Category: Daily Dispatch

  • Lionel Barrymore Composer Actor Artist

    Lionel Barrymore Composer Actor Artist

    Very interesting. I’d always known that actor Lionel Barrymore was also a composer, but this is the first time I’ve been able to locate any of his music. Barrymore, of course, was part of the great acting dynasty that also included his famous siblings, John and Ethel Barrymore. He is the great-uncle of Drew Barrymore.

    Lionel was a fabulous character actor, who played a variety of roles on screen, though he seemed to specialize in curmudgeons. He played the irascible Dr. Gillespie in the “Doctor Kildare” movies of the 1930s and ‘40s. He was Ebenezer Scrooge in annual radio broadcasts of “A Christmas Carol.” Of course, he is probably most familiar these days as the soul-crushing capitalist Mr. Potter from “It’s a Wonderful Life.”

    Barrymore, born in Philadelphia in 1878, won an Academy Award for Best Actor for his performance in “A Free Soul” (1931). Despite his natural aptitude and widely acknowledged success in the field, it had never been his ambition to act. Instead, he was interested in being a visual artist. He even trained in Paris, and his prints and etchings were widely circulated.

    As a composer, several of his piano works were published. Apparently his “Tableau Russe” was played, in both its piano and orchestral versions, in the film “Dr. Kildare’s Wedding Day.” His orchestral piece, “In Memoriam,” written to the memory of his brother John, was performed by the Philadelphia Orchestra. He also wrote an historical novel, “Mr. Cantonwine: A Moral Tale.”

    Barrymore died in 1954. He had suffered from crippling arthritis for decades, which is why you’ll generally see him a wheelchair in most of his later films. He also broke his hip twice. He required morphine and cocaine to get through a shoot and to get to sleep at night. It was only through frequent injections of painkillers that he was able to get through “You Can’t Take It With You” on crutches.

    Barrymore’s “Halloween Suite” can be heard here, beginning at the 36 minute mark.

    http://randsesotericotr.podbean.com/2009/10/29/hollywood-bowl-pgm-78/

    Barrymore is the narrator. Mario Lanza also appears on the concert. Miklós Rózsa conducts.

  • May Day Music: Sullivan & Bax Celebrate Spring

    May Day Music: Sullivan & Bax Celebrate Spring

    Happy May Day, everyone! It’s been a raw and clammy day in the Philadelphia/Princeton area. Hopefully your ribbons and hobby horses didn’t get too damp.

    This Sunday night on “The Lost Chord,” we don our finery and caper around the Maypole, with two works by English composers. The first is by Sir Arthur Sullivan – he of Gilbert & Sullivan fame – who, in 1897, set to music a “Jubilee Hymn,” as part of the Diamond Jubilee celebrations surrounding the reign of Queen Victoria, which were held in May of that year.

    Concurrently, he was commissioned to write a ballet to mark sixty years of the Alhambra Theatre in Leicester Square. The result was “Victoria and Merrie England,” which was made up of nationalistic tableaux celebrating the history, legends, and royalty of Great Britain.

    We’re going to be listening to Scenes II & III from the ballet, together titled “May Day in Queen Elizabeth’s Time” (this alluding, of course, to the reign of Elizabeth I). The suite includes colorful descriptive subsections like “Procession of the Mummers and the Revelers,” “Knights and Rose Maidens,” “Friar Tuck and the Dragon” and “Maypole Dance.”

    My original intention had been to cobble together selections from operas and ballets featuring maypoles, but I didn’t have time to distill the high points of Howard Hanson’s “Merry Mount,” Antonin Dvořák’s “The Cunning Peasant,” and Ferdinand Hérold’s “La Fille mal gardée.”

    So instead we’ll fill out the hour with one of the earliest programmatic works by Arnold Bax (later SIR Arnold Bax). “Spring Fire,” composed in 1913 and 1914, is meant to suggest the awakening of mythological beings in early spring.

    The subject matter was an attempt to cash in on the fashionable “paganism craze” sparked by the Ballets Russes and its composers. Bax’s affection for the writings of Algernon Swinburne had recently yielded the symphonic poem “Nympholept.” Quotations from Swinburne also adorn portions of the score to “Spring Fire.”

    The piece was scheduled for performance several times, but repeatedly cancelled, first because of the outbreak of war, then because of the work’s difficulty. In fact, it would never be performed during Bax’s lifetime. The manuscript was consumed in a fire in 1964, and all hope of ever hearing the score vanished. Fortunately, a copy was discovered, and the piece was finally recorded in 1986.

    The work is meant to evoke a woodland sunrise in early spring, as ancient denizens of the forest shrug off their winter sleep. They skip with mad antics down the glades. Forest lovers loll in their ecstatic dreams, until they are rudely awakened by a turbulent rout of satyrs and maenads. Sounds like spring to me.

    I hope you’ll join me for “Spring into May Day,” this Sunday night at 10:00 EDT, with a repeat Wednesday evening at 6; or that you’ll listen to it later as a webcast at wwfm.org.

    I know I said I wouldn’t post about Shakespeare anymore for a while, but here’s an interesting piece about Shakespeare, May Day and the hobby horse:

    Shakespeare, May Day and the Hobby Horse

    Another about Thomas Morton vs. The Puritans, and the Maypole of Merry Mount:

    The Maypole That Infuriated the Puritans

  • Raritan River Music Festival Returns to NJ

    Raritan River Music Festival Returns to NJ

    Change your music, change your mind. That’s the slogan adopted by the guitar duo of Michael Newman and Laura Oltman for this year’s Raritan River Music Festival.

    Now gearing up for its 27th season, the festival has provided a stimulating mix of new music, world music, jazz, folk, and straightforward classical repertoire, in intimate venues across one the state’s most beautiful regions. Concerts this year will take place in Stockton, Lebanon, Stewartsville and Pittstown.

    The couple, which has strong ties to the area – they make their home in lower Warren County along the Delaware River – uses their connections as teachers and performers to draw world-class musicians to semi-rural New Jersey.

    This year’s festival will include concerts by the period instrument ensemble La Fiocco (at historic Prallsville Mills in Stockton on May 7), the genre-fluid trio BeBimBop (at Stanton Reformed Church in Lebanon on May 14), a trio made up of pianist Thomas Sauer, violinist Carmit Zori and cellist Alexis Pia Gerlach, being billed as the Sauer-Zori-Gerlach Trio (at Old Greenwich Presbyterian Church in Stewartsville on May 21), and The Newman & Oltman Guitar Duo, with soprano Rochelle Ellis (at Bethlehem Presbyterian Church in Pittstown on May 28).

    Raritan River Music has always been the robin redbreast of music festivals, arriving well ahead of the traffic snarl of off-season musical attractions that settle in with the haze of summer. You know what they say about the early bird (and there are discounts for advance sales). Get a leg up by reading my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2016/04/classical_music_raritan_river.html

  • Korngold’s Hollywood Dream: Shakespeare & Film

    Korngold’s Hollywood Dream: Shakespeare & Film

    This will likely be my last Shakespeare post for a while – the 500th anniversary of the Bard’s birth falls in 2064 – so enjoy it. We wrap up our month-long commemoration of the quadricentennial of Shakespeare’s death, on April 23, 1616, by revisiting “A Midsummer Night’s Dream.”

    Erich Wolfgang Korngold went from being one of Europe’s great musical prodigies – his works admired by Mahler, Strauss and Puccini, and performed by Schnabel, Weingartner and Klemperer – to becoming one of Hollywood’s transformative film composers. He is a link from Old World opulence to New World fantasy, his music gracing a number of Warner Brothers’ greatest historical adventures. He was also an opera composer. In fact, his opera “Die tote Stadt” was the runaway hit of 1920.

    It was at the invitation of theatrical impresario Max Reinhardt that Korngold came to Hollywood in 1934 for a big screen adaptation of “A Midsummer Night’s Dream.” The film starred James Cagney, Dick Powell and Olivia de Havilland, in her silver screen debut, with Mickey Rooney an irrepressible Puck.

    For the project, Korngold adapted the famous incidental music of Felix Mendelssohn, interweaving material from Mendelssohn’s symphonies and orchestrating some of the “Songs without Words.” Yet the music bears Korngold’s unmistakable stamp, as you’ll hear in the opening fanfare and chorus, crafted from raw material found in the “Scottish Symphony” and marked by plenty of Korngoldian pageantry and swagger.

    The composer drew on his theatrical experience, even conducting the actors as they spoke their dialogue in order to get the tempos he desired.

    Korngold’s work on “A Midsummer Night’s Dream” led to further offers from Warner Brothers, under terms he couldn’t refuse. In the meantime, the Nazis rolled into Austria, effectively sealing off his return to Europe. Vienna’s loss was Hollywood’s gain. Korngold would become the crown jewel of Warners’ music department. His excellence was recognized with two Academy Awards, for “Anthony Adverse,” in 1936, and “The Adventures of Robin Hood,” in 1938.

    I hope you’ll join me, over hill, over dale, for Korngold’s “A Midsummer Night’s Dream,” this Friday evening at 6:00 EDT, with a repeat Saturday morning at 6; or that you’ll listen to it later as a webcast at wwfm.org.

    #Shakespeare400

Tag Cloud

Aaron Copland (94) Beethoven (95) Composer (114) Film Music (153) Film Score (143) Film Scores (255) Halloween (107) John Williams (198) KWAX (233) Leonard Bernstein (105) Marlboro Music Festival (125) Movie Music (168) Mozart (92) Opera (222) Philadelphia Orchestra (91) Picture Perfect (174) Princeton Symphony Orchestra (110) Radio (90) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (269) Vaughan Williams (107) WPRB (397) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS