Tag: KWAX

  • Remembering Ronald Corp British Light Music Champion

    Remembering Ronald Corp British Light Music Champion

    Although I was certainly familiar with the work of Eric Coates and Albert Ketèlbey, it was Ronald Corp, more than anyone, who introduced me to the wider world of British Light Music, a genre he championed on four albums released on the Hyperion Records label. After all, as an American, how else was I supposed to hear this stuff? This is music of a type that was once played on English radio, in department stores, and by palm court orchestras – by design, undemanding, uplifting, and insistently memorable.

    This week on “Sweetness and Light,” we remember – and celebrate – Corp, who died on May 7 at the age of 74. We’ll hear light music classics by Robert Farnon, Clive Richardson, Edmund White, Cecil Armstrong Gibbs, Charles Williams, Ronald Binge, and Trevor Duncan. I imagine generations of Americans might be surprised to learn that one of the pieces was borrowed by children’s show host Bob Keeshan for the theme to his television program “Captain Kangaroo!”

    Corp was also an enthusiast of, at best, dimly-recollected English musical comedies dating back to the time of Arthur Sullivan. We’ll hear selections from two of these, Sidney Jones’ “The Geisha” and Harold Fraser-Simson’s “The Maid of the Mountains.”

    I’m only sorry I had to cut out so much from this morning’s program. I got a little carried away, between selecting music and my own spoken contributions, and I wound up having to trim a good 15 or 20 minutes off the show! (Alas, Arthur Sullivan’s pre-W.S. Gilbert opera, “The Contrabandista,” had to be jettisoned to the cutting room floor.)

    Corp was also a composer himself, and an Anglican priest! He recorded much else besides, including albums devoted to European and American Light Music classics; also more substantial – some would say “more serious” – fare. Most of these were issued on Hyperion and Dutton Vocalion Records.

    Personally, I feel like I owe Corp a lot, as it only occurs to me now, that he was probably the single greatest influence on my creation of this show. Now I wish there were some way I could tell him.

    Music of this sort is often deceptively simple – breezy, carefree, a tad sentimental, and fun – but it takes a special talent to be able to craft miniature masterpieces that, at their best, satisfy through ingratiating melody, imaginative color, and evocative mood.

    We’ll trip the light fantastic with light music recordings of Ronald Corp, on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Mother’s Day Music on KWAX

    Mother’s Day Music on KWAX

    In a rare display of efficiency and common sense, learned from Mom, I promote both my Saturday specialty shows – “Sweetness and Light” and “The Lost Chord” – within a single post, under the unifying theme of Mother’s Day.

    First the light stuff, as we indulge in a suite of sweets on nursery themes by Grace Williams, Charles Williams, and Vaughan Williams (all unrelated). Also, Wolfgang Amadeus Williams – er, I mean Mozart.

    Of course, Mom deserves more, so we’ll also hear Yo-Yo Ma (despite his name, not really a mother, though if inflected a certain way when spoken, guaranteed to get Mom’s attention) and Luciano Pavarotti (accompanied by Henry Mancini, no less).

    Start the day with a musical candygram on “Sweetness and Light, this Saturday morning at 11:00 EDT/8:00 EDT.

    Then drop back later, as we go long-hair, on “The Lost Chord,” with an hour of more substantial works honoring mothers.

    Josef Suk, former pupil and son-in-law of Antonín Dvořák, composed the bittersweet cycle of piano pieces “About Mother” to enshrine his tenderest memories of his wife – Dvořák’s daughter Ottilie – in music, for his son, who would have been too young at the time of her death to remember her himself.

    Craig Russell conceived the second movement of his Symphony No. 2, “American Scenes,” as a homage to his mother. Given the title “Gate City: Methodist Hymn,” the work is intended not only as a reflection of her personal faith but also the Appalachian beauty of her hometown of Gate City, Virginia.

    Finally, Camille Saint-Saëns had his mother very much in mind when he composed his Cello Sonata No. 1. Here, the second movement is constructed on a theme from Giacomo Meyerbeer’s opera “L’Africaine,” of which his mother was particularly fond. Her influence also looms over the last movement, which the composer wrote as a hasty replacement after she objected to the original version (which was premiere at one of her salons). Gabriel Fauré described the sonata as one of Saint-Saëns’ finest works.

    Mama knows best, on “I Remember Mama,” on “The Lost Chord,” this Saturday evening/afternoon at 7:00 EDT/4:00 PDT.

    It’s a multifaceted celebration of Mom for Mother’s Day, on “Sweetness and Light” AND “The Lost Chord,” exclusively on KWAX, the radio station of the University of Oregon!

    Stream them wherever you are at the link:

    https://kwax.uoregon.edu/

  • Swedish Spring Music on The Lost Chord

    Swedish Spring Music on The Lost Chord

    This week on “The Lost Chord,” we focus on “The Virgin Spring.” No, not the Bergman film, in which Max von Sydow exacts terrible vengeance on those who… well, nevermind. See the movie.

    Anyway, the show’s not about that. The spring in the film is a body of water, a symbol of rebirth and renewal. But we’re using “spring” in the purely seasonal sense, as we enjoy an hour of vernal expressions by Swedish composers.

    We’ll hear Gunnar de Frumerie’s “Pastoral Suite” and two works by Wilhelm Peterson-Berger: Book III from “Flowers of Frösö” and the “Earina Suite.” “Earina,” derived from the Greek “earinos,” meaning “spring-like,” according to the composer, conjures a world of “cult deeds and magic rites… belonging to some undefined natural religion.”

    Nobody does spring quite like the Swedes. I hope you’ll join me for an hour of well-seasoned music, on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Avian Music Playlist Sweetness and Light KWAX

    Avian Music Playlist Sweetness and Light KWAX

    This week on “Sweetness and Light,” I’ve assembled a playlist of avian music for the month of May.

    Yes, yes, I’ve programmed Ottorino Respighi’s “The Birds,” his evergreen suite for small orchestra based on musical bird portraits of the 17th and 18th centuries, and Handel’s Organ Concerto in F major, “The Cuckoo and the Nightingale.”

    But I’ve also included a lesser-heard selection by Hubert Parry, from his incidental music for Aristophanes’ “The Birds,” a bridal march revived for the weddings of both Princess Elizabeth (soon to be Elizabeth II) and Prince William; a piece of light music kitsch juxtaposing bird song and chanting monks by Albert Ketèlbey; and a galop by Danish composer Hans Christian Lumbye, the Johann Strauss of the North, celebrating the exotic birds of the Tivoli Volière.

    Finally, it’s very much my pleasure to have dusted off some vintage recordings of Elisabeth Schumann (whose hobby it was to engage in bird-whistling) and John McCormack, who will sing works by Carl Zeller and Eric Coates, respectively.

    Better start lining the cage with newspaper. It’s “For the Birds” this week on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Shakespeare’s Birthday Celebration on KWAX

    Shakespeare’s Birthday Celebration on KWAX

    Some are born great, some achieve greatness, and some have greatness thrust upon them.

    We don’t know exactly when Shakespeare was born, but he was baptized on April 26, 1564 – which means it could have been a few days earlier. Since he died on April 23, 1616, and because everyone loves symmetry, his birthday is most commonly observed on the presumptively-shared anniversary of his death. His little life may have been rounded with a sleep, but posterity has fluffed the pillows in an impulse to keep things tidy.

    At any rate, we hardly need an excuse to celebrate his plays, which have inspired lots of colorful music. This morning on “Sweetness Light,” we’ll quaff our fill of Shakespearean comedy, with selections by Otto Nicolai, Edward German, Felix Mendelssohn (as transcribed and performed by Sergei Rachmaninoff), and William Walton.

    We’ll also hear a fragment of a projected opera by Pyotr Ilych Tchaikovsky on the subject of “Romeo and Juliet,” left incomplete at the time of the composer’s death. It was edited and orchestrated by his pupil, Sergei Taneyev. You may not know the fragment, but you will most definitely recognize the thematic material!

    Partying is such sweet sorrow. We’ll celebrate the Bard on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/


    IMAGE: William Hamilton, “As You Like It” (1790)

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