Tag: Ralph Vaughan Williams

  • Armchair Travel Winter Films Classic Cinema

    Armchair Travel Winter Films Classic Cinema

    With the hustle and bustle of the holidays for the most part behind us and temperatures plummeting, January is a great time of year for armchair travel.

    This week on “Picture Perfect,” cozy in, but get a world view, as we drift beyond our shores for an hour of wintry scenes from world cinema, with entries from England, Finland, the Soviet Union, and Japan.

    Akira Kurosawa’s “Dersu Uzala” (1975) is one of the best of his later films, although it seems to have faded into the shadows of “Kagemusha” and “Ran.” The plot centers on an early 20th century friendship between a Russian explorer and an East Asian trapper and hunter, who acts as his guide. This would be the last of Kurosawa’s works to be recognized with an Academy Award for Best Foreign Language Film. The music is by Isaac Schwartz.

    Snow again is in abundance in Finland’s “The White Reindeer” (1952). Set in Lapland, it tells the tale of a lonely herder’s wife, who visits a local shaman and is transformed into a shapeshifting, vampiric hind. The film was honored at the Cannes Film Festival with a special award for Best Fairy Tale Film, and at the Golden Globes as Best Foreign Film. Einar Englund wrote the music.

    Sergei Prokofiev’s concert suite from “Lieutenant Kijé” (1934) is very well known, but for some reason the film is not. In fact, it has been widely circulated in program notes that the film was never actually completed, which is false. It has not been available for purchase in the U.S. for as long as I can remember, but you can watch it here:

    Why The Criterion Collection has never gotten around to this one, I don’t know, but I’m sure there must be an explanation. The famous sleigh-ride, the “Troika,” begins just before the 45-minute mark. Note that the baritone on the soundtrack is none other than the composer himself, who thought the original singer employed for the purpose too refined.

    Finally, we head to the South Pole with Robert Falcon Scott, for “Scott of the Antarctic” (1948). England’s Ealing Studios is probably best recognized for its classic comedies of the 1950s, many of them starring Alec Guinness. There’s not much funny about this harrowing true story, with John Mills as Scott and the most celebrated film score by Ralph Vaughan Williams. Vaughan Williams’ music perfectly reflects the sublime, austere beauty of an impenetrable wilderness. Material from the score was later reworked and incorporated into his Symphony No. 7, the “Sinfonia Antartica” (using the Italian spelling.)

    Don’t forget your gloves and a hat! It’s a small world of cold this week, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Vaughan Williams Fan Must-See Event

    As a Vaughan Williams fan, I will definitely be attending this!

  • Vaughan Williams Birthday Radio Celebration

    Vaughan Williams Birthday Radio Celebration

    Ralph Vaughan Williams was born on this date in 1872. Since he happens to be one of my favorite composers, I couldn’t be more delighted that the anniversary happens to coincide with one my radio shows. I hope you’ll join me this morning on “Sweetness and Light” for what I guarantee will be a lovingly-curated Vaughan Williams miscellany.

    This will not be the usual collection of greatest hits (although we’ll enjoy one or two of those, as well). Among the rarer works will be the “Bucolic Suite” of 1900, when the composer was still feeling his way toward his mature style; also the “Stratford Suite,” made up of incidental music RVW provided for a number of the Shakespeare plays during the brief period he was music director at Stratford-on-Avon (1912-13). If you’re a Vaughan Williams fanatic, I’m sure you’ll recognize some of the melodies, derived from early music and folk song, many of which the composer employed in other, better-known works. The “Stratford Suite” appears on a new release, “Royal Throne of Kings,” chock-full of Vaughan Williams’ uncollected Shakespeare music, on the Albion Records label, the recording branch of the Ralph Vaughan Williams Society.

    Some of the music will be dreamy and luminous and some of it will be boisterous and earthy. You’re always safe with Uncle “Rafe.”

    Pour yourself a cuppa and join me for “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/


    PHOTO: Vaughan Williams takes a slug from the mug

  • Back to School with Sweetness and Light

    Back to School with Sweetness and Light

    This week on “Sweetness and Light,” we’re headed back to school.

    We’ll have frothy music on scholastic themes. None frothier than a head of beer, conjured perhaps by Emil Waldteufel’s “Estudiantina,” or “Band of Students.” Listeners of a certain age may associate this music with a popular jingle for Rheingold Beer. Clearly its inclusion suggests a double-significance – not that I condone riotous student behavior (unless, of course, I’m invited)!

    I’ll also share one of my favorite lesser-heard works of Ralph Vaughan Williams: the “Charterhouse Suite,” a collection of light dances for strings, named for the public school the composer attended, beginning at the age of 15. Pendants will add that the work was actually arranged from an earlier “Suite of Six Short Pieces” for piano.

    Franz Joseph Haydn’s Symphony No. 55 is often referred to as the “Schoolmaster.” Passages are said to be strikingly similar to those in a lost Haydn divertimento, identified as “The Schoolmaster in Love.” In particular, it’s been suggested that the dotted rhythm of the second movement of the symphony calls to mind a schoolmaster’s wagging finger – disrupted at intervals by musical sighs as he swoons with love.

    Along the way, we’ll also enjoy music by Richard Addinsell, Gilbert & Sullivan, and Sigmund Romberg.

    Put on your school clothes, boys and girls, and learn your lessons well. You’ll get a gold star when you join me for “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Remembering Sir Andrew Davis: Champion of English Music

    Remembering Sir Andrew Davis: Champion of English Music

    It is with sadness that I learn of the death of Sir Andrew Davis.

    Although Davis had a vast repertoire spanning all eras, he was always a great champion of English music, including the works of Ralph Vaughan Williams. At the time of his death, he was, in fact, president of the Ralph Vaughan Williams Society.

    I was lucky enough to have seen him in concert several times. Most memorably, he introduced and oversaw Olivier Messiaen’s reckless epic erotic mindblower, the “Turangalîla Symphony,” in Philadelphia. (What could be more erotic than the ondes Martenot?)

    On a later visit, he brought more heavy-breathing – this time literally, as there is actual breathing in the score – in the form of Sir Michael Tippet’s Symphony No. 4.

    Both works are rarely done – “Turangalîla,” a 20th century classic, because of its scale, and the Tippett, well, because it’s Tippett. (“Turangalîla” is programmed from time to time, but I never would have guessed that I would hear the Tippett a second time, years later, performed by the New Jersey Symphony!)

    Over the course of his career, Davis served as principal conductor of the Toronto Symphony Orchestra (1975-1988), the Melbourne Symphony Orchestra (2013-2019), and Lyric Opera Chicago (2002-2021), and chief conductor of the BBC Symphony Orchestra (1989-2000) and the Glyndebourne Festival Opera (1988-2000). He was a regular presence at the BBC Proms.

    He conducted Vaughan Williams’ Fifth Symphony in Baltimore last year, but sadly I was already overbooked that weekend (with, among other things, another performance of Vaughan Williams’ Fifth Symphony!).

    Davis died yesterday in Chicago at the age of 80. He had been living with leukemia. His wife, American soprano Gianni Rolandi, predeceased him in 2021.

    R.I.P.


    Vaughan Williams, Symphony No. 5

    Elgar, “The Dream of Gerontius”

    Walton, “Belshazzar’s Feast”

    From Messiaen’s “Turangalîla Symphony,” “Joy of the Blood of the Stars”

    Andrew Davis interviewed


    PHOTO: At the Last Night of the Proms in 2000

Tag Cloud

Aaron Copland (93) Beethoven (95) Composer (114) Film Music (125) Film Score (143) Film Scores (255) Halloween (94) John Williams (189) KWAX (229) Leonard Bernstein (101) Marlboro Music Festival (125) Movie Music (140) Opera (202) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (106) Radio (87) Ralph Vaughan Williams (85) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (268) Vaughan Williams (103) WPRB (396) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS