Tag: Benjamin Britten

  • Heather Harper Soprano Dead at 88

    Heather Harper Soprano Dead at 88

    News of the death of soprano Heather Harper has been fanning out across British media since her passing on Monday at the age of 88, and obituaries are now beginning to appear on our shores.

    Harper, who is closely identified with the works of Benjamin Britten, is probably best known for having stepped in for Galina Vishnevskaya, when the latter was unable to obtain permission from the Soviet authorities to sing in the premiere of Britten’s “War Requiem.” (Vishnevskaya does, however, appear on the classic recording.) The other soloists on that occasion were Peter Pears and Dietrich Fischer-Dieskau. Britten’s requiem was presented to mark the consecration of the reconstructed Coventry Cathedral. The original 14th century structure was destroyed by bombing in World War II.

    Harper also sang in André Previn’s classic recording of Vaughan Williams’ “Pastoral Symphony.” Her other achievements are layed out in this appreciation in the Washington Post.

    https://www.washingtonpost.com/local/obituaries/heather-harper-versatile-british-operatic-soprano-dies-at-88/2019/04/24/4828423c-65e3-11e9-8985-4cf30147bdca_story.html?utm_term=.9512aac40924

  • Celebrating Purcell on The Classical Network

    Celebrating Purcell on The Classical Network

    On this, the birthday of one of England’s great composers, expect to receive a parcel of Purcell from The Classical Network.

    Henry Purcell (1659-1695) was the outstanding composer of Restoration England, some would say of all English history. No native composer came anywhere near his stature until the end of the 19th century and the emergence of figures like Sir Edward Elgar.

    Purcell achieved much in his 36 years. He was at the forefront of the flowering of English music after the Restoration of the monarchy. He served at Westminster Abbey under three kings. Among his other duties, he was an organist. He died at the height of his career, in 1695. Tradition has it that he caught a chill when his wife locked him out in the cold, after one too many late nights lingering at the tavern with his theatrical associates. He now rests in Westminster, near his former instrument.

    Purcell stands apart as the most original thinker among English composers of his era. His music is often playful and sometimes quirky. Sir Peter Maxwell Davies takes that quirkiness and runs with it. His “Fantasia upon a Ground and Two Pavans” incorporates a foxtrot and imitates the effect of a gramophone running down and having to be cranked up again, only to have the stylus get stuck in a groove.

    Michael Nyman’s music for the Peter Greenaway film “The Draughtsman’s Contract” takes Purcell’s “The Fairy Queen” and whips it up into a musical egg cream complete with 1950s-style rock and roll saxophones. Purcell is listed in the film’s credits as “musical consultant.”

    Poul Ruders’ “Concerto in Pieces (Purcell Variations)” was composed in 1995 for the tercentenary of Purcell’s death and the 50th anniversary of Benjamin Britten’s “Variations and Fugue on a Theme of Purcell” – better known as “The Young Person’s Guide to the Orchestra.” I can’t imagine we’ll be able to get through the entire afternoon without hearing Britten’s most frequently performed work. In fact, I’ll be bringing a recording narrated by none other than Sean Connery.

    We’ll also hear a violin concerto by Swedish composer Tor Aulin, born on this date in 1866, and a string quartet by Sholom Secunda.

    Secunda’s quartet is a very happy discovery of music by a composer known mostly for his work in the Yiddish theater. The piece incorporates traditional Jewish melodies that appear to have been selected somewhat arbitrarily. However, some of them do pertain to the High Holy Days. (Shana tova!) If you have a soft spot for the quartets of Dvořák or Borodin, I think you will really enjoy this.

    It will be an afternoon peppered with Purcell, further spiced by a few tributes and tributaries, today from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Moonrise Kingdom & Noye’s Fludde on WPRB

    Moonrise Kingdom & Noye’s Fludde on WPRB

    Any “Moonrise Kingdom” fans out there?

    Wes Anderson’s deadpan narrative about first love, dysfunctional adults, and an impending hurricane makes heavy use of Benjamin Britten’s “Noye’s Fludde” (“Noah’s Flood”). Britten’s biblical drama in music, inspired by a medieval mystery play, employs a costumed children’s chorus to represent the various animals on the ark.

    “Noye’s Fludde” will be the featured highlight this morning on WPRB, as we immerse ourselves in music related to excessive precipitation, swelling floodwaters, and uplifting rainbows. It’s the natural extension of a soggy week in the Princeton area, with showers and thunderstorms expected to continue through at least Tuesday.

    We’ll throw you a lifesaver, this Sunday morning from 7 to 10 EDT, on WPRB 103.3 FM and wprb.com. Prepare to be taken by storm, on Classic Ross Amico.

  • Britten’s War Requiem Love & War on WWFM

    Britten’s War Requiem Love & War on WWFM

    “War is sweet to those who have no experience of it, but the experienced man trembles exceedingly at heart on its approach.” Unfortunately, little has changed since the Greek poet Pindar wrote those words 2600 years ago.

    Benjamin Britten’s powerful and moving “War Requiem” was written in 1961-62 for the consecration of a rebuilt Coventry Cathedral, after the original 14th century structure was destroyed by bombs during World War II. The work interweaves poetry of Wilfred Owen with traditional texts from the Mass for the Dead. Owen was killed in action in 1918, one week before the signing of the Armistice that ended World War I. The “War Requiem” became an instant classic, embraced by audiences and critics around the world and documented on a recording that became an unlikely bestseller.

    Britten’s masterpiece will be performed at Princeton University’s Richardson Auditorium, in Alexander Hall, tonight and tomorrow at 7:30 p.m. Vocal soloists Sarah Pelletier, William Burden, and Andrew Garland will join the combined forces of the Princeton University Glee Club, Princeton Pro Musica, the Princeton High School Women’s Choir, and the Princeton University Orchestra, conducted by Michael Pratt. The performances take place in a year that marks the centenary of the end of World War I, which went into effect at the 11th hour of the 11th day of the 11th month of 1918.

    Because of the work’s massive demands, seating will be even more limited than usual, with the performers spilling off the stage and into the audience. Can’t get in? Join us tonight on The Classical Network to hear a live broadcast, beginning at 7:30 p.m. EDT.

    Filmmakers, and writers before them, have long realized that nothing heightens the affect of romantic passion in narrative form quite like the turbulent backdrop of war. War supplies impediments, spectacle, often tragedy – and possibly even a few Oscars.

    This week on “Picture Perfect,” there will be plenty of valor, nobility, and sacrifice to tug at the heart strings, as we examine love in time of war, with music from “Casablanca” (Max Steiner), “Doctor Zhivago” (Maurice Jarre), “The English Patient” (Gabriel Yared), and “Cyrano de Bergerac” (Dimitri Tiomkin). Join me for an hour of impossible love, missed opportunities, and doomed romance, this Friday evening at 6:00 EDT.

    Then stay tuned for Britten’s “War Requiem,” beginning at 7:30, on WWFM – The Classical Network and wwfm.org.

  • St Nicholas Day Miracle on WWFM

    St Nicholas Day Miracle on WWFM

    Happy St. Nicholas Day!

    Coming up on WWFM at 4:30 p.m. EST, it’s “The Miracle of Saint Nicholas” by Joseph-Guy Ropartz. Ropartz, a native of Brittany, and a pupil of Jules Massenet and César Franck, focuses on the infamous Nicholas legend in which three boys are slain by a butcher, and chopped up and pickled in brine, with the aim of passing them off as ham. Nicholas restores the youths, and the butcher repents. The story would later be set by Benjamin Britten, as part of his cantata, “Saint Nicholas.”

    ‘Tis the season, on WWFM – The Classical Network and wwfm.org.

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