Category: Daily Dispatch

  • Sea Music on WPRB: Whitman to Peter Grimes

    Sea Music on WPRB: Whitman to Peter Grimes

    “Behold, the sea itself.
    And on its limitless, heaving breast, the ships…”

    So writes Walt Whitman in his poem “A Song for All Seas, All Ships,” from “Sea Drift,” one of the sections of “Leaves of Grass.” Contrast Whitman’s expansive outlook and largeness of spirit with the cruel insularity of Benjamin Britten’s “Peter Grimes,” and you have a sense of the emotional range of this morning’s playlist on WPRB, as we present five hours of music related to the sea.

    “Peter Grimes,” this year’s opera offering from The Princeton Festival, opens Saturday night at 8:00 at McCarter Theatre Center, for a run of three performances. We’ll be joined on-air at 10 a.m. today by stage director Steven LaCosse, who will tell us a little bit about the production, which is being built from the ground up and will be wholly unique to the Princeton Festival. We’ll also listen to some excerpts from the opera.

    The rest of the morning will capture the many moods of the sea, with evocative music inspired by “Moby Dick,” the poetry of Whitman, the sea god Neptune, RMS Titanic, mermaids, pirates and sea shanties.

    What shall we do with the drunken sailor? Listen in from 6 to 11 EDT on WPRB 103.3 FM and at wprb.com. We’re always full of creative solutions, on Classic Ross Amico.

  • Peter Grimes at McCarter This Weekend

    Peter Grimes at McCarter This Weekend

    Ahoy! Benjamin Britten’s “Peter Grimes” drops anchor at McCarter Theatre Center this Saturday night at 8:00, for a run of three performances. We’ll be joined on-air at 10:00 this morning by stage director Steven LaCosse, who will tell us all about this exciting new production from The Princeton Festival. We’ll also listen to some excerpts from the opera.

    For the rest of the morning, we’ll elaborate on oceanic themes, with music evocative of tall ships, sea shanties, the life aquatic, and the many moods of the sea.

    We’ll share the catch of the day until 11:00 EDT on WPRB 103.3 FM and at wprb.com.


    PHOTO: Britten (center) and Peter Pears (right) prepare for a BBC film of “Peter Grimes”

  • Peter Grimes & Sea Music on WPRB

    Peter Grimes & Sea Music on WPRB

    Shiver me timbers!

    Benjamin Britten’s “Peter Grimes” docks at McCarter Theatre Center, beginning Saturday night at 8:00. I hope you’ll join me tomorrow morning on WPRB, as we anticipate the event, the anchor of this year’s Princeton Festival, with a full manifest of music about the sea.

    We’ll have works representing Moby Dick, the poetry of Whitman, the sea god Neptune, RMS Titanic, mermaids, pirates and sea shanties.

    At 10:00, we’ll be joined by stage director Steven LaCosse, who will talk a little bit about “Peter Grimes,” his creative process, and his long-standing relationship with The Princeton Festival. We’ll also hear excerpts from the opera.

    The oaths will be as salty as the briny sea, tomorrow morning from 6 to 11 EDT, on WPRB 103.3 FM and at wprb.com. I’ll be making my tattoo dance, on Classic Ross Amico.

  • Save Our Radio Shows Funding Ideas Needed

    Save Our Radio Shows Funding Ideas Needed

    With the end of the fiscal year approaching, I thought I would reach out to you, my Facebook friends, for suggestions on how to solve a particular problem. You see, it’s all about raising dough. Isn’t it always?

    As of July 1, WWFM will no longer be able to afford to pay for its specialty shows. That means unless hosts are able to find their own funding, they will either have to (a) do their shows live at whatever time they are assigned, probably somewhere in the middle of the afternoon, (b) produce them on a volunteer basis, or (c) stop doing them.

    All three of these options are problematic. If a host were to do a show live, he or she would still have to record it and perform all sorts of touch up work on it, in order to get it in fighting trim for syndication. The host would not be compensated for that work, or for any script-writing. Essentially he or she would be paid for doing the equivalent of a one-hour live air shift. That’s unsustainable.

    Obviously, doing it for free would be even more so.

    “Picture Perfect” and “The Lost Chord” are on the line. In order to keep doing these shows, I would have to raise $5000 each for the coming year. I could do that through underwriting, or I could look into obtaining a grant. Either one would take time, but if it looked as if it were a realistic option, I would tough it out and do the shows for free until funding was secured.

    Underwriting may be from a corporate source, it could be from a small business, or it could come from a particularly generous individual listener with a surplus of moola burning a hole in his or her pocket. I had even considered perhaps trying to pull together a consortium of individual donors, with everyone kicking in what they could – which brings me to crowdfunding platforms such as Kickstarter. I haven’t really looked into these, but I know they are out there.

    It is not my aim to try to discourage anyone from supporting WWFM in general or to persuade listeners to shift their financial support from the station to one of my individual shows. This should not be an either/or proposition.

    I don’t think anyone who follows this page is a Rich Uncle Pennybags, but I know there are a lot of clever people out there. If anyone can think of a creative solution to the problem of keeping “Picture Perfect” and “The Lost Chord” alive in such a way that they can still be heard by the general population, and in a way that I can actually pay my rent, please post your suggestions below or feel free to message me. I am all eyes and ears.

    If only I could just have Moe inflate the budget using a makeshift hose to the gas pipe. Then again, we all know how well that worked out.

    Thank you for reading, and thank you in advance for your suggestions!

  • Classical Music: 90 is the New 70

    Classical Music: 90 is the New 70

    Does life begin at 90? I don’t know about that, but in today’s classical music world, it’s probably safe to say that 90 is the new 70. Two days after the 90th birthday of composer Carlisle Floyd, whose opera “Prince of Players” was given its premiere by Houston Grand Opera in March, I stumbled across this piece on classical-music.com:

    http://www.classical-music.com/article/does-life-begin-90

    Curiously the impetus was Queen Elizabeth II, rather than Floyd, whose birthday fell on the very day the article was posted. The composer is conspicuously absent from the list. You can read more about Floyd in my June 11 Facebook entry, which wasn’t ready until Saturday evening and therefore may have escaped your attention.

    Sadly, Phyllis Curtin, who created the title role of Floyd’s “Susannah” in 1956, propelling the 29 year-old composer to fame, died on June 5 at the age of 94.

    And then there’s this guy:

    The oldest active conductor in America

    As Arthur Fiedler always said, “To rest is to rot.”


    PHOTO: “Listen, Pappy, you’re 99 years-old. You can’t be going out every night. You got to save your youth for your old age. ”

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