Suddenly the pride and optimism of “A Lincoln Portrait” has come to seem so quaint. But I will always carry its idealism in my heart.

Incorporating texts from Lincoln’s speeches, most notably “The Gettysburg Address,” Aaron Copland’s work for speaker and orchestra has been embraced by narrators across the political spectrum, from William Warfield and Carl Sandburg to Margaret Thatcher and Charlton Heston.

Regardless of one’s personal ideology, the work has the power to stir and inspire. When it was performed under the direction of the composer in Venezuela in 1957, in the presence of reigning dictator Marcos Pérez Jiménez, it was so passionately received by the audience that it may have contributed to Jiménez’ overthrow and exile only a few days later. So clearly, it can be heady, even incendiary stuff.

Maybe it is, after all, the very thing we need at the present time. The message is one of unity, not division, in serving the greater good and honoring our responsibility to the nation and our fellow citizens in rising to the challenges of “the stormy present.” (“The fiery trial through which we pass will light us down in honor or dishonor to the latest generation.”) The elevating marriage of Lincoln’s words and Copland’s music humbles in its persuasive espousal of the American ideals of fairness and sacrifice. it’s not surprising that the work has appealed to people across the political spectrum. It’s not about partisanship. It’s about embracing the democratic ideals of the United States of America.

This weekend will bring the opportunity to experience the work live, as Copland’s “A Lincoln Portrait” will be the centerpiece of a program on American and often patriotic themes, to be presented this Friday night at 8:00 by the Main Line Symphony Orchestra, at Valley Forge Middle School in Wayne, PA.

Jamie Bernstein, Leonard Bernstein’s daughter, will be the narrator. Also on the program will be her father’s “Candide Overture,” Samuel Barber’s Violin Concerto (with Marc Rivetti, assistant concertmaster of the Philadelphia Orchestra, the soloist), William Schuman’s “New England Triptych” (based on melodies of Revolutionary Era composer William Billings), and selections from John Williams’ “Lincoln” and “The Patriot.”

The conductor will be the orchestra’s music director, Don Liuzzi, whose day job is as principal timpani of the Philadelphia Orchestra.

The program will be repeated at Reform Congregation Keneseth Israel in Elkins Park, PA, on Sunday at 2 p.m.

On Aaron Copland’s birthday (today), it’s a timely reminder of the kind of thinking that really made this country great. For more information on these concerts and upcoming performances of the Main Line Symphony Orchestra, follow the link.

https://www.mlso.org/concerts.htm

Leonard Bernstein conducts “A Lincoln Portrait,” with William Warfield narrating. Watch for Gerard Schwarz as co-principal trumpet. Schwarz would go on to make his own recording of “A Lincoln Portrait,” as music director of the Seattle Symphony, with James Earl Jones as the speaker.