Category: Daily Dispatch

  • French Revolutions in Music

    French Revolutions in Music

    How many revolutions has France had, anyway? 1789, of course; then 1830; the “Les Miserables” revolution of 1832; another big one in 1848; a failed one in 1871… You might say, all throughout the 19th century, the French were a rather revolting people.

    This morning on WPRB, we’ll hear musical responses to revolutionary France, including many by native composers, including Darius Milhaud’s martial Symphony No. 4, written to mark the centenary of the February Revolution of 1848.

    We’ll also have Hector Berlioz’s “Symphonie funèbre et triomphale,” composed to honor those who died during the July Revolution of 1830. Of course, that was the heyday of the gunslinger-pianist, and Paris was teeming with foreign keyboard artists like Frederic Chopin and Franz Liszt. The conflict of 1830 inspired Liszt to write a symphonic poem, “Héroïde funèbre.”

    But Bastille Day is really all about 1789, so we’ll also include music by Luigi Cherubini and Étienne Nicolas Méhul, both important figures during what is commonly known as THE French Revolution.

    Otherwise, there will be abundant apolitical celebrations of France in general and Paris in particular, including the surrealist ballet “Les mariés de la tour Eiffel” (“The Wedding Party on the Eiffel Tower”), a collaborative work by members of Les Six, and plenty of musical joie de vivre courtesy of composers like Jacques Ibert and Jean Françaix.

    We’ll slather everything with French dressing this morning, from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. Je suis le grand fromage, on Classic Ross Amico.

  • Bastille Day on WPRB Radio!

    Bastille Day on WPRB Radio!

    Vive la France! Tomorrow morning on WPRB, we celebrate Bastille Day.

    Among other musical confections, we’ll enjoy the collaborative ballet, “Les mariés de la tour Eiffel” (“The Wedding Party on the Eiffel Tower”), by members of Les Six, a surreal romp set on the Parisian landmark on July 14.

    We’ll also hear selections from the album “Tower Music,” a recent release on the Innova Recordings label, in which mad visionary Joseph Bertolozzi plays the actual Tour Eiffel like a giant percussion instrument.

    There will also be music by French Revolution Era composer Étienne Nicolas Méhul, Napoleon’s cellist, Jean-Louis Duport, and Hector Berlioz’s setting of “La Marseillaise.”

    I’ll be chain-smoking baguettes, tomorrow morning from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. “Liberté, égalité, fraternité” is our motto, on Classic Ross Amico.

  • Gomes’ “Il Guarany” a Rio Olympics Inspiration

    Gomes’ “Il Guarany” a Rio Olympics Inspiration

    Let’s get ready for the 2016 Summer Olympics in Rio by marking the birthday today of Brazilian composer Antônio Carlo Gomes (1836-1896). Gomes is reputed to have been the first composer from the New World whose music was embraced in Europe. In fact, his opera, “Il Guarany,” was a sensation when it was given its premiere at La Scala in 1870. Giuseppe Verdi called it a work of “true musical genius.”

    When he came to write it, Gomes was in quest of a truly Brazilian subject. He settled on the romance novel “O Guarani,” by Brazilian writer José de Alencar. Alencar was a major proponent of a literary tradition known as “Indianism.” His book was the first of three to focus on the foundations of the Brazilian nation, with an emphasis on its indigenous peoples and cultures.

    For his achievement, Gomes was decorated by Italy’s King Victor Emmanuel II. “Il Guarany” was performed in all the major musical capitals of Europe. When Gomes organized the opera’s first performance at home, in Rio, the Brazilians went similarly mad for it.

    Of perhaps local interest, Gomes composed the hymn “Il salute del Brasile” to mark the centenary of American Independence. It was performed in Philadelphia, at the Centennial Exposition in Fairmount Park, on July 19, 1876.

    Gomes wrote eight operas in all. Happy birthday, o mustachioed one!


    Caruso with Emmy Destinn singing a duet from “Il Guarany”:

    https://www.youtube.com/watch?v=-H-EfLq3_ok

    The complete opera, with Domingo:

    https://www.youtube.com/watch?v=hgjf2nJQUlE

  • Bulgarian Music Discoveries Vladigerov & Bermel

    Bulgarian Music Discoveries Vladigerov & Bermel

    This Sunday night on “The Lost Chord,” we’re off to Bulgaria.

    Pancho Vladigerov – despite his Mexican-sounding first name and Swiss birth – was a seminal figure in Bulgarian music. He was the country’s first major composer to harness the idioms of Bulgarian folk traditions to classical forms.

    Fairly well known in Central Europe during the 1920s, when he was an associate of the theatrical impresario Max Reinhardt, Vladigerov had many of his works published by Universal Edition and recorded by Deutsche Grammophon. He was a composer of opera, ballet, symphonic music, five piano concertos, two violin concertos, chamber music, songs, choral works and piano pieces.

    We’ll be listening to a generous selection from Vladigerov’s “Bulgarian Dances” of 1931.

    Also on the program will be American composer Derek Bermel’s musical recollections of his studies in the region, his “Thracian Echoes” of 2002. Bermel served as artist-in-residence at Princeton’s Institute for Advanced Study from 2009 to 2013. His “Thracian Echoes” was performed locally,by the Princeton Symphony Orchestra, in 2011.

    I hope you’ll join me as we seek the cream of Bulgarian music – “Bulgar Wheat” – tonight at 10 EDT; or that you’ll listen to it later as a webcast, at wwfm.org.

  • So Percussion Summer Institute Princeton

    So Percussion Summer Institute Princeton

    It’s the “Just So Story” that Kipling never wrote.

    So Percussion will oversee its annual So Percussion Summer Institute (SoSI) in Princeton, July 10-24. The town’s streets, public spaces and concert venues will be alive with exciting rhythmic and timbral combinations, in performances at the Lewis Center for the Arts’ Matthews Theater, Albert Hinds Plaza, Princeton Public Library, Princeton Record Exchange, and Small World Coffee. All events are free and open to the public.

    SoSI will celebrate 15 years of new works for percussion quartet, involving college-age composers and performers from all over the world in an intensive two-week chamber music seminar. Many of the pieces to be performed were developed with faculty from Princeton University Department of Music.

    For the third year, So Percussion will be closely assisted by Andrea Mazzariello in developing a curriculum of writing for percussion, readings of composer’s pieces and interactions with Princeton faculty, graduate students and special guests.

    Highlights will include performances of Terry Riley’s “In C” at Princeton Public Library (July 18, 7 p.m.) and a concert made up of So commissions, including works by Steve Reich, David Lang, and Princeton composers Steven Mackey, Paul Lansky and Dan Trueman, at the Lewis Center (July 23, 7 p.m.).

    I do my best to drum up some interest in my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2016/07/classical_music_so_percussion_1.html

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