Category: Daily Dispatch

  • Vaughan Williams Special on WPRB

    Vaughan Williams Special on WPRB

    It’s still days away at this point, but I wanted to let you know that, because Yom Kippur falls on a Wednesday this year, I will be swapping mornings with Marvin Rosen next week at WPRB 103.3 FM. That means that Classical Discoveries will be heard on Thursday, from 5:30 to 11 a.m. EDT, and that Classic Ross Amico (who needs his beauty sleep) will muddle through on Wednesday from 6 to 11 a.m.

    Since Wednesday happens to be October 12, the birthday of Ralph Vaughan Williams, and since Vaughan Williams happens to be one of my very favorite composers, the morning will be devoted to a good number of RVW gems and rarities from my own extensive collection. These will include historic recordings, some featuring the composer himself, archived radio broadcasts, and at least one LP that was issued in 1977, now long out-of-print, which to my knowledge has never been reissued in any form. If you love Vaughan Williams, have affection for English music, or hunger for curiosities, you will not want to miss this show!

    Of course, I may be tossing in one or two favorites most everyone will recognize, in luminous performances from one of my favorite Vaughan Williams albums, in honor of the late Sir Neville Marriner, who died last week at the age of 92. But most of what you hear will be off the beaten path, of historic interest, or just plain beautiful and underexposed.

    Eight hours after Marvin concludes his special edition of “Classical Discoveries,” WPRB will commence a week-long Autumn Membership Campaign, on Thursday night at 7:00. The station conducts one pledge drive per year, so this will be your only chance to step up and support the music. It’s a little-known fact that WPRB, though housed in the belly of Princeton University’s Bloomberg Hall, receives no funding from the university. The hosts are all volunteers, given just about complete artistic control over their programs, and the playlists are assembled with love, passion and personality.

    If you care about classical music on WPRB, and in particular, if you like what I do on “Classic Ross Amico,” I hope you will consider taking your penny jar down to the financial institution of your choice and then pledging your commitment to thoughtful programming of unusual and neglected repertoire, all presented under the umbrella of vast, unwieldy themes.

    Please call 609-258-1033 on the morning of October 20, between 6 and 11 a.m. to pledge your support of the show. It will be the last day of the drive, so don’t think that your pledge won’t make a difference! I expect it’s going to be a tough row to hoe, since by then everyone will have supported their favorite shows of the previous six days, including “Classical Discoveries” and “Sunday Morning Opera.” So set aside a bone for “Classic Ross Amico,” if you are able. Mentioning that you like what I do when you call in to support somebody else’s show is nice, but in the end, if you really want to send a message to anyone who is not answering the phones, it is the tallies that do the talking.

    Do not think that $10 or $20 is not enough. Every little bit counts. But if you are able to pledge at a level of $45 or over, I will be happy to send you a very nice CD as a token of my thanks. All the CDs I will be offering will be hand-selected by me and sampled during the show on October 20. So you’ll have a chance to listen before you pledge, but please understand that copies will be limited, in some cases to a quantity of one!

    “Classic Ross Amico,” now in its second year, is but a blink in WPRB’s 75-year history. With your support, I’m hoping two years will turn into three, and three into ten. Who knows how far this thing will go. Yours is the juice that can fuel classical music’s heavy Chevy, the wind beneath the wings of “The Lark Ascending.” Thank you for your consideration. I’m sure RVW would concur!

  • Dutoit Celebrated with Ma & Dragons

    Dutoit Celebrated with Ma & Dragons

    Sacre bleu! Charles Dutoit is 80 years-old!

    Join me this afternoon as we celebrate the Swiss-born conductor by sampling some of his very fine recordings, including music by Ravel and Roussel. We’ll also hear a piano concerto by the German romantic Felix Draeseke, on his birthday anniversary. Yo-Yo Ma turns 61 today; can’t forget him. And we’ll acknowledge Willing Billings, who was a tanner by trade, but became a composer of incendiary anthems during the American Revolution.

    All that, beginning at 4:00 EDT, on WWFM – The Classical Network and at wwfm.org.

    Then stick around for “Picture Perfect” at 6. This week the focus will be on music from movies about dragons. We’ve a fire in our belly today! Watch out for a more complete write-up later on this afternoon.


    PHOTOS (clockwise from left): Dutoit, Billings, Draeseke, and Ma

  • Gemma New NZ to NJ & Classical Music

    Gemma New NZ to NJ & Classical Music

    From the antipodes to New Jersey!

    Born in Wellington, New Zealand, less than 30 years ago, conductor Gemma New has come up in the world, both literally and figuratively. This former associate conductor of the New Jersey Symphony Orchestra is entering her second season as music director of the Hamilton Philharmonic Orchestra in Ontario, a recent Dudamel Conducting Fellow with the Los Angeles Philharmonic, and now resident conductor of the St. Louis Symphony Orchestra.

    She returns this week to conduct the NJSO in music by Sibelius (his Symphony No. 2), Grieg (his Piano Concerto, with Stewart Goodyear the soloist), and her compatriot Douglas Lilburn (the “Aotearoa Overture,” a piece seemingly no non-New Zealander can pronounce). Remaining performances will take place at Princeton University’s Richardson Auditorium tonight at 8:00, the Count Basie Theatre in Red Bank tomorrow night at 8:00, and the State Theatre New Jersey in New Brunswick Sunday afternoon at 3:00.

    You can learn more about this up-and-coming conductor, her thoughtfully constructed program, the relationship of Sibelius to New Zealand, and the special significance of Lilburn’s music to Kiwi audiences, in my article in today’s Trenton Times.

    http://www.nj.com/times-entertainment/index.ssf/2016/10/classical_music_njso_performin_1.html

  • Dragon Movie Music Picture Perfect

    Dragon Movie Music Picture Perfect

    This week on “Picture Perfect,” there be dragons!

    Who doesn’t enjoy a good dragon movie? Unfortunately there are so few of them. Inevitably, the stories fail to live up to the production design, the special effects, and, yes, often the music.

    One score that Universal Pictures definitely took to, like a dragon to its hoard, was that for “DragonHeart,” from 1996. The film starred Dennis Quaid, with Sean Connery supplying the voice of the film’s dragon, Draco. The studio loved the music so much that it was used in its movie trailers for years, so don’t be surprised if you recognize it, even if you never saw the film. The composer was Randy Edelman.

    Alex North wrote one of the finest dragon scores for a film which, for my money, still sports the best dragon ever to appear on screen. That would be “Dragonslayer,” from 1981. “Dragonslayer” caused a bit of stir on its release, since it was an early foray by Disney into more mature territory. The film featured shocking (for the time) onscreen immolations and dismemberment.

    The story is a fairly generic sorcerer’s apprentice tale. However, the dragon, Vermithrax Pejorative, easily carries the movie, which also features a late performance by Sir Ralph Richardson as the master wizard. The composer reused portions of his rejected score for Stanley Kubrick’s “2001: A Space Odyssey.” A number of critics, including Pauline Kael, praised the result.

    The film was nominated for an Academy Award for its outstanding visual effects, but lost out to “Raiders of the Lost Ark.” George Lucas’ Industrial Light and Magic provided the effects for both films. In my humble assessment, Phil Tippett’s “go motion” dragon has yet to be surpassed.

    In 2010, Disney competitor Dreamworks released “How to Train Your Dragon,” a wholly computer-animated film. The story is one of forbidden friendship between a young Viking and a scaly representative of his tribe’s hereditary foes. Despite the Viking characters and setting, the score has an overt Celtic flavor and the actors speak with a Scottish bur. The music was by John Powell.

    Purely animated films are often more successful in creating an organic, believable world than those supposedly “live action” films that place actors in front of green screens and surround them with video game pyrotechnics. Only director Peter Jackson could have devised a way to pad J.R.R. Tolkien’s classic bedtime story, “The Hobbit,” into three bloated installments, darkening the tone, tying it in with lore from Tolkien’s “The Silmarillion,” and self-consciously anticipating the events in the equally self-indulgent film versions of “The Lord of the Rings.”

    Howard Shore supplied the music for all of the Middle Earth films. He was recognized with three Academy Awards – one for “The Fellowship of the Ring,” in 2001, and two for “The Return of the King” in 2003, for which he also provided the Best Original Song. We’ll listen to a selection of his music for the second of the films based on “The Hobbit,” subtitled “The Desolation of Smaug.” The part of the dragon, by the way, was voiced by Benedict Cumberbatch.

    The heartburn you experience may have nothing to do with anything you ate. I hope you’ll join me for music from dragon movies this evening on “Picture Perfect,” coming up at 6:00 EDT, on WWFM – The Classical Network and at wwfm.org.

  • Shana Tova Music on WPRB Today

    Shana Tova Music on WPRB Today

    Shana tova!

    This morning on WPRB, we’ll start the day with music evocative of the Jewish High Holidays, including works inspired by the shofar (or ram’s horn, sounded at the opening and close of the season), the Kol Nidre (the solemn prayer sung at the beginning of Yom Kippur services), the synagogue, and Jewish folk traditions.

    Featured composers will include Aaron Minsky, Sergei Prokofiev, Lukas Foss, Ernest Bloch, Maurice Ravel, Matthew H. Fields, Louis Gesensway, Paul Ben-Haim, Max Bruch, Arnold Schoenberg, Emil Nikolaus von Reznicek, Darius Milhaud, David Stock, John McCabe, Herman Berlinski, Paul Schoenfield, and John Duffy.

    Lox to enjoy this morning, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. If you knead anything, just give us a “challah,” on Classic Ross Amico.

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