Eroica.”) The legendary cellist was affiliated with the Marlboro festival for the last 13 years of his life, from 1960 to 1973.

    Robert Schumann once characterized the symphony as “a Greek maiden between two Norse giants” – certainly a provocative image. We’ll temper this very Teutonic utterance with a splash of Gallic insouciance, on “Music from Marlboro,” this Wednesday at 6 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page


    PHOTO: A caricature of Beethoven adorning a dinner plate designed by Jean Cocteau; decades earlier, Cocteau was responsible for promoting Poulenc and five of his composer-colleagues as the collective “Les six”

  • Handel The Greatest Composer Ever?

    Handel The Greatest Composer Ever?

    Beethoven is remembered to have praised Handel on numerous occasions. “Handel is the greatest composer who ever lived,” he said. “I would uncover my head and kneel down on his tomb.” On his deathbed, he indicated an edition of Handel’s works and said, “There is the truth.”

    Upon hearing the “Hallelujah Chorus,” Haydn wept and declared, “He is the master of us all.”

    Mozart said, “He understands effect better than any of us – when he chooses, he strikes like a thunderbolt.”

    Berlioz? Berlioz called him “a tub of pork and beer.” Knowing what I do of Handel, he probably would have enjoyed that best of all.

    Happy birthday, George Frideric Handel (1685-1759).


    “Ariodante” was the opera I hated most when I first heard it in 1990. Now I hold it dear. Funny how things change.

    “Scherza infida”

    “Dopo notte”

  • Happy Birthday Beethoven Celebrate with Lost Symphony

    Happy Birthday Beethoven Celebrate with Lost Symphony

    Happy birthday, Beethoven!

    The Classical Network wrapped up its anticipatory day-long celebration yesterday evening at 6:00. We were hoping to raise $8000, an amount tied in numerically to our 35th anniversary (3+5 = 8; get it?), but we came up a little shy at around $6500 – and that thanks to a couple of very generous listeners who stepped up fairly late in the game.

    Regrettably, this meant I was unable to fulfill my personal ambition to share with you a dynamite complete performance of Beethoven’s Ninth Symphony, which I was hoping to play if we met our goal by about 4:50. I really worked hard on the selection, too!

    In case you are curious, the recording features Leontyne Price, Maureen Forrester, David Poleri, and Giorgio Tozzi as the vocal soloists, with the New England Conservatory Chorus and the Boston Symphony Orchestra conducted by Charles Munch. This misplaced treasure, from 1958, was buried deep in my personal library, as part of EMI’s Great Conductors of the 20th Century Series. Everyone in the studio was blown away by the hell-bent intensity of the finale, which was all we had time for. I ruefully commented that if we had been able to hear the first and second movements, as I had hoped, they would have realized that by the end Munch and crew sound almost winded by comparison.

    Alas, any airing of the Ninth is and should be a special occasion, so this now-cherished recording will go back on my shelf until the next opportunity. Or you can listen to it here:

    Thank you to all of you who kept the day from being a total “bust.” (Cue Schroeder.) We will still be accepting contributions over the weekend, if you’d like to send a little gift in the name of Ludwig Van, by way of wwfm.org. Thank you for supporting WWFM – The Classical Network, and more great music to you for the holidays and the year to come.

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