This week on “The Lost Chord,” we’ll have our final say on the long, gluttonous holiday weekend with Knudåge Riisager’s ballet “Slaraffenland” (usually translated as “Fool’s Paradise”).
Inspired by Bruegel’s painting “The Land of Cockaigne,” the scenario imagines a Promised Land “where roasted pigeons fly around in the air with knives and forks in their backs, and the streets are paved with marzipan and chocolate.” The plot concerns a silly boy who wanders into the country of King Sauce and becomes ill from overindulgence. Along the way, he encounters Robin Hood, the Three Musketeers, Captain Fear, Fountains of Liqueur, Cigarettes, and the Candy Princess.
Riisager was born in 1897 to Danish parents living in Estonia. He studied music at Copenhagen University and then in Paris with Albert Roussel. Though he was a prolific composer, with some 400 works to his name, including symphonies, concertos, chamber music, and songs, he is probably best known, if at all, for his ballets.
Rouse yourself for one last dose of musical tryptophan. Join me for “Fool’s Paradise” – Knudåge Riisager’s “Slaraffenland,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!
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Clip and save the start times for all three of my recorded shows:
PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST
SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EST/8:00 AM PST
THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST
Stream them, wherever you are, at the link!
https://kwax.uoregon.edu/
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IMAGE: A very Bruegel Thanksgiving
One Last Dose of Musical Tryptophan on “The Lost Chord”

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4 responses to “One Last Dose of Musical Tryptophan on “The Lost Chord””
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Just in the Nick of Time ! I burped and the sound was “Brueghel” !.!.!
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R.Strauss Schlagobers cameto mindMedia: https://www.facebook.com/photo.php?fbid=10162274631596048&set=p.10162274631596048&type=3
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dubbed “die Millionen Ballet” post WW1
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SW Paul Mack Yeah, the expense and (again gluttonous) subject matter were considered “tone-deaf” at a time and place when so many people couldn’t afford to live. But it’s not to be forgotten that Strauss didn’t get paid at all for his earlier ballet “Josephslegende.” War and instability aren’t good for anyone, except maybe for munitions manufacturers and bottom feeders.
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