Tag: Ralph Vaughan Williams

  • English Nativity Settings: Parry & Vaughan Williams

    English Nativity Settings: Parry & Vaughan Williams

    This Sunday night on “The Lost Chord,” we’ll celebrate Christmas with an hour of English Nativity settings.

    Hubert Parry was part of the English Musical Renaissance – not the actual Renaissance, but rather that flowering of English music which took place at the close of the 19th century, after a nearly 200 year dearth of world class composers following the death of Henry Purcell in 1695.

    A professor at the Royal College of Music in London, Parry eventually became the school’s head. He influenced an entire generation of much better known composers, people like Ralph Vaughan Williams, Gustav Holst, John Ireland and Frank Bridge.

    We’ll be listening to Parry’s “Ode on the Nativity,” for soprano, chorus and orchestra, on a text by William Dunbar. The work was given its premiere in 1912 at the Hereford Three Choirs Festival, on the same day as Vaughan Williams’ “Fantasia on Christmas Carols.”

    Vaughan Williams wrote so much Christmas music. It’s remarkable that such a spiritual composer, who seemed particularly attracted to religious texts and Biblical subjects, was a self-proclaimed agnostic. At least by the end of his life he had softened his stance from atheism! He was particularly passionate about Christmas carols.

    We’ll be listening to the very last music he ever composed, “The First Nowell,” a nativity play arranged and adapted from medieval pageants by Simona Pakenham.

    Vaughan Williams worked diligently on the piece during his final month, but died before the work’s completion. Nonetheless, he had finished orchestrating two thirds of it and had mapped out the rest rather thoroughly. The finishing touches were applied by his assistant, Roy Douglas – he of “Les Sylphides” fame.

    By the way, Douglas just turned 107 on December 12! He is still listed on the board of the Ralph Vaughan Williams Society as its vice-president. Next to Douglas, Vaughan Williams was a mere lad while he was at work on the piece, at the age of 85.

    I hope you’ll join me for “A Play in a Manger,” this Sunday night at 10 ET, with a repeat Christmas Eve at 6; or that you’ll listen to it later as a webcast at http://www.wwfm.org.

    Merry Christmas!

    PHOTOS: Vaughan Williams with fur on his clothes; Parry with fur on his face

  • English Documentary Scores by Great Composers

    English Documentary Scores by Great Composers

    This week on “Picture Perfect,” we’ll have an hour of English documentary scores.

    In England, unlike in the United States, there is no delineation between “film composer” and “concert composer.” What is often regarded here as “hack work,” there is seen as just another aspect of what it means to be a working artist. There is no disgrace in a composer earning a living, and some of the nation’s greatest musicians – including those in the employ of the Royal Family – have contributed finely-crafted works to its body of cinema.

    We’ll hear music by Ralph Vaughan Williams, from “The People’s Land,” Benjamin Britten, from “The King’s Stamp,” William Alwyn, from “The Green Girdle,” and Sir Arthur Bliss, from “The Royal Palaces of Britain.” All four films are patriotic utterances on distinctly English themes.

    You may not have seen any of the movies, but the music is beautiful. I hope you’ll join me for selections from English documentaries, this Friday evening at 6 ET, with a repeat Saturday morning at 6; or that you’ll listen to it later, at your convenience, as a webcast, at http://www.wwfm.org.

    The complete documentary short, “The Green Girdle,” is posted on YouTube:

    https://www.youtube.com/watch?v=UWQDeD4J0As

    As is “The King’s Stamp”:

    https://www.youtube.com/watch?v=6gSsJHlLFg4

    Thank you, Internet!

    PHOTO: It’s not about what you think

  • Advent Calendar Day 2 Wassail Song & Recipe

    Advent Calendar Day 2 Wassail Song & Recipe

    ADVENT CALENDAR – DAY 2

    I had a deadline this morning, and car trouble, and a funeral, so I’m a little late posting today, but I hope the anticipation makes it all the more special.

    For me, the Christmas carol that best heralds the season is Ralph Vaughan Williams’ setting of this Wassail Song, native (like the composer) to Gloucestershire. Interesting that I would always associate it with the advent of Christmas, since apparently wassailing is tied in some traditions to Twelfth Night celebrations, which actually conclude the celebration of Christmas on January 6.

    I found this video of Father Christmas himself directing a Cleveland ensemble in the work. They can’t spell “choir,” but they sure can sing.

    Here’s a wassail recipe, if you’re interested. You also get a bit of history – including the origins of the custom we call toasting.

    Wassail

    Enjoy! Hic hic…

  • Douglas Lilburn New Zealand’s Musical Pioneer

    Douglas Lilburn New Zealand’s Musical Pioneer

    Being such a huge Sibelius fan, I remember being positively charmed by my discovery of the music of Douglas Lilburn. Lilburn is probably New Zealand’s most celebrated composer.

    Lilburn studied journalism and music at Canterbury University College, then part of the University of New Zealand, before embarking for London’s Royal College of Music. There he was tutored by Ralph Vaughan Williams. The two remained good friends, with Lilburn sending his former teacher gifts of New Zealand honey.

    Lilburn made his mark at home not only as a composer, but as a conductor and a noted teacher. For decades, he was associated with Victoria University in Wellington, beginning in 1947.

    Astonishingly, for one whose own music was so rooted in tradition, Lilburn founded the first electronic music studio in Australasia. This followed visits to electronic facilities at Darmstadt and the University of Toronto.

    Actually, his comparatively thorny Third Symphony signaled something of a turning point. Soon after its completion, in 1961, he shifted his attention exclusively to electronics, a field in which he spent the remainder of his career. Many of his works in the medium evoke the New Zealand landscape and the natural sounds he loved so well.

    Lilburn died in 2001. He was 85 years old. He has been described as “the elder statesman” and “grandfather of New Zealand music.”

    Happy birthday to this antipodean giant!

    Liliburn’s “A Song of Islands” (1946):

    The composer in the electronic music studio he founded:

    PHOTO: Lilburn in a whimsical mood

  • Ralph Vaughan Williams Birthday Folk Music Legend

    Ralph Vaughan Williams Birthday Folk Music Legend

    Today is the birthday of one of my favorite composers, Ralph Vaughan Williams. What does that say about me? I don’t care. I love his stuff.

    Vaughan Williams, of course, cultivated a musical language with its roots in English folk melody and the great Tudor traditions. Like Bartók and Kodály in Hungary, he helped rescue England’s rich rural musical heritage from extinction.

    Vaughan Williams was a musical democrat, who believed the works of the world’s greatest composers were a birthright of the common man. He bicycled around the countryside, not only notating songs of agricultural workers, but rehearsing village choirs for his beloved Leith Hill Festival, which he directed from 1905 to 1953.

    He adored the “St. Matthew Passion.” Since many of the singers could not read music, he would go through the work with them page by page.

    In middle age, my eyebrows seem to aspire to Ralph Vaughan Williams’ stature. I wonder if his compositional strength, Samson-like, was contained in those unruly tufts?

    Celebrate Vaughan Williams by listening to “The Running Set”:

    https://www.youtube.com/watch?v=SMPUYo1A_BU

    PHOTO: Vaughan Williams and Foxy, engaged in a shedding contest

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