Classic Ross Amico

Category: Daily Dispatch

Rossen Milanov to Lead Columbus Symphony

Princeton Symphony Orchestra music director Rossen Milanov will venture west next season, to create a new world in Columbus, OH.

Milanov, 49, has been named music director of the Columbus Symphony Orchestra, beginning with the 2015-2016 season. He will appear with the orchestra twice during the upcoming season, Jan. 30-31 and Mar. 20-21.

Milanov, who is also artistic director of Orquesta Sinfonica del Principado de Asturias in Spain, will retain his post in Princeton. He will, however, be stepping down as conductor of the Collingswood-based training orchestra, Symphony in C.

This past week, he led Symphony in C in a concert featuring Peter Richard Conte on the famed Wanamaker organ at what is now Macy’s department store in Center City Philadelphia. Milanov will conduct the Princeton Symphony in music of Max Bruch and Anton Bruckner at Richardson Auditorium on Sept. 28. For more information on that program, visit http://princetonsymphony.org/.

Milanov’s primary residence will be in Columbus, where he plans to spend 16 weeks next season working with the orchestra, though he will retain his apartment in Philadelphia.

Milanov served with the Philadelphia Orchestra for eleven years, first as assistant conductor, from 2000-2003, and then as associate conductor, from 2003-2011. Concurrently, he served as the orchestra’s artistic director at its summer home of the Mann Center for the Performing Arts, from 2006-2010.

Here’s an article that appeared this morning in The Columbus Dispatch:

http://www.dispatch.com/content/stories/life_and_entertainment/2014/09/10/columbus-symphony-to-tap-milanov-as-new-conductor.html

If all goes as planned, I’ll be talking with Milanov this week about his upcoming concert with the Princeton Symphony. The interview will run in the Trenton Times a week from Friday.

September 10, 2014
Higdon Weds Alsop Officiates

I just learned of the marriage of composer Jennifer Higdon, and I was wondering if conductors are like ship captains, if Marin Alsop can officiate at a wedding? It turns out, in California, a person can become a Deputy Commissioner of Civil Marriages for 24 hours with the right paperwork.

Alsop married Higdon and her high school sweetheart Cheryl Lawson early last month. Lawson is the manager of Higdon’s publishing company. Higdon, who is on the faculty of the Curtis Institute of Music, and whose works are frequently programmed by the Philadelphia Orchestra, received a Pulitzer Prize in 2010 for her Violin Concerto.

Alsop previously officiated at the wedding of composers John Corigliano and Mark Adamo. Corigliano was recipient of a Pulitzer Prize for his Symphony No. 2 in 2001 and an Academy Award for his score to “The Red Violin” in 1999.

Alsop, a former protégée of Leonard Bernstein, has been music director of the Baltimore Symphony Orchestra since 2007.

I’m just hurt I’m only just now learning about the wedding, since I only live a block away from the happy couple.

PHOTO: With that CD collection, I’d marry her, too. (Actually this looks a lot like my apartment, minus the piano.)

September 9, 2014
Sir Peter Maxwell Davies at 80

Happy birthday, Max. I like your style.

You were an angry young man of English music, but you never lacked a sense of humor. Your “Eight Songs for a Mad King,” inspired by George III, calls for players to perform in large bird cages; “Miss Donathorne’s Maggot,” inspired by the historical figure who became the basis for Dickens’ Miss Havisham, serves up instrumentalists as decorations on her wedding cake.

You’ve lived in the Orkney Islands, in northernmost Scotland, since 1971. You founded the St. Magnus Festival there in 1977. When a protected swan hit a power line on your property in 2010, you seized the opportunity and planned to eat it. When the police arrived, you offered them swan terrine.

http://news.bbc.co.uk/2/hi/uk_news/scotland/4361079.stm

You were knighted in 1987, and – thanks to changes brought about in reaction to your predecessor’s erratic behavior – you were the first Master of the Queen’s Music not to die while holding the honor (now a ten-year post).

Your symphonies, organic and austere, are often compared to those of Sibelius by critics in the British press. Every once in a while I’ll take one of them down from my collection, but can never seem to get into them. However, I adore your music on Scottish themes, which skillfully blends your wild tendencies with folk inflections and listener-friendly programs.

Keep rocking the boat, Max. I know you’ve done an about-face concerning the monarchy, but you’ve still got that mischievous glint.

Happy 80th birthday!

The three faces of Sir Peter Maxwell Davies:

“Eight Songs for a Mad King”

Symphony No. 3

“An Orkney Wedding with Sunrise”
https://www.youtube.com/watch?v=vkioMJJaz1I

PHOTO: Mad Max turns 80

September 8, 2014
Leopold Stokowski Cartoon Cameo Mystery

Classic movie fans will have to stay sharp (and likely hit the pause button a few times) to catch all the cameos and references in this Warner Brothers Merry Melodies short.

Of particular interest is an appearance by Leopold Stokowski in a hairnet (although he conducts with a baton).

http://www.ebaumsworld.com/video/watch/82363595/

Stokowski will conduct Aram Khachaturian’s Symphony No. 2, tonight on “The Lost Chord.” The show airs at 10 PM, with a repeat Friday morning at 3. Or you can catch it later as a webcast at http://www.wwfm.org.

September 7, 2014
Khachaturian’s Lost “Bell” Symphony on “The Lost Chord”

I don’t know what got into me – maybe I feel beleaguered? – but this Sunday night on “The Lost Chord,” I’ll be presenting Leopold Stokowski’s rarely-heard recording of Aram Khachaturian’s Symphony No. 2, sometimes called “The Bell.”

Khachaturian wrote the work in 1943, the height of World War II, while he was holed up at a Composers Union retreat with Shostakovich, Prokofiev, Miaskovsky and Gliere. He said of the piece, “The Second Symphony is a requiem of wrath, a requiem of protest against war and violence.”

The symphony’s nickname alludes to a kind of alarm that opens and closes the work. Overall, the tone is one of resolution in the face of tragedy.

Stokowski’s recording, long unavailable, was originally issued on United Artists Records in the late 1950s. It reappeared briefly on compact disc, on the EMI label, in 1994, and again in 2009, as part of a 10-disc box set of entrancing Stokowski performances.

The master tapes have not weathered the years well, alas, so there are moments of distortion, but the power of the piece transcends any technical limitations. There is certainly nothing wanting in the performance.

To round out the hour, we’ll hear the Russian-born pianist, Nadia Reisenberg, in a selection from her 1947 Carnegie Hall recital, Khachaturian’s most famous piano work, the “Toccata.” Reisenberg studied at Philadelphia’s Curtis Institute of Music under Josef Hoffman.

Join me for these rare Khachaturian performances, “Khach As Khach Can,” tomorrow night at 10 ET, with a repeat Friday morning at 3. Or listen to the webcast later, at your convenience, at http://www.wwfm.org.

In the meantime, here’s an even rarer Khachaturian document of the composer singing about the glories of Armenian wine!

https://www.youtube.com/watch?v=vtKHrg7w3_o

PHOTO: Troika! (Right to left) Khachaturian with Shostakovich and Prokofiev

September 6, 2014

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