Category: Daily Dispatch

  • Nicolai Gedda Dies at 91

    Nicolai Gedda Dies at 91

    Like Mark Twain, reports of his death were greatly exaggerated. In 2015, legendary Swedish tenor Nicolai Gedda became the subject of a death hoax that sent panic and despair rippling through the opera-loving community. Alas, today is no hoax. Gedda has died at the age of 91. One of the most widely-recorded tenors in history, he made his final opera recording in 2003 at 77 years-old. R.I.P.

    https://www.francemusique.fr/opera/nicolai-gedda-est-32119


    A devil-may-care Gedda as Berlioz’s Benvenuto Cellini

  • John Williams 85th Birthday Salute

    John Williams 85th Birthday Salute

    Hard to believe, John Williams is 85 years-old today. Oh Johnny, how do I love thee? Enough to go to battle with Norman Lebrecht on his blog, slippedisc.

    John Williams is 85 tomorrow

    I hope you’ll join me today, as I give Williams a more proper birthday salute, from 4 to 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.

    Thank you, John, for all the great music. You’ve been an essential part of the soundtrack of my life for 40 years. Long may you reign.


    PHOTOS (clockwise from left): Williams with the 2016 AFI Lifetime Achievement Award, the first bestowed upon a composer; Williams with his “Star Wars” Oscar in 1978; Williams conducting sometime in the 1970s; Williams takes a bow.

  • Dett’s “Ordering of Moses” Black History Month

    Dett’s “Ordering of Moses” Black History Month

    It’s Black History Month. Rather than wait for the Passover season, I thought this would be an excellent excuse to unveil a recent recording, on the Bridge Records, Inc. label, of R. Nathaniel Dett’s “The Ordering of Moses.”

    Dett, the grandson of fugitive slaves, was born on the Canadian side of Niagara Falls. He studied all over the place, including Oberlin, the Eastman School, Harvard, and the American Conservatory at Fontainebleau, France. He taught all over the place, too. He made influential contacts and brought increased visibility to Black concert music. His was an important voice in the history of American art.

    “The Ordering of Moses” was composed in 1932. The recording, which documents a live 2014 concert of the Cincinnati Symphony Orchestra and May Festival Chorus conducted by James Conlon, is electrifying.

    Hear it today. It’s one of our featured works between noon and 4:00 p.m. EST, on WWFM – The Classical Network and at wwfm.org.

  • Gervase de Peyer Remembered on WWFM

    Gervase de Peyer Remembered on WWFM

    Gervase de Peyer, longtime principal clarinetist of the London Symphony Orchestra and a founding member of the Melos Ensemble, died on Saturday at the age of 90. Join me this afternoon on WWFM, as we celebrate his artistry with recordings he made as a chamber musician and as a concerto soloist.

    We’ll also observe birthday anniversaries of the great Chilean pianist Claudio Arrau; Austrian immigrant Karl Weigl, a pupil of Zemlinsky, who lived his final decade in the United States; and American composer Stephen Albert, who died too young, in an automobile accident in Cape Cod, at 52 years-old.

    Variety is the spice of life – or death, as the case may be – from 4 to 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.

  • Finnish Music Takes Wing on The Lost Chord

    Finnish Music Takes Wing on The Lost Chord

    With the chill of February upon us, it will be good to feather our nests. This Sunday night on “The Lost Chord,” we’ll have two pieces from Finland, both of them inspired by the region’s avian life.

    Einojuhani Rautavaara wrote his “Cantus Arcticus” in 1972. He described it as a “concerto for birdsong and orchestra.” The work incorporates tape recordings made on the bogs of Liminka, near the Arctic Circle. More than just a gimmick, the piece is an inspiring triptych that manages to transcend its potentially New Age conceit. The final movement takes the form of a long crescendo for orchestra, which incorporates the song of whooper swans.

    Swans, of course, also played a crucial role in the creation of Jean Sibelius’ uplifting Symphony No. 5. The composer was moved to write the grand theme of the symphony’s finale after observing a flock of swans in flight over his home on the shores of Lake Tuusula in Järvenpää. The tolling French horns unfailingly generate a glow of hope and optimism. Such noble music! I don’t mind sharing that this is probably my favorite symphony.

    Wait a minute – the Symphony No. 5 is standard repertoire. What’s this doing on “The Lost Chord?”

    In 1995, conductor Osmo Vänskä recorded Sibelius’ first thoughts on the symphony, as it was heard at its 1915 premiere. Though the work was enthusiastically received, Sibelius became increasingly dissatisfied with it, as he prepared the manuscript for publication.

    In what must be one of the most amazing feats of revision ever, he crafted from the comparatively rough material the masterwork we know today. When you hear this original version, you will marvel at the composer’s clarity of purpose, his remarkable objectivity, and just how hard he worked. It’s almost like a completely different piece, one that uses the same recognizable themes, but completely rethinks the structure and, at times, the orchestration. Listening to certain passages is like strolling across familiar terrain. Then the ground shifts, and you find yourself walking down a strange path. If you haven’t heard it, definitely make a point to check it out.

    I hope you’ll join me as Finnish music takes wing, on “Snow Birds,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and at wwfm.org.

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