Happy Thanksgiving!
That’s Life. That’s living.

It’s trout for Thanksgiving on this week’s “Music from Marlboro.”
Franz Schubert was 22 years-old when he completed his “Trout” Quintet. That was in 1819. The work wasn’t published until 1829, the year after his death.
Formally identified as the Piano Quintet in A major, D. 667, the piece was conceived for the novel combination of piano, violin, viola, cello, and double bass (bass like the instrument, not the fish). Schubert tailored his quintet for a gathering of musicians who were to perform Johann Nepomuk Hummel’s Septet, which Hummel had arranged for the same instrumentation. I know, it’s very disappointing that the work is not played on five fishes.
The quintet gets its nickname from the fourth movement (of five), a set of variations on Schubert’s lied, “Die Forelle,” or “The Trout.” The music is generally lighthearted and leisurely, with perhaps a few feints toward melancholy in the second movement Andante. But Schubert wouldn’t be Schubert without a dash of melancholy, and neither would Thanksgiving. Overall, the quintet is just the sort of thing to calm your nerves, even as the ear is engaged by its striking harmonies and catchy melodies.
We’ll hear a performance recorded at Marlboro in 1967, with pianist Rudolf Serkin, violinist Jaime Laredo, violist Philipp Naegele, cellist Leslie Parnas, and bassist Julius Levine.
Then we’ll round out the hour with some part-songs, composed around 1801, by Franz Joseph Haydn, including “Abendlied zu Gott” (“Evening Song to God”), after a text by Christian Fürchtegott Gellert:
Lord, You who have given me life
Up until this very day,
Child-like, I pray to You.
I am much too unworthy of the faithfulness that I sing of,
And that You grant me today.
Four vocalists – soprano Claudia Visca, mezzo-soprano Constance Fee, tenor Michael Sylvester, and bass John Paul White – join Luis Batlle at the piano, at the 1976 Marlboro Music Festival.
It sure beats romaine lettuce. Schubert’s “Trout” will buoy your spirits, even as you wade through traffic, on this Thanksgiving eve.
Give thanks for musical sustenance on “Music from Marlboro,” this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.
Marlboro School of Music and Festival: Official Page

For Thanksgiving, here’s Aaron Copland’s “Letter from Home.” Best wishes to you and yours.

With everyone salivating for turkey on Thursday, I’ll be heading for the hills! My colleague Bob Pollack has kindly agreed to fill in for me tomorrow morning on WPRB. Bob, host of “Morning Classical,” which is ordinarily heard on Tuesday mornings from 8:30 to 11, will offer a cornucopia of American music, including ALL FOUR violin sonatas by Charles Ives.
He’ll also observe the birthdays of Virgil Thomson and Edgar Meyer. And, as if all that weren’t enough, he’ll ladle on an extra helping of Beethoven’s String Quartet No. 15 in A minor, Op. 132. That’s the one Beethoven wrote following his recovery from a serious illness, leading him to introduce the third movement with an epigraph: “Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart” (Holy song of thanksgiving of a convalescent to the Deity, in the Lydian Mode). And you thought that drumstick was a mouthful!
Since it is a holiday, the show will start one hour later than usual – 7 a.m. EST. I hope you’ll allow Bob into your kitchen to keep you company as you roll your pie crusts and mash your potatoes, this Thanksgiving morning until 11, on WPRB 103.3 FM and wprb.com.

Saint Cecilia’s Day AND the eve of Thanksgiving. Give thanks for a bounty of American music, between 4 and 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.
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