Tag: Ralph Vaughan Williams

  • Remembering Sir Andrew Davis: Champion of English Music

    Remembering Sir Andrew Davis: Champion of English Music

    It is with sadness that I learn of the death of Sir Andrew Davis.

    Although Davis had a vast repertoire spanning all eras, he was always a great champion of English music, including the works of Ralph Vaughan Williams. At the time of his death, he was, in fact, president of the Ralph Vaughan Williams Society.

    I was lucky enough to have seen him in concert several times. Most memorably, he introduced and oversaw Olivier Messiaen’s reckless epic erotic mindblower, the “Turangalîla Symphony,” in Philadelphia. (What could be more erotic than the ondes Martenot?)

    On a later visit, he brought more heavy-breathing – this time literally, as there is actual breathing in the score – in the form of Sir Michael Tippet’s Symphony No. 4.

    Both works are rarely done – “Turangalîla,” a 20th century classic, because of its scale, and the Tippett, well, because it’s Tippett. (“Turangalîla” is programmed from time to time, but I never would have guessed that I would hear the Tippett a second time, years later, performed by the New Jersey Symphony!)

    Over the course of his career, Davis served as principal conductor of the Toronto Symphony Orchestra (1975-1988), the Melbourne Symphony Orchestra (2013-2019), and Lyric Opera Chicago (2002-2021), and chief conductor of the BBC Symphony Orchestra (1989-2000) and the Glyndebourne Festival Opera (1988-2000). He was a regular presence at the BBC Proms.

    He conducted Vaughan Williams’ Fifth Symphony in Baltimore last year, but sadly I was already overbooked that weekend (with, among other things, another performance of Vaughan Williams’ Fifth Symphony!).

    Davis died yesterday in Chicago at the age of 80. He had been living with leukemia. His wife, American soprano Gianni Rolandi, predeceased him in 2021.

    R.I.P.


    Vaughan Williams, Symphony No. 5

    Elgar, “The Dream of Gerontius”

    Walton, “Belshazzar’s Feast”

    From Messiaen’s “Turangalîla Symphony,” “Joy of the Blood of the Stars”

    Andrew Davis interviewed


    PHOTO: At the Last Night of the Proms in 2000

  • Douglas Lilburn New Zealand’s Musical Grandfather

    Douglas Lilburn New Zealand’s Musical Grandfather

    Being such a huge Sibelius fan, I remember being positively charmed on my discovery of the music of Douglas Lilburn. Lilburn is probably New Zealand’s most celebrated composer.

    Lilburn studied journalism and music at Canterbury University College, then part of the University of New Zealand, before embarking for London’s Royal College of Music. There he was tutored by Ralph Vaughan Williams. The two remained good friends, with Lilburn sending his former teacher gifts of New Zealand honey.

    Lilburn made his mark at home not only as a composer, but as a conductor and a noted teacher. For decades, he was associated with Victoria University in Wellington, beginning in 1947.

    Astonishingly, for one whose own music was so rooted in tradition, Lilburn founded the first electronic music studio in Australasia. This followed visits to electronic facilities at Darmstadt and the University of Toronto.

    Actually, his comparatively thorny Third Symphony signaled something of a turning point. Soon after its completion, in 1961, he shifted his attention exclusively to electronics, a field in which he spent the remainder of his career. Many of his works in the medium evoke the New Zealand landscape and the natural sounds he loved so well.

    Lilburn died in 2001. He was 85 years old. He has been described as “the elder statesman” and “grandfather” of New Zealand music.

    Happy birthday to this eminent antipodean!


    “A Song of Islands” (1946)

    The composer in the electronic music studio he founded

  • Vaughan Williams Birthday: Ken Russell’s Portrait

    Vaughan Williams Birthday: Ken Russell’s Portrait

    On the birthday of Ralph Vaughan Williams, a party favor:

    A link to Ken Russell’s quasi-documentary, “Vaughan Williams: A Symphonic Portrait” (1983) – aptly named, since the hour is structured around the composer’s nine symphonies, with a few welcome digressions to accommodate reflections on the “Tallis Fantasia,” “The Lark Ascending,” and the Oboe Concerto.

    The film is surprisingly reverential by Russell standards – this, after all, is the guy who directed “Tommy” and “Lisztomania” – though it is not without its moments of impishness. Russell himself appears prominently, as does his crew, who are made part of the supporting cast, as they are shown shooting on various locations with the composer’s widow, Ursula. The style is part documentary, part deconstruction, with touches straight out of French New Wave, as when Russell calls in a script supervisor to sit down with Ursula to go over her “lines,” when she leaves something out of one her personal reminiscences! There are a number of instances of filmmaker and subjects breaking the fourth wall.

    There is also a recurring bit with Russell and his daughter, Molly, clearly engaged and asking questions, as he flips through photographs in a book about Vaughan Williams. By the end, cumulatively, I found this surprisingly moving.

    A number Vaughan Williams associates and champions also appear: David Willcocks, Vernon Handley, and Evelyn Barbirolli – widow of the conductor John Barbirolli (Glorious John, as Ralph called him), for whom RVW composed his Oboe Concerto – composer and Vaughan Williams pupil Elizabeth Maconchy, and violinist Iona Brown, arguably the foremost interpreter in her day of “The Lark Ascending.”

    I’m afraid you’ll have to ignore the Swedish subtitles. The only other option I could find is dubbed into German!

    I figured out that the book the Russells are reading is “Ralph Vaughan Williams: A Pictorial Biography,” a volume I had somehow overlooked. Since viewing the film, I was able to track down a copy, signed by Ursula and her co-author, John E. Lunn. This will now reside in my library alongside Jerrold Northrop Moore’s “Vaughan Williams: A Life in Photographs.”

    Enjoy the film, and happy birthday, Ralph Vaughan Williams!

  • Vaughan Williams Birthday Music Memories

    On the birthday of Ralph Vaughan Williams, another party favor:

    Musicologist Diana McVeagh, as near as I can calculate, was just weeks shy of her own 97th birthday, when she shared these recollections about her experiences with Gerald Finzi, Herbert Howells, Ursula Vaughan Williams, and “Uncle Ralph” himself, with wonderful side-stories about Sir Edward Elgar and Sir Charles Villiers Stanford, among others. Enjoy these priceless eyewitness accounts. They’re guaranteed to elicit a few chuckles. McVeagh is the author of several books, two of which I ordered immediately after listening to her anecdotes. “Elgar the Musicmaker” turned up inscribed by the author (to a previous owner). Thank you to Byron Adams, who conducted the interview, via video communication, during this summer’s Bard Music Festival.

    https://www.youtube.com/watch?v=8SjZTNK_3aI

    Happy Birthday, Ralph Vaughan Williams!

  • Vaughan Williams Symphony No. 5 in NJ & PA

    Vaughan Williams Symphony No. 5 in NJ & PA

    Thanks, New Jersey Festival Orchestra and conductor David Wroe, for a glorious performance of Ralph Vaughan Williams’ Symphony No. 5, presented last night in the acoustically-impressive St. Helen’s Church in Westfield, NJ. You did RVW proud!

    It was also my great pleasure to meet Facebook friend Jim Barclay Jr., who, like me, traveled a little over an hour to get there. RVW devotees unite!

    Two further area performances of this symphony coming up – astonishing as, to my knowledge, it has not been performed in the Philadelphia area since André Previn led the Curtis Orchestra in 1995.

    On November 4 at 7:30 p.m., the Southeastern Pennsylvania Symphony Orchestra will perform the Fifth at Calvary Baptist Church, 1380 S. Valley Forge Road, in Lansdale, PA – again, for me about an hour’s drive. Also on the program will be Elgar’s “Enigma Variations.” Two of my favorite pieces in English music! Allan R. Scott will conduct.

    https://www.spso.info/concert-ii-elgars-enigma/

    The Main Line Symphony Orchestra will perform the Fifth on November 17 at 8 p.m., also about an hour away, at Valley Forge Middle School in Wayne, PA. The latter concert is especially attractive in that the Symphony No. 2 by Vaughan Williams pupil Ruth Gipps will also be performed. Ernest Bloch’s “Schelomo” will feature as soloist Philadelphia Orchestra cellist Yumi Kendall. The conductor will be Don Liuzzi, also of the Philadelphia Orchestra.

    https://www.mlso.org/concerts.htm

    Prior to yesterday, I only ever heard the Fifth in concert twice! (The other time was with Leon Botstein conducting at a Bard Music Festival devoted to Sibelius in 2011.)

    As always, I ask everyone to keep me apprised of Vaughan Williams performances on the East Coast. To hear the Fifth Symphony live, as it was played last night, can be transformative. It’s a hard heart indeed that can resist its third movement Romanza, but the whole thing is a wonder.


    PHOTO: Vaughan Williams conducting the Fifth Symphony at Royal Albert Hall

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