Tag: Roy’s Tie-Dye Sci-Fi Corner

  • Sci-Fi The Day the Earth Stood Still Analysis

    A world in which scientists are discounted, yet turn out to be the salvation of humankind… in which fear is no substitute for reason… in which the threat of aggression by any group will not be tolerated… in which the only freedom lost by the enforcement of responsible behavior is the freedom to act irresponsibly… this has got to be science fiction, right?

    On the eve of Election Day, enjoy last night’s discussion about “The Day the Earth Stood Still.”

    Roy and I will be back with a salute to Sean Connery (if there’s still an infrastructure), on the next Roy’s Tie-Dye Sci-Fi Corner, live-streamed on Facebook, this Friday night at 7:00 EST.

  • Klaatu’s Tough Love Earth’s Fate Sci-Fi

    Klaatu’s Tough Love Earth’s Fate Sci-Fi

    Klaatu, the friendly alien of “The Day the Earth Stood Still” (1951), may come in peace, but his is a message delivered with tough love: if humankind refuses to transcend its aggressive impulses and cooperate, the Earth will be eliminated.

    Think of it as kind of a sanity-or-else Election Week special.

    Roy Bjellquist and I will discuss this Washington D.C.-based, sci-fi milestone – with an outstanding score by Bernard Herrmann – on the next Roy’s Tie-Dye Sci-Fi Corner. As always, we’ll also be watching for your comments and insights during the Facebook livestream, this Sunday night at 7:00 EST.

    https://www.facebook.com/roystiedyescificorner/

    KLAATU BARADA NIKTO!

  • Young Frankenstein Sci-Fi Talk Costume Party

    Commander John Koenig, Velma, Jack Sparrow, and Soylent Green’s Sol Roth discuss “Young Frankenstein,” on last night’s “Roy’s Tie-Dye Sci-Fi Corner.” Thanks to Mike and Marybeth from SciFi Distilled for joining us as special guest hosts, and to everyone who turned out for the virtual costume party!

    Tomorrow night: Halloween may be over, but there’s an even scarier week ahead. Get ready, as Roy and I talk about… “The Day the Earth Stood Still” (1951).

    Roy’s Tie-Dye Sci-Fi Corner live-streams on Facebook every Friday and Sunday at 7 pm EST. Don’t forget to change your clocks!

  • Young Frankenstein with Roy’s Tie-Dye Sci-Fi Corner

    Young Frankenstein with Roy’s Tie-Dye Sci-Fi Corner

    Penny for your thoughts… you little zipper-necks!

    To wrap up our celebration of Halloween month, Roy Bjellquist and I will be joined by our special guests, Michael Rizzo and Marybeth Ritkouski of SciFi Distilled, for an exhaustive, perhaps exhausting, discussion of the Gene Wilder-Mel Brooks classic, “Young Frankenstein” (1974). As always, your thoughts and insights are welcome! We’ll be watching for your comments.

    Also, we hope you’ll stick around for our post-conversation virtual costume party.

    We’ll hurl the gauntlet of science into the frightful face of death itself!

    But first… walk this way.

    Roy’s Tie-Dye Sci-Fi Corner live-streams on Facebook, this Friday night at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner/

  • Devil Rides Out Hammer Film Discussion

    Here’s the video of last night’s show, in which Roy and I engage in a spirited discussion about “The Devil Rides Out” (1968), a.k.a. “The Devil’s Bride.”

    The film starred not just one, but two singers of talent: Christopher Lee – whose experiences with opera I explore in a separate post – and Leon Greene, who sang professionally with the D’Oyly Carte Opera Company and the Sadler’s Wells Opera (later the English National Opera). Greene also enjoyed notable success with a couple of Sondheim musicals: as Sweeney Todd, in an acclaimed 1985 revival, and as Miles Gloriosus, both on stage and in the 1966 film incarnation of “A Funny Thing Happened on the Way to the Forum.” Ironically, for whatever reason, for “The Devil Rides Out,” Greene was dubbed!

    As a teenager, future Hammer house composer James Bernard received encouragement from Benjamin Britten. Their friendship blossomed, and Bernard wound up working with Britten, Imogen Holst, and Peter Pears. He won an Academy Award NOT for any of his music (for which he was never even nominated), but rather for a screenplay he wrote with his partner, Paul Dehn, for “Seven Days to Noon.” As if all that weren’t remarkable enough, during WWII, Bernard assisted in the cracking of the Enigma code.

    There’s so much talent and so many interesting anecdotes associated with this movie, one of Hammer’s best, that we couldn’t possibly talk about everything, but we touched upon what we could in roughly 90 minutes.

    Roy’s Tie-Dye Sci-Fi Corner live-streams on Facebook every Friday and Sunday evening throughout October at 7 p.m. EDT. This Friday, we’ll wrap up our month-long celebration of Halloween with special guests Michael Rizzo and Marybeth Ritkouski of SciFi Distilled. The four of us will discuss Mel Brooks’ affectionate parody of Universal Studios’ classic creature-features, “Young Frankenstein” (1974).

    As an added bonus, there will also be a virtual costume party, so if you want to get in on the act, be prepared to join us on Zoom following the discussion, when we’ll be puttin’ on the Ritz!

    https://www.facebook.com/roystiedyescificorner/

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