Category: Daily Dispatch

  • Remembering William Scheide Bach Scholar

    Remembering William Scheide Bach Scholar

    Princeton philanthropist, humanitarian and Bach scholar William H. Scheide died on November 14, 2014.

    To mark what would have been Scheide’s 101st birthday today, WWFM commissioned me to put together a two-hour tribute, complete with interviews with those who knew him best, including oboist and recorder virtuoso John Burkhalter, conductor Mark Laycock, pianist and associate director of the Scheide Fund Mariam Nazarian, former Scheide librarian Wlliam Stoneman, WPRB radio personality (with a capital “P”) Teri Noel Towe, Bach scholar Christoph Wolff, and of course his wife, Judith Scheide.

    The program will also feature rare recordings of the Bach Aria Group, an ensemble Scheide founded in 1946 and directed for over 30 years. The Bach Aria Group included as regulars or guests such musical luminaries as Eileen Farrell, Carol Smith, Jan Peerce, Maureen Forrester, Jennie Tourel, Norman Farrow, Marian Anderson, Mack Harrell, William Warfield, Julius Baker, Robert Bloom, Maurice Wilk, Oscar Shumsky, Bernard Greenhouse, Yehudi Wyner, and so many others. Robert Shaw even conducts one of the recordings.

    There’s also an excerpt from a rare radio broadcast which originally aired in 1948, with Scheide explaining the mission of the group, and a private recording of Scheide at the piano, playing Chopin, at the age of 92.

    In addition to his Bach research and rare book collecting, for which he is justly celebrated, Scheide aided not only Princeton University and Westminster Choir College of Rider University, but any number of charitable organizations, to promote education, health, civil rights, relief from poverty and hunger, and the general welfare of mankind.

    The next Scheide benefit concert, with Laycock conducting the English Chamber Orchestra at Philadelphia’s Kimmel Center for the Performing Arts on January 27, will benefit the music and education program, Musicopia.

    The station has been promoting this tribute to an embarrassing degree, so it’s a good thing I finished editing it shortly before 8:00 this morning, after an all-nighter fueled by burritos and Dunkin’ Donuts tea.

    It’s only seconds away. Tune in to http://www.wwfm.org at 12 ET for “William H. Scheide: A Job Well Done.” If you miss it, I’m told it will be posted on the station website. I wouldn’t be in the least bit surprised if it is also rerun at some point. The title is stolen from the eminently quotable Towe.

    The opening is brilliant, if I do say so myself. It may get less so as the two hours grind on. It remains to be heard.

    Priceless photos of the Bach Aria Group here:

    http://www.bach-cantatas.com/Bio/BAG-2.htm

  • Befana The Christmas Witch of Italy

    Befana The Christmas Witch of Italy

    I pause in my editing of the Scheide tribute to briefly remind everyone that tonight, being the eve of Epiphany, marks the arrival of Befana the Christmas witch. Befana is the wizened crone who bestows gifts and happiness upon the good children of Italy. If the children are bad, they get a lump of coal. (If the family is poor, they get a stick.) It’s traditional to leave a glass of wine and a tasty morsel for Befana. In return, she will sweep the floors with her broom, symbolically sweeping away the problems of the old year.

    Yet again, European Christmas traditions are sooooooo pagan.

  • Remembering Conductor Jerzy Semkow and Szymanowski

    Remembering Conductor Jerzy Semkow and Szymanowski

    This Sunday night on “The Lost Chord,” we remember conductor Jerzy Semkow, who died on December 23 at the age of 86.

    Semkow, Polish by birth, was a longtime resident of Paris. He apprenticed with Erich Kleiber, Bruno Walter and Tullio Serafin. He was assistant conductor of the Leningrad Philharmonic under Yevgeny Mravinsky.

    Later, he held posts as principal conductor of the National Opera in Warsaw, principal conductor of the Royal Danish Opera and the Royal Danish Orchestra in Copenhagen, and music director of the Orchestra of Radio-Televisione Italiana in Rome (RIA).

    Semkow was the ninth music director of the Saint Louis Symphony Orchestra (where he served from 1975 to 1979), as well as music advisor and principal conductor of the Rochester Philharmonic (where he served from 1985 to 1989). He was a regular guest conductor of the Detroit Symphony Orchestra for some 40 years. His last appearance there was in 2009.

    Though he made some respectable Beethoven and Wagner recordings for the Vox label, I thought we’d honor him with two works by his compatriot, Karol Szymanowski, both of them issued on EMI. We’ll hear Szymanowski’s “Symphonie concertante,” for piano and orchestra, and his Symphony No. 3, subtitled “Song of the Night,” for tenor, chorus and large orchestra, an opulent setting of poetry by Rumi.

    I hope you’ll join me for “A Send-Off for Semkow,” tonight at 10 ET, with a repeat Wednesday evening at 6, or that you’ll listen to it later as a webcast at http://www.wwfm.org.

    PHOTOS: Polish up on your Polish with Semkow and Szymanowski

  • William Scheide Memorial & The 10th Day

    William Scheide Memorial & The 10th Day

    THE TENTH DAY OF CHRISTMAS

    Ten lords a-leaping. I wish I could train them to do audio editing, thereby dividing my workload by 11.

    I imagine, though, everything going horribly wrong, leading to some kind of Sorcerer’s Apprentice-style catastrophe, with ten manic lords clicking mice and pushing files around and destroying everything I’ve already worked so hard to accomplish. (Then again, I’ve already got Bill Zagorski for that, so I had better keep one ear open for what’s going on in Production 2.)

    You may as well know, since the promo is already in rotation, I am doggedly at work on producing a memorial program for William H. Scheide, the Princeton philanthropist, humanitarian and Bach scholar, who died in November at the age of 100.

    This Tuesday would have been Scheide’s 101st birthday. The plan is to honor his legacy with a two-hour program, for which I’ll have interviewed eight subjects – all people who knew him very well. These accounts will be interspersed with relevant musical examples, including many rare recordings of the Bach Aria Group, an ensemble Scheide founded and directed for over 30 years.

    The memorial is slated to air Tuesday at noon, on http://www.wwfm.org. Which means I may as well sleep here tonight, since I’ll have to be here all day tomorrow if I’m to have a prayer of getting everything in shape by the end of Monday. I already look like Ben Gunn, and probably smell like him too. Anybody have any cheese?

  • Philadelphia Mummers’ Old World Roots

    Philadelphia Mummers’ Old World Roots

    THE EIGHTH DAY OF CHRISTMAS

    Philadelphia Mummers are by no means common knowledge once you venture outside the area. It is, after all, a peculiar custom: a bunch of contractors dressing up in feathers and sequins so that they can strut and play banjoes on Broad Street in freezing temperatures, as they compete against one another for bragging rights in this very Philly New Year’s Day tradition.

    What appears to be even less known to Philadelphians is the tradition of Old World mumming, in which amateur performers careen from door to door at Christmas or Midsummer, enacting traditional plays. These mummer’s plays feature fantastic characters such as St. George and the Dragon, Robin Hood, the Turkish Knight and Beelzebub. Typically, at the end of the play, a “doctor” brings a slain character back to life. The actors wear outlandish, often unsettling costumes and masks.

    The custom of mumming in Britain dates back to at least the 16th century, though the wider practice appears to be of ancient origin. It was the Swedes who brought it to Philadelphia in the 17th century. Participants aren’t supposed to fire guns in the air anymore, but it still happens. It’s best to stay away from open windows on New Year’s Eve.

    Lots of fun stuff about the Philadelphia Mummers here:

    http://billypenn.com/2014/12/30/mummers-101-the-sequins-blackface-and-binge-drinking-behind-a-philly-new-years-tradition/

    If you crave a dose of Old World mumming, watch “The Wicker Man” (the real one, with Christopher Lee).

    https://www.youtube.com/watch?v=21gb49H-Uo4

    A demonstration of the Mummer’s strut:

    There is actually a fine documentary on the Philadelphia Mummers, titled “Strut!”

    Too bad it appears to be out of print.

    HAPPY NEW YEAR!

    PHOTO: Tomorrow, these guys will be overcharging you to fix your toilet

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