Category: Daily Dispatch

  • Embrace Fall Leaves A Guide to Eco-Friendly Yard Work

    Embrace Fall Leaves A Guide to Eco-Friendly Yard Work

    With all the extra energy you’ve stockpiled from your extra hour’s sleep (presuming you turned the clocks back for standard time), don’t allow yourself to give in to the temptation of squandering this beautiful day by over-raking your yard. And in the name of all that’s holy, don’t use a leaf-blower! A few extra leaves are actually good for the environment. They insulate the grass in winter, enrich the soil, provide a habitat for wildlife, and protect against frost and erosion. Not too many leaves, mind you, but having a few around is actually a pretty good thing.

    However, if you’re one of those type-A personalities who simply must do something, why not consider turning your yard work into avant-garde work? Go the “backyard circus” route and invite the neighbors over for an impromptu performance of Karlheinz Stockhausen’s “Herbtsmusik” (“Autumn Music”).

  • Shostakovich Fall Back Time Change

    Shostakovich Fall Back Time Change

    Dmitri Shostakovich reminds you to turn your clocks tonight, as we “fall back” to standard time!

  • Vaughan Williams & Elgar Lansdale Concert

    Vaughan Williams & Elgar Lansdale Concert

    Two of my favorite pieces of music by English composers (which is to say, two of my favorite pieces of music, period) will be performed tonight by the Southeastern Pennsylvania Symphony Orchestra: Ralph Vaughan Williams’ Symphony No. 5 and Edward Elgar’s “Enigma Variations.” The concert will take place at 7:30 p.m. at Calvary Baptist Church, minutes from downtown Lansdale, PA. Tickets at spsorchestra.org

  • Nordic Soul Autumn Music Langgaard Rautavaara

    Nordic Soul Autumn Music Langgaard Rautavaara

    Don’t forget to turn your clocks back tonight! As we prepare to return to standard time and the days grow ever shorter, those of us in the Northern Hemisphere can feel a spiritual kinship with the Scandinavians.

    This week on “The Lost Chord,” it’s autumn in the North countries, as well as in the Nordic soul. We’ll test your limits, not only for lengthening shadows, but also for gratuitous vowels, with music by Danish composer Rued Langgaard and Finnish master Einojuhani Rautavaara.

    Langgaard lived from 1893 to 1952. Despite a promising start – born to musical parents, a prodigious childhood, meetings with major conductors, and a symphony performed by the Berlin Philharmonic – his personal and creative eccentricities worked against him.

    Perpetually out of step with the times, and particularly with the musical tastes of his countrymen, performances of his works were scarce. He found himself ignored by the musical establishment, with the result that his music really only started to be recognized in the 1960s – 16 years after the composer’s death.

    Langgaard was 46 by the time he managed to obtain a permanent job, as an organist at the cathedral in Ribe. It was the oldest town in Denmark, and situated far, far from Copenhagen, the center of Danish musical life. He would die in Ribe at the age of 59.

    He wrote 16 symphonies. The fourth of those bears the subtitle “Fall of the Leaf.” Beyond a simple evocation of autumnal nature, complete with thunderstorms, wind, and rain, the symphony is one of moods related to, or symbolized by, autumn. The composer originally called the work “Nature and Thoughts.”

    Rautavaara, Finland’s grand old man of music, died in 2020 at the age of 87. He studied at the Sibelius Academy in Helsinki, under Aare Merikanto, before receiving a scholarship to attend the Juilliard School. Among his teachers in the United States were Vincent Persichetti, Roger Sessions, and Aaron Copland. He himself taught for extended periods at the Sibelius Academy.

    As a composer, he wrote eight symphonies, 14 concertos, and nine operas, as well as choral, chamber and instrumental music. His most famous piece is probably his “Cantus Arcticus,” for taped bird song and orchestra.

    Early on, Rautavaara experimented with serialism (though he was never a strictly serial composer), but in the 1960s, he left all that behind. His mature style is frequently one of austere beauty, marked by lyricism and even luminosity. His later works often bear something of a mystical stamp.

    We’ll be listening to music composed in 1999, titled “Autumn Gardens,” Rautavaara’s meditation on beauty in nature and the transience of life. If I were to introduce anyone to the music of Rautavaara, this may very well be the piece I would select. It’s gorgeous and moving.

    I hope you’ll join me for “Fall of the Leif,” autumnal meditations from the North, on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EDT)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EDT)

    Stream them here!

    https://kwax.uoregon.edu/

  • Exorcist 50th Anniversary Chat

    Exorcist 50th Anniversary Chat

    After several unfortunate postponements, Roy and I seem to have finally wriggled out from beneath the curse of “The Exorcist” (1973). Now we can finally put Halloween – and Regan – to bed.

    One of the unfortunate effects of talking about a film weeks after the fact is that I tend to forget some of the fascinating details that leap out at me while viewing. Even if I jot them down, I don’t always recall the precise trajectory of my thoughts. The difficulty is compounded as, even under the best of circumstances, I can be frustratingly wayward when attempting to express myself in speech. So I guess it’s a good thing I’ve worked for 37 years in broadcast media!

    Hopefully we left you with some food for thought, or at any rate, kept you entertained, even as we got sidetracked discussing the relative merits of directors’ cuts and at what length a film should necessitate the inclusion of an intermission. There were plenty of loose ends as we got turned around in the labyrinth. But the journey is always the destination on Roy’s Tie-Dye Sci-Fi Corner. If you missed our 50th anniversary discussion of this horror high-water mark, the entire lollaPazuzu is archived here:

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