Category: Daily Dispatch

  • George Walker Pulitzer Winner & More

    George Walker Pulitzer Winner & More

    I wonder if George Walker – born on this date in 1922 – ever gets tired of reading that he was the first African American to be awarded the Pulitzer Prize for Music? It is generally the first thing we read about him. What makes it especially remarkable is that it occurred as recently as 1996. But Walker is so much more than a statistic.

    The composer, who makes his home in Montclair, NJ, was recognized by the Pulitzer committee for “Lilacs,” four songs for soprano and orchestra, after the poetry of Walt Whitman. The work was given its premiere by Faye Robinson and the Boston Symphony, under the direction of Seiji Ozawa.

    60 years earlier, he gave his first public performance as a pianist, at the age of 14. He studied piano at the Curtis Institute of Music in Philadelphia with Rudolf Serkin and Mieczyslaw Horszowski. He also studied composition there with Rosario Scalero. Later, he went to Paris for additional studies with Robert Casadesus and Nadia Boulanger. He was good enough a pianist that he performed the Rachmaninoff Piano Concerto No. 3 with the Philadelphia Orchestra.

    Walker has produced an impressive body of work, over a career which has spanned nearly 80 years. The New Jersey Symphony Orchestra gave the world premiere of his Sinfonia No. 4, “Strands,” as part of its 2011-12 season. In 2009-10, the Philadelphia Orchestra gave the world premiere of his Violin Concerto, with the composer’s son, Gregory, as the soloist. On a separate series of concerts, the orchestra also performed “Lilacs.”

    However, it is for a work Walker composed while still a student at Curtis that he is probably best-known. The “Lyric for Strings,” dedicated to the memory of the composer’s grandmother, is touching in its simplicity. It deserves to be as widely played as Barber’s “Adagio,” although Walker’s is quite a different piece. The tender recollection manages to be moving without all the hand wringing and angst.

    In an interview given in 2012, Walker commented, “I’ve always thought in universal terms, not just what is black or what is American, but simply what has quality.”

    Happy birthday, George Walker!


    “Lyric,” in its original version for string quartet: https://www.youtube.com/watch?v=W17alPNaVfY

    “Lilacs,” with Faye Robinson: https://www.youtube.com/watch?v=_ScgQUzMqhg&list=PLdBmNPZATi4xJ-5iSf7vNLfmErvsoOsP1

    Brief 2012 documentary on Walker, in which he is interviewed, for the occasion of his 90th birthday: https://www.youtube.com/watch?v=tYnEXI3WyRQ

    An interview he gave with the Detroit Free Press earlier this year: http://www.freep.com/story/entertainment/music/2015/03/03/george-walker-classical-roots-dso/24332241/

  • Ocean Grove NJ’s Grand Summer Music Series

    Ocean Grove NJ’s Grand Summer Music Series

    If you like the organ, the beach, or outsized halls left over from the era of the Third Great Awakening, you might consider the summer classical music series at Ocean Grove, NJ.

    Musicians have traditionally been attracted to churches, usually as an affordable means to reach local audiences. The Great Auditorium is not your neighborhood church. Ocean Grove does everything on a grand scale – 6,250 seats, 25 ton organ and a visiting chorus of 1000 voices. The hall’s enormous capacity and uncanny acoustical properties have attracted such luminaries as Enrico Caruso, Leonard Bernstein and Virgil Fox.

    Sure, there’s a whiff of vulgarity about the venue, with its large wooden American flag studded with flashing light bulbs and enormous illuminated signs that flank the stage proclaiming “Holiness to the Lord” and “So be ye holy,” but really it makes it all the more perfect as a setting to celebrate America’s independence.

    Read the complete rundown of the summer’s musical events in my article in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2015/06/classical_music_series_of_reci.html


    PHOTO: Understatement was never its strong suit

  • Goat of Mendes Devil Rides Out Christopher Lee Tribute

    Goat of Mendes Devil Rides Out Christopher Lee Tribute

    “The Goat of Mendes… THE DEVIL HIMSELF!”

    James Bernard’s music for “The Devil Rides Out” will be one of four scores that we’ll be sampling as part of a Christopher Lee tribute on “Picture Perfect,” this evening at 6 ET, with a repeat tomorrow morning at 6. You can listen to it then, or save it for later, after it’s posted as a webcast, at http://www.wwfm.org.

  • Unusual Composers on WPRB This Week

    Unusual Composers on WPRB This Week

    If you wake up this morning with an appetite for unusual and neglected repertoire, here are some of the composers whose music you can expect to hear between 6 and 11 a.m. ET, when you set your dial to WPRB 103.3 FM, or listen online at wprb.com: Walter Leigh, Lalo Schifrin, George Walker, Henry Holden Huss, Pavel Haas, Kurt Schwertsik, Harry Partch and Terry Riley, all of whom had or have birthday anniversaries this week. We’ll also do a make-good on retired Princeton professor Paul Lansky, whom I am ashamed to say I missed last week. The late Gunther Schuller and James Horner will also be remembered.

    Daniel Spalding, music director of the New Jersey Capital Philharmonic Orchestra, will drop by around 10:00 to talk a bit about his orchestra and its appearance in a free concert at Mercer County Park Pavilion, Sunday at 7:30 p.m., as part of this year’s Freedom Fest. I’ll also be bringing some of Dan’s recordings of American music with the Philadelphia Virtuosi Chamber Orchestra.

    Be there, or be… zzzzzzzzzzzzzzzzzzz.

    PHOTO: Slappin’ the roosters awake with Classic Ross Amico

  • Christopher Lee A Musical Tribute

    Christopher Lee A Musical Tribute

    Well, as you undoubtedly know by now, the great Christopher Lee died on June 7, at the age of 93. This week on “Picture Perfect” – after making allowances for the 40th anniversary of “Jaws” and the observance of Father’s Day – we finally get around to honoring him, with music from four of his well-over-200 features.

    Lee, of course, is best remembered for his work in a number of lurid horror classics produced by Hammer Films. Of these, his portrayal of Count Dracula is justifiably celebrated. “Taste the Blood of Dracula” (1970) may not have been the strongest installment in the series, since it barely had any reason to be a vampire movie (the Count avenges one of his servants who dies at at the hands of thrill-seeking gentlemen); but it could be argued that it had the strongest music, by Hammer house composer James Bernard.

    Though Lee could never truly be said to have gone out of fashion, he experienced a remarkable late-career resurgence, becoming part of Tim Burton’s repertory company, giving a lovely turn as a bookseller in Martin Scorsese’s “Hugo,” and playing Count Dooku in the otherwise execrable “Star Wars” prequels – which almost succeed in making Peter Jackson’s “The Lord of the Rings” movies look good by comparison. Lee plays the power-hungry Saruman the White, who raises Orcs from muck and makes Gandalf spin on his ear like Curly Howard. Peter Jackson being Peter Jackson, he even managed to work Saruman into his heavily-padded screen adaptations of “The Hobbit.” We’ll be listening to music from the second “Rings” film, “The Two Towers” (2002) in which Saruman has to deal with irascible walking trees roused by his environmental crimes.

    “The Wicker Man” (1973) has to be one of the bleakest movies ever made, with an absolutely unforgettable ending. Lee plays one of his most disturbing roles as Lord Summerisle, who cheerily presides over legions of antlered mummers in his squash-colored turtleneck and blazer, while Britt Ekland haunts police officer Edward Woodward’s fever dreams. Paul Giovanni wrote the whacked out, folk-inflected score.

    My favorite Lee role has to be that of the aristocratic occultist, the Duc de Richelieu, who combats the forces of darkness in “The Devil Rides Out” (1968). Lee takes it all very seriously – knit-browed, goateed and stentorian – even as he confronts the Goat of Mendes (“The devil himself!”). The villain, a black magician by the name of Mocata, is played by Charles Gray of James Bond and “Rocky Horror” fame. Richard Matheson’s screenplay is far superior to the Dennis Wheatley’s novel – or maybe Lee just makes it seem so. Again, the music is by James Bernard.

    I hope you’ll join me, as we remember Christopher Lee, on “Picture Perfect,” music for the movies, this Friday evening at 6 ET, with a repeat Saturday morning at 6; or that you’ll listen to it later as a webcast, at http://www.wwfm.org.

    PLEASE NOTE: A tribute to the late James Horner will follow, on July 3 and 4.

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