Category: Daily Dispatch

  • Classical Music Family Ties Revealed

    Classical Music Family Ties Revealed

    Two familial classical music links I learned of in the past week or so:

    First, Riccardo Muti revealed earlier this month in Chicago, at the premiere of Osvaldo Golijov’s “Megalopolis Suite” (derived from Golijov’s score to the Francis Ford Coppola film), that he is a second cousin of the director.

    Although the revelation was certainly a surprise, he is not Coppola’s only musical relation. The director’s father was composer Carmine Coppola, who contributed music to a number of his films. (He shared an Academy Award with Nino Rota for his work on “The Godfather Part II.”) Coppola’s uncle, Carmine’s brother, was the composer and conductor Anton Coppola. If there is a family connection with conductor Piero Coppola, who made first recordings of Ravel and Debussy and accompanied Prokofiev in the first recording of the composer’s Piano Concerto No. 3, it has yet to be officially established.

    Coppola was also responsible for foreign distribution of Hans-Jürgen Syberberg’s film adaptation of Wagner’s “Parsifal.”

    Muti was music director of the Philadelphia Orchestra from 1980 to 1992. He directed the Chicago Symphony from 2010 to 2023. He was recently named the orchestra’s Music Director Emeritus for Life.

    Second, I just learned a day or two ago that, in addition to being an actress, Denzel Washington’s wife, Pauletta, is a Juilliard-trained pianist who was a Van Cliburn competitor, as revealed in this interview for Classic FM.

    https://www.facebook.com/reel/1590169658254755

    According to the Winston-Salem Journal, Pauletta (née Pearson) began entering piano competitions at age 10, before studying at the North Carolina School of the Arts, The Juilliard School, and the University of North Texas.

    She recorded the song “It’s in Your Eyes” for Denzel’s 1993 film “Philadelphia” and played piano on the soundtrack of “Antwone Fisher.”

    From Pauletta’s website: “She studied piano at Julliard, then was introduced to the jazz world by Miles Davis and members of the Lionel Hampton Orchestra. In her early twenties, Pauletta was starring in the national tour of a Broadway show, and had begun to build a vibrant career working with theater luminaries Andrew Lloyd Webber, Jerry Herman and Jules Styne [sic].”

    Speaking of pianos, Washington has produced an adaptation of August Wilson’s “The Piano Lesson” (directed by his son, Malcolm). The film, which stars Samuel Jackson and features cameos by Denzel and Pauletta, is now in theaters.

  • Estonian Composers Eller Kapp and Sumera

    Estonian Composers Eller Kapp and Sumera

    One needn’t vault the Baltic in order to enjoy tones from Estonia.

    This week on “The Lost Chord,” we’ll hear music by the so-called father of Estonian music, Heino Eller. Eller, born in Tartu in 1887, studied violin at the St. Petersburg Conservatory. He also studied law. For 20 years, he taught theory and composition at the Tartu Higher School for Music. In 1940, he became a professor of composition at the Tallinn Conservatory, where he remained until his death in 1970.

    Eller composed many beautiful tone pictures. We’ll hear his violin concerto, in a performance taken from a concert given in celebration of the composer’s 80th birthday.

    Among Eller’s pupils were Eduard Tubin, Arvo Pärt, and Lepo Sumera. Sumera was born in Tallinn in 1950. In his teens, he studied with Veljo Tormis; then, beginning in 1968, with Eller, at what was then the Tallinn State Conservatory. He went on to compose six symphonies, as well as many chamber and choral works.

    In the 1980s, he became interested in electro-acoustic music. He founded the Electronic Music Studio at the Estonian Academy of Music in 1995. He served as its director until 1999. Sumera died of heart failure in the year 2000, at the age of 50.

    His Symphony No. 4, subtitled “Serena Borealis,” was composed in 1992. Western ears may detect the influence of minimalist techniques, but it’s worthwhile to note that the folk tradition of Estonian runo songs, handed down orally, relies equally on repetition. And the Estonian nationalists were nothing if not in tune with their musical past.

    Finally, we’ll hear from Artur Kapp, who lived from 1878 to 1952. Like Eller, Kapp studied at the St. Petersburg Conservatory, where Rimsky-Korsakov was among his teachers. He himself became a professor at the Tallinn Conservatory, where he taught many notable Estonian composers, among them, his sons, Eugen and Villem. Kapp is regarded as the head of the Tallinn school of composition, a counterbalance to Eller, who was the head of the Tartu school.

    We’ll be listening to the finale from one of Kapp’s most enduring works, the oratorio “Job,” in a recording sent to me by the very generous Neeme Järvi (also born in Tallinn), while he was music director of the New Jersey Symphony Orchestra.

    I’ll share the wealth, on this hour of musical discoveries from Estonia. “Tallinn’s Got Talent,” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EST/5:00 PM PST

    SWEETNESS AND LIGHT, the light music program – ALL NEW! – Saturday at 11:00 AM EST/8:00 AM PST

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EST/4:00 PM PST

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Hindemith Birthday KWAX Radio & Bliss Michelson

    Hindemith Birthday KWAX Radio & Bliss Michelson

    I already post too much on Saturdays, since I’m committed to promote my radio shows “Sweetness and Light” and “The Lost Chord,” both of which air today on KWAX (and can be streamed here: kwax.uoregon.edu); but today also marks the birthday of one of the most significant composers of the 20th century. Sometimes I’ll do a search to see what I’ve written about a given anniversary over the past years, and I am frequently awed by my younger self. Who is that guy? I guess once the monomania takes hold, there’s no stopping me. At any rate, I find my observations from 2019 to be interesting and entertaining. I hope you do too. Once you read the post, be sure to scroll down to the comments section to read an amusing anecdote shared by my radio mentor, the late and dearly-missed Bliss Michelson.

    https://www.facebook.com/photo/?fbid=1379019078932045&set=a.279006378933326

    If Bliss’ comment sparks your curiosity to hear Hindy’s Double Bass Sonata, here’s a link to the piece:

    Also, I wonder if this is the Chicago Symphony concert he was referring to?

    Happy birthday, Paul Hindemith.

  • Classical Music for Short Days

    Classical Music for Short Days

    You may have noticed the days are growing precipitously shorter. Soon, it will be as if morning runs into evening. So it’s not by accident that we’ll hear Alexander Alyabyev’s “Morning and Evening Overture” on this week’s “Sweetness and Light.” I’ll even toss noon into the mix for Franz von Suppé’s “Morning, Noon and Night in Vienna.”

    But twilight will be here before you know it. We’ll honor the crepuscular with the light music classic “Dusk” by Cecil Armstrong Gibbs and “At Dusk” by Second New England School luminary Arthur Foote.

    Finally, seemingly out of left field and because I say so, we’ll hear Jean Sibelius’ Symphony No. 6. Sibelius was once asked by a journalist to provide a motto for his new symphony. The composer responded, “When shadows lengthen.” It could be argued it’s not a “light” piece, exactly, but it is ravishingly beautiful, and it’s not played all that often.

    I think somebody needed to tip me off about the supermoon. The days grow short, but hopefully the music is long on enjoyment, on “Sweetness and Light,” this Saturday morning at 11:00 EST/8:00 PST, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Princeton Festival Oral History Begins

    Princeton Festival Oral History Begins

    Just completed the first round of documentary/promotional/archival interviews for an oral history of The Princeton Festival. Left to right: videographer Briann Dixon, interview subjects Markell “Mickey” Shriver, Helene “Laney” Kulsrud, and Marcia Atcheson (all founding members of the festival), and yours truly. For many years, Marcia was my festival press contact when I wrote about classical music for The Trenton Times.

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