Tag: Labor Day

  • Labor Day Crossword Music & Work Puzzle

    Labor Day Crossword Music & Work Puzzle

    Labor Day may be a day for leisure, but this week’s Classic Ross Amico crossword is all about music and work.

    To fill out the puzzle, follow the link and select “solve online” at the bottom of the page. You’ll then be able to type directly into the squares. Once you feel you’ve exhausted the puzzle, you’ll find the solutions by clicking on “Answer Key PDF.”

    An idle mind is the devil’s workshop. Keep yourself occupied here:

    https://www.armoredpenguin.com/crossword/Data/2020.09/0605/06055955.150.html

  • On the Waterfront Labor Day Classical

    On the Waterfront Labor Day Classical

    Johnny Friendly is running this racket. So “Picture Perfect” has been moved to Saturday at 6 pm, see?

    It will be an all-American program for Labor Day weekend, including Leonard Bernstein’s music for “On the Waterfront” (1954) – Elia Kazan’s exposé of sleazy underworld corruption along the docks of Hoboken – alongside selections from Aaron Copland’s “The Red Pony” (1949), Virgil Thomson’s “Louisiana Story” (1948), and Elie Siegmeister’s “They Came to Cordura” (1959).

    Both the Bernstein and Copland are rare documents taken from the films’ original recording sessions. Thomson’s “Louisiana Story” is the only film score ever to have been awarded a Pulitzer Prize. And Siegmeister’s “They Came to Cordura” is the source of “Picture Perfect”s striking theme music.

    Following tonight’s broadcast, stick around for Rachel Katz’s “A Tempo” at 7:00. Her guest this week will be none other than Patrick Stewart, who will talk about his recent film, “Coda” (in which he plays a classical pianist), and the transformative power of the arts.

    I coulda had class. I coulda been a contender. I coulda been somebody – instead of a bum, which is what I am.

    I ain’t no canary, but this new time slot, Saturday at 6 pm EDT, is for the birds – literally – on WWFM – The Classical Network and wwfm.org.

  • Labor Day Paul Robeson Sings Joe Hill

    Labor Day Paul Robeson Sings Joe Hill

    Labor Day. Princeton’s own Paul Robeson sings “Joe Hill.”

  • Labor Day Concert: Music for Workers and Wonders

    Labor Day Concert: Music for Workers and Wonders

    Sorry to be posting so late, but I had some computer woes this morning, so I am racing to ketchup – er, catch up, I mean. Not surprisingly, I am distracted by thoughts of Labor Day.

    Get ready for a real labor of love, as we hear selections about work and the worker, punctuated by music inspired by man-made and natural wonders. On the roster is Tobias Picker’s “Keys to the City” (written to mark the 100th anniversary of the Brooklyn Bridge), John Alden Carpenter’s ballet “Skyscrapers,” Samuel Jones’ Symphony No. 3 (a musical response to Texas’ Palo Duro Canyon), and Jett Hitt, Composer’s “Yellowstone” for violin and orchestra. Hitt, who holds a doctorate in composition, conducts guided horseback tours at the national park!

    In addition, there will be lighter pieces about picnic foods and gazebo dances.

    I hope your Stanley thermos is full of iced coffee. Put away your hard hat and lunch pail and join me for one final helping of baked beans and corn-on-the-cob for Labor Day, this afternoon from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTOS: Bernstein, Gershwin, and Copland wring the last from their summer

  • Atlanta Symphony Celebrates Labor Day

    Atlanta Symphony Celebrates Labor Day

    On this eve of Labor Day, it’s an hour of American music courtesy of the Atlanta Symphony Orchestra.

    The Philadelphia-based Pultizer Prize winner Jennifer Higdon composed “On a Wire” for the new music sextet known as Eighth Blackbird. A concerto grosso of sorts for six soloists, the piece begins with the musicians gathered around an open-lidded piano, most of them bowing the strings. The composer asks the listener to imagine six blackbirds sitting on a wire.

    We’ll follow that with “Q.E.D.: Engaging Richard Feynman,” by Michael Gandolfi. Feynman, the noted physicist and Nobel laureate, was as renowned for his wit as for his inquisitive mind. Gandolfi’s piece does not focus on scientific inquiry. Rather it takes as its starting point two anecdotes shared by the physicist in interviews with the BBC, which the composer discovered on YouTube. In performance, the video clips were shown to the audience preceding the work’s two sections. Understandably, these have been omitted from the recording.

    The sections themselves are settings of texts by various poets illustrating a specific theme. The first concerns a challenge put by an artist friend of Feynman suggesting that as a scientist he cannot truly appreciate the beauty of a flower. Feynman counters that scientific knowledge, a greater understanding of the flower, only adds to its beauty, rather than detracts.

    The second grows out of an anecdote concerning Feynman’s boyhood ignorance of the name of a certain kind of bird, a brown-throated thrush, and his realization that a name tells one nothing about the bird, but rather something about the people of various cultures who named the bird. He concludes, “Now, let’s look at the bird.”

    Part One is titled “On Waking,” and includes settings of Gertrude Stein, Emily Dickinson and the Irish Republican poet Joseph Campbell. Part II, “Song of the Universal,” includes settings of Walt Whitman, Ralph Waldo Emerson and Siegfried Sassoon.

    The sung texts are mostly incomprehensible. However, it sure is nice to listen to.

    Join me for an hour of Georgia peaches, with the Atlanta Symphony Orchestra, this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

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