This Sunday night on “The Lost Chord,” we honor the accomplishments of Gordon Jacob.
Jacob’s is perhaps a name most frequently encountered these days as an orchestrator. He did a popular arrangement for full orchestra of Vaughan Williams’ “English Folk Song Suite,” originally composed for symphonic band; he orchestrated Sir Edward Elgar’s Organ Sonata; and his arrangement of the ballet “Les Sylphides” has been eclipsed only by that of Roy Douglas.
But he was also a prolific composer himself. In all, he wrote some 400 works. In fact, when weighing the size of his output against his reputation, it’s tempting to underestimate – as the Angel did his Biblical namesake – Jacob’s tenacity.
We’ll be listening to an example of his work as an arranger, his “William Byrd Suite,” in a classic recording on the Mercury label, and his rarely-heard Symphony No. 1, dedicated to the memory of his brother, who died in the First World War, in its world premiere recording on the Lyrita label.
I hope you’ll join me as we grapple with the range of Jacob’s accomplishments, in “Wrestling Jacob,” tonight at 10 ET, with a repeat Wednesday evening at 6 – or that you’ll enjoy it later as a webcast at http://www.wwfm.org.
In the meantime, follow the link for a witty survey ranking the various depictions of Jacob wrestling the angel in Western Art:

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