Tag: Vienna Philharmonic

  • Georges Prêtre A Centennial Celebration

    Georges Prêtre A Centennial Celebration

    The great French conductor Georges Prêtre would have been 100 years old today. I have to say, he had a pretty good run. He died on January 4, 2017, at the age of 92.

    Prêtre studied under André Cluytens, among others, at the Paris Conservatory. He made his conducting debut in Marseilles in 1946. He was director of the Opéra-Comique in Paris from 1955-59. There, he gave the premiere of “La voix humaine” by Francis Poulenc, a composer with whom he would become closely associated. He went on to conduct at the Royal Opera House, Covent Garden, New York’s Metropolitan Opera, and La Scala, Milan.

    He was a regular at the Lyric Opera of Chicago from 1959-71. He was music director of the Paris Opera for the 1970-71 season. He later became principal conductor of the Vienna Symphony, from 1986-91.

    Prêtre was invited to conduct the Vienna Philharmonic in its popular New Year’s Day concert twice, in 2008 and 2010. To date, he is the only French conductor to have done so.

    Among his other notable achievements, he conducted the world premiere of Joseph Jongen’s “Symphonie Concertante for Organ and Orchestra,” with Virgil Fox and the Paris Opera Orchestra, in 1959.

    I hope you find this as amusing as I do. Prêtre doesn’t waste a gesture when conducting this selection from Bizet’s “Carmen,” with Maria Callas.

    Joseph Jongen, “Symphonie Concertante”

    Florent Schmitt, “The Haunted Palace” (after Edgar Allan Poe)

    Albert Roussel, “The Spider’s Banquet”

    Accompanying Francis Poulenc and Jacques Février in Poulenc’s Concerto for Two Pianos

    New Year’s Concert in Vienna, 2010

    Merci, Maestro! Fondly remembering you on the 100th anniversary of your birth.


    PHOTO: Planting a smacker on La Divina

  • Bernstein’s Borrowed Mahler Score Returns Home

    Bernstein’s Borrowed Mahler Score Returns Home

    Neither a borrower nor a lender be.

    Leonard Bernstein never returned the Vienna Philharmonic’s score of Gustav Mahler’s “Das Lied von der Erde” (“Song of the Earth”) – the one used by Bruno Walter at the work’s premiere in 1911.

    Bernstein borrowed the score in 1966. After he died in 1990, apparently his family donated his collection of scores to the New York Philharmonic. Vienna’s “Das Lied” resurfaced in 2017, when it was put on display as part of an exhibition celebrating the orchestra’s 175th anniversary. It just so happened that the exhibition was co-curated by the Vienna Philharmonic, then also celebrating its 175th year. At a point, representatives from both orchestras noted the original ownership stamp and shared a good chuckle. Oh, that Lenny. Until then, the polite Viennese had never said anything about it.

    When the exhibition closed, the New York Philharmonic and the Bernstein family finally returned the score. Vienna took the high road. In a public statement, the Vienna Phil’s chairman issued a statement, “Not only are we thrilled to have back this historic score, which was originally used by Bruno Walter in the first Vienna Philharmonic performance of ‘Das Lied von der Erde,’ but we treasure its special connection to our friend and collaborator Leonard Bernstein, who maintained close relationships with the Vienna and New York Philharmonics and whose memory we cherish.”

    Good save.

    Lenny had marked it all up, of course. This is why I don’t lend books or recordings – especially to Leonard Bernstein.


    Bernstein conducts “Das Lied” in 1972 (with English subtitles)

    https://www.youtube.com/watch?v=Npy4gjZ81F0

    Bruno Walter conducts it live in Vienna in 1952

    Christa Ludwig disagrees with Bernstein’s tempo

    Return of the manuscript as reported in the New York Times in 2017

    https://www.nytimes.com/2017/03/28/arts/finally-returning-bernsteins-overdue-mahler.html

  • Vienna Philharmonic New Year’s Concert 2022

    Vienna Philharmonic New Year’s Concert 2022

    What better way to treat your New Year’s Day hangover than with a celebratory concert of bright Strauss waltzes and raucous galops?

    The Classical Network presents its annual live broadcast of the New Year’s Day Concert from Vienna. This year, the Vienna Philharmonic is conducted by Daniel Barenboim.

    Load up your ice pack, pour yourself a hair of the dog, and tune in for this New Year’s tradition, this morning at 11:00 EST. 2022 gets off to a fizzy start on WWFM – The Classical Network and wwfm.org.

  • Beethoven’s 2nd Symphony on WWFM

    Beethoven’s 2nd Symphony on WWFM

    BEETHOVEN BIRTHDAY BASH

    WWFM – The Classical Network’s symphony marathon continues!

    NOW PLAYING: Symphony No. 2 in D major (Vienna Philharmonic/Claudio Abbado)

    Beethoven’s 2nd Symphony is distinguished by an energetic scherzo (replacing the standard minuet) and a finale full of musical jokes that ruffled the feathers of a good number of his contemporaries. One critic described it as “a hideously writhing, wounded dragon that refuses to die… writhing in its last agonies and, in the fourth movement, bleeding to death.”

    Please support it by calling 1-888-232-1212, or by donating online at wwfm.org.

    Thank you for your generous contribution!


    Portrait (1803), Christian Horneman

  • André Previn Interviews & Concert Works

    André Previn Interviews & Concert Works

    To get you in the mood for my final André Previn tribute, devoted to his concert works, on tonight’s edition of “The Lost Chord,” here are a couple of worthwhile interviews with the conductor-composer-pianist:

    “André Previn says he keeps telling John Williams, ‘John, stop it with the ‘Star Wars’”

    https://www.philly.com/philly/entertainment/arts/andre-previn-says-he-keeps-telling-john-williams-john-stop-it-with-the-star-wars-20171012.html

    “Make any fool of me you like, but I won’t have you make fun of the music”

    https://www.classicfm.com/artists/andre-previn/guides/andre-previn-80/

    Join me for Previn’s Cello Sonata (with Yo-Yo Ma) and “Diversions” (with the Vienna Philharmonic), on “André the Pliant,” this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

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