Tag: Opera

  • Princeton Festival Streams Free Music & Opera Online

    Princeton Festival Streams Free Music & Opera Online

    The Princeton Festival is picking up a good head of steam, heading into its first weekend.

    The festival’s 2020 public performance season was canceled over valid concerns about the coronavirus pandemic. But in its place, as something of a stay-at-home stop-gap, we now have “Virtually Yours,” a free online series of live and recorded performances of instrumental and vocal music, musical theater, opera, and poetry, along with educational presentations, streamed daily throughout the month of June.

    Today, enjoy a recital by organist Matt Middleton, performing on the Aeolian-Skinner organ of Princeton University Chapel. The program was original presented in 2013, and includes works by Liszt, Mendelssohn, Schumann, Karg-Elert (after Wagner), Rheinberger, and Reubke.

    Then tomorrow, stream the first of four Sunday operas from the Princeton Festival archive. Puccini’s “Madama Butterfly” will begin at 1 p.m. EDT.

    Mozart’s “The Marriage of Figaro” will follow on June 14; John Adams’ “Nixon in China” will be offered on June 21; and Wagner’s “The Flying Dutchman” will conclude the series on June 28.

    These performances will be streamed ONCE, beginning at 1 PM, SHARP, so be there, or be square! Princeton’s opera productions are uniformly fabulous, so do yourself a favor and definitely check them out.

    As a bonus, I am very happy to report that the Festival will be streaming Rachmaninoff’s rarely-seen, one-act opera “Francesca da Rimini” on Tuesday, June 23. This is a souvenir of the 2012 festival and was originally presented on a double-bill with Puccini’s “Gianni Schicchi.” Again, it’s very much worth seeing.

    Of course, the Princeton Festival isn’t just about opera. The New York jazz and swing band Fleur Seule will lend a touch of elegance to a special Latin-themed concert to be presented next Saturday at 5 p.m.; a live musical theater revue will take place on June 20 at 8 p.m.; and a dozen poets from around the world will share some of their work on June 22.

    Don’t forget, several of the events will air exclusively on WWFM – The Classical Network, including concerts of the Princeton Festival Baroque Orchestra and pianist Rachel Cheung 張緯晴. These programs will be broadcast on Fridays at 8 p.m. and can be heard locally at 89.1 FM, or anywhere online at wwfm.org.

    All other events stream free from the Princeton Festival website. This week’s past offerings are still available, so you might want to set aside a little time this weekend to binge!

    Check out the complete schedule and register for email notifications of upcoming events at princetonfestival.org.

  • Lulu Act I Interrupted Building Crash

    Lulu Act I Interrupted Building Crash

    I got through Act I of Alban Berg’s “Lulu”…

    And then a tree fell on my building!

  • Mady Mesplé Opera Legend Dies at 89

    Mady Mesplé Opera Legend Dies at 89

    I am sorry to learn that soprano Mady Mesplé has died. For years, she was opera’s reigning Lakmé.

    https://www.youtube.com/watch?v=XWA9jgaM8E4

    You may recall the use of her recording of the “Flower Duet” for a certain airline advertising campaign.

    By coincidence, I only just referenced this aria (below) in today’s Classic Ross Amico crossword. You’ll find a link to the puzzle in an earlier post on my Facebook page.

    Mesplé was 89 years-old. A more complete appreciation here:

    https://www.gramophone.co.uk/classical-music-news/article/the-french-soprano-mady-mesple-has-died

  • Wagner’s Birthday A “Parsifal” Pilgrimage

    Wagner’s Birthday A “Parsifal” Pilgrimage

    Happy birthday, Richard Wagner!

    It was sometime around 1983 or ’84 that my best buddy from high school and I determined to catch a screening of Hans-Jürgen Syberberg’s “Parsifal” at Lehigh University. Neither of us knew much about the opera at that point, but we both loved the film “Excalibur” and were at the very least familiar with the mystical prelude Wagner had composed.

    As my friend climbed into the car, he commented, “I think we’re in for a real treat. Listen to this!” Then he read to me the synopsis from Kobbé’s or Milton Cross or the equivalent. When he reached the part where Parsifal snatches Klingsor’s spear out of midair, destroying his power, we were both like, “Whoaaa.” We were ready for some serious action!

    When we arrived, we learned that the film was being presented in an auditorium with a raked floor. I remember it was raked, because at some point during the showing, an empty bottle of spirits rolled down past our feet, clanking against the chair legs as it went.

    The film was presented the old-fashioned way, on a projector, pre-digital, so periodically the tail leader would run out and the lights would have to be switched on, so that the reels could be changed. Along the way, there were also a few technical difficulties, significantly padding the film’s already four-hour-plus running time.

    Anyway, it was excruciating – which is to say, we enjoyed ourselves mightily. There was so much to laugh at and groan through. The actor who played Klingsor was totally out of shape. When he raised his spear, he must have had an aneurysm or something, because instead of hurling it like a javelin, as described in Kobbé, he simply tumbled into a ravine. We were especially amused by the revelation toward the end that the entire production was supposed to have taken place inside a gigantic bust of Wagner.

    Otherwise, Syberberg’s was a fairly straightforward interpretation, though curiously he chose to have actors stand in for the singers on the film’s soundtrack, a decision I can’t say made it any less silly. Oh yeah, there was also a passage, just before the “bust” revelation, that had knights proceeding down a long stone hallway, lined with swastika flags (???). Obviously, this was a work of genius.

    By the time it finally ended, and someone switched on the lights for probably the sixth or seventh time, we staggered out of the building, wearing conspiratorial grins, only to discover a fog had rolled in. It was now ludicrously late. Driving back on Route 22 was like crossing the North Sea in a dragon boat.

    When I arrived home, it was around 2:00 in the morning, and my mother was on pins and needles. What happened? What had we gotten up to? I shared a mercifully abridged account of our Wagnerian adventure. We were not dead in a ditch. Nor were we rotting in a police cell. We were merely watching “Parsifal.”

    Why is this film, presented by Francis Ford Coppola, not available on DVD???

    https://www.youtube.com/watch?v=Mic_EOGOTzE

  • Princeton Festival Goes Virtual in 2020

    Princeton Festival Goes Virtual in 2020

    COVID-19 may have put the kibosh on in-person events, but The Princeton Festival, like life, finds a way.

    The June 2020 public performance season has been canceled due to the coronavirus pandemic. But in its place, the Festival has announced “Virtually Yours,” a free online series of live and recorded performances of instrumental and vocal music, musical theater, opera, and poetry, plus educational presentations, to be streamed every day, from June 1 to June 28.

    “This online program maintains the high artistic quality Princeton Festival audiences have come to expect in a variety of genres, both classical and popular,” says Richard Tang Yuk, PF Executive and Artistic Director. “It includes totally new material prepared especially for us by leading artists, plus performances from our recorded archives. We’re confident audiences will find it to be an exciting and engaging series of events.”

    Highlights of the “Virtually Yours” online festival will include the following (all times are EDT):

    • Videos of four Festival opera productions, each streamed just once on Sundays at 1 pm. The operas are Puccini’s Madama Butterfly (June 7), Mozart’s Le Nozze di Figaro (June 14), the acclaimed 2019 production of John Adams’s Nixon in China (June 21), and Wagner’s The Flying Dutchman (June 28).

    • A “Live Musical Theater Review” (Saturday, June 20, 8 pm).

    • Broadcasts of 2019 Festival concerts by Concordia Chamber Players, Van Cliburn competition pianist Rachel Cheung, and the Princeton Festival Baroque Orchestra and Chorus, airing Fridays at 8 pm on WWFM – The Classical Network at 89.1 FM and http://www.wwfm.org.

    • Videos of musical artists performing from their homes (various days).

    • Latin band Fleur Seule on Saturday, June 13.

    • A series of podcasts launched each Wednesday on such topics as “Women in Music” and “Costuming Operas and Musicals,” along with interviews with Shai Zohar, pianist, and Sylvia McNair, soprano.

    • Twelve renowned poets from the U.S., Japan, and China, reading poems on the theme of women, in a compilation of videos made especially for the Festival. To be released on Monday, June 22.

    • An Opera Workshop for people who want to learn more about the art form, starting Tuesday, June 9; and a Musical Workshop for aspiring singers beginning Monday June 15.

    • Lectures by prominent experts: Professor Timothy Urban on “Why We Love Opera” (Thursday, June 4) and Professor Stacy Wolf on “Beyond Broadway: The Pleasure and Promise of Musical Theater across America” (Thursday, June 18).

    A full roster of “Virtually Yours” events, with periodic updates to the schedule, may be viewed online at https://princetonfestival.org/virtually-yours/.


    PHOTOS (counterclockwise from top): Richard Tang Yuk conducts the Princeton Festival Orchestra; pianist Rachel Cheung; Mark Delavan as “The Flying Dutchman;” and Allyson Briggs of Fleur Seule

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