Happy Valentine’s Day! Behold the skull of St. Valentine and enjoy these “Valentine Waltzes” by Trenton’s own George Antheil.
There are eleven of them in all. Here’s the 5th:
And Number 9:

Happy Valentine’s Day! Behold the skull of St. Valentine and enjoy these “Valentine Waltzes” by Trenton’s own George Antheil.
There are eleven of them in all. Here’s the 5th:
And Number 9:

February starting to get to you? Join me this afternoon for an arrangement by Leopold Godowsky of a waltz by Johann Strauss II, guitar music by Fernando Sor, and a clarinet quintet by George Kleinsinger of “Tubby the Tuba” fame. I’ll also have a romantic violin concerto for Black History Month. All in all, we’ll do our best to keep it warm and light (or at least melodic), from 4 to 7 EST, on WWFM – The Classical Network and at wwfm.org.
IMAGE: The twinkle-toed Strauss brothers

Abraham Lincoln, 16th President of the United States. Above and beyond his own considerable accomplishments, Lincoln has inspired a lot of music. This Sunday on “The Lost Chord,” we’ll honor him on his birthday, with three diverse works.
Composer David Diamond set the Gettysburg Address as “On Sacred Ground,” a work for mixed chorus, children’s chorus, baritone solo and orchestra. The piece was given its first performance two days before the centenary of Lincoln’s delivery of the actual Address, which he spoke on November 19, 1863. We’ll hear it tonight, to start.
Then, as a bit of a palate-cleanser, we’ll listen to Paul Turok’s buoyant “Variations on an American Song: Lincoln and Liberty,” also composed in 1963. The melody is based on a traditional Irish fiddle tune, “Rosin the Bow,” which had been outfitted with new lyrics for use in Lincoln’s 1859 presidential campaign:
“Then up with our banner so glorious,
The star-spangled red-white-and-blue,
We’ll fight till our Cause is victorious,
For Lincoln and Liberty, too!”
Finally, we’ll return to Gettysburg and music by American composer Roy Harris, who shares Lincoln’s birthday, though born 89 years apart. Furthermore, Harris was born in a log cabin in Lincoln County, Oklahoma. If that doesn’t fill one with a sense of destiny, I don’t know what will!
In his day, Harris was regarded as one of America’s greatest composers, particularly renowned for his symphonies. His Symphony No. 3 is his most famous work; what we’ll be hearing is the Symphony No. 6, subtitled “Gettysburg.”
Each movement bears a superscription taken from the Gettysburg Address.
I. Awakening (“Fourscore and seven years ago…”);
II. Conflict (“Now we are engaged in a great civil war…”);
III. Dedication (“We are met on a great battlefield of that war…”);
IV. Affirmation (“…that we here highly resolve that these dead shall not have died in vain…).
It’s all music in honor of the Great Emancipator. I hope you’ll join me for “Lincoln Portraits,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and at wwfm.org.

I find it amusing that the late Angus Scrimm (left), the B-movie actor best known for playing the creepy mortician identified as The Tall Man in five “Phantasm” movies, had an earlier, probably less lucrative career as a freelance writer, providing liner notes (under the name Rory Guy) for albums like this one (right). Scrimm died last year at the age of 89, shortly after filming the last(?) of the series, “Phantasm: Ravager.”

Today is the 85th birthday of Philadelphia-born pianist Jerome Lowenthal. Now chair of the piano department at the Juilliard School, here he is in 1968 with Leopold Stokowski, rehearsing Rachmaninoff’s “Rhapsody on a Theme of Paganini.”
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