Tag: The Lost Chord

  • André Previn Interviews & Concert Works

    André Previn Interviews & Concert Works

    To get you in the mood for my final André Previn tribute, devoted to his concert works, on tonight’s edition of “The Lost Chord,” here are a couple of worthwhile interviews with the conductor-composer-pianist:

    “André Previn says he keeps telling John Williams, ‘John, stop it with the ‘Star Wars’”

    https://www.philly.com/philly/entertainment/arts/andre-previn-says-he-keeps-telling-john-williams-john-stop-it-with-the-star-wars-20171012.html

    “Make any fool of me you like, but I won’t have you make fun of the music”

    https://www.classicfm.com/artists/andre-previn/guides/andre-previn-80/

    Join me for Previn’s Cello Sonata (with Yo-Yo Ma) and “Diversions” (with the Vienna Philharmonic), on “André the Pliant,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Dominick Argento Remembered This Sunday

    Dominick Argento Remembered This Sunday

    This Sunday night on “The Lost Chord,” I’ll be honoring the late American composer Dominick Argento. Argento died on February 20 at the age of 91. Join me for his “Valentino Dances,” “Six Elizabethan Songs,” and “A Ring of Time.” It’s an hour of “Argento Mementos,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Garcia & Walker on “Lost Chord”

    Black Composers Garcia & Walker on “Lost Chord”

    Hear contrasting works by José Maurício Nunes Garcia and George Walker tonight on “The Lost Chord.”

    Walker was the first African-American recipient of the Pulitzer Prize for Music – as recently as 1996 – for his “Lilacs for Voice and Orchestra.” He was the first black musician to graduate from the Curtis Institute of Music. He also studied at the Eastman School and was a pupil of Nadia Boulanger. Tune in for Walker’s Trombone Concerto of 1957.

    Then it’s off to South America for Nunes Garcia’s Requiem Mass of 1816. Nunes Garcia was Master of Music of the Royal Chapel in Rio de Janeiro. He composed over four hundred pieces of music, including the first Brazilian opera. The Requiem was written at the request of John VI of Portugal for funeral services for his mother, Maria I.

    Join me for this second installment in celebration of the reissue on Sony Classical, after 40 years, of the legendary Black Composers Series. We’re sharing highlights throughout #BlackHistoryMonth, Sunday nights at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Series Returns

    Black Composers Series Returns

    It took four decades for these landmark recordings to make it to CD. They’ve finally appeared in a box of ten. We’ll be sampling highlights in just about three hours: music by Joseph Bologne (Chevalier de Saint-Georges), Olly Wilson, and Fela Sowande.

    That’s “Black to the Future” – selections from Columbia Masterworks’ forward-looking Black Composers Series, reissued now on Sony Classical – on “The Lost Chord,” the first of four parts, for #BlackHistoryMonth, Sunday nights in February at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Rediscovering Ulysses Kay: A Neglected American Voice

    Rediscovering Ulysses Kay: A Neglected American Voice

    Regrettably, the music of Ulysses Kay is under-represented in the current catalogue. His delightful “Six Dances for String Orchestra,” probably the lightest music he ever wrote, has been available sporadically on the Vox label, though always badly in need of a new recording. This Sunday night on “The Lost Chord,” we’ll hear one of those dances as part of an hour devoted to Kay’s music.

    Born in Tuscon, AZ, in 1917, Kay was the nephew of jazz musician King Oliver. His uncle encouraged him to study music formally. Likewise, he received moral support from William Grant Still, then recognized as the “Dean of Afro-American Composers.” Kay attended the University of Arizona, before heading on to the Eastman-School, where he studied with Howard Hanson and Bernard Rogers. Also influential were studies with Paul Hindemith at the Berkshire Music Center, and then Yale.

    Kay served in the United States Navy during World War II. He then continued his studies at Columbia with Otto Luening. A recipient of multiple scholarships, grants and awards, he was able to live and study abroad, in Rome, where he attended the American Academy, for several years.

    From 1953 to 1968, he worked for BMI. He was then appointed professor at Lehman College of the City University of New York, where he remained until his retirement, two decades later. A longtime resident of Teaneck, NJ, he composed orchestral, chamber, choral and instrumental works, and five operas. He died in 1995 at the age of 88.

    In addition to that dance for strings, we’ll also hear Kay’s work for trumpet and piano, “Tromba,” from 1985; a long out-of-print LP of his “Concerto for Orchestra,” recorded in 1953; and a suite from his film score to “The Quiet One,” from 1947. A quasi-documentary about an abused African American child and his subsequent coming of age, “The Quiet One” received an Oscar nomination for Best Story and Screenplay, and was listed by the New York Times and the National Board of Review as one of the ten best movies of 1948.

    I hope you’ll join me for “Giving Kay His Say,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


    An interview with Kay conducted by Bruce Duffie:
    http://www.bruceduffie.com/kay.html


    PHOTO: Kay gets Lucky!

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