Category: Daily Dispatch

  • Sibelius Line Extends Conductor Stasevska Welcomes Baby

    Sibelius Line Extends Conductor Stasevska Welcomes Baby

    The Sibelius family tree has a new shoot!

    Dalia Stasevska has given birth to a baby daughter.

    Stasevska, chief conductor of the Lahti Symphony Orchestra and principal guest conductor of the BBC Symphony Orchestra, is married to Lauri Porra, Sibelius’ great-grandson. Porra trained on the cello but found fame as the bassist for Finnish metal band Stratovarius.

    Get a load of this awesome electric guitar concerto.

    Stasevska conducted a satisfying performance of Sibelius’ 5th Symphony in Philadelphia last season. Here’s 90 seconds of her conducting Sibelius’ 3rd, the work over which the composer’s grandson and I bonded. Ask me about it sometime.

    The couple announced the pregnancy on August 22. The birth occurred on October 12. Congratulations to the happy parents!

  • Ormandy’s Stereo Legacy: New Philadelphia Orchestra Box

    Ormandy’s Stereo Legacy: New Philadelphia Orchestra Box

    Here it comes! Two years after my euphoric reception of Sony Classical’s mega-box of mono recordings by Eugene Ormandy and the Philadelphia Orchestra comes news of the first installment of presumably multiple boxes of the partnership’s legendary stereo recordings.

    Of course, now we’re getting into duplication territory, as a fair number of these have been reissued countless times and form the core of the Ormandy/Philadelphia legacy. HOWEVER, they will all be remastered, presumably (if following the blueprint of the earlier set) individually filed in sleeves reproducing the original album notes and cover art, and interleaved with a number of dimly-recollected curiosities from the LP era, some of them never revived in any form.

    Release date: November 17. I placed my pre-order earlier this week. You can shop around for the lowest price. I’m locked in at $170, and for 88 CDs and the luxury packaging, I consider it a steal.

    https://www.sonyclassical.com/releases/releases-details/eugene-ormandy-the-stereo-collection-1958-1963

    I’m projecting there will be four of these boxes in all: the mono set, this stereo release of recordings from 1958-1963, a second stereo set covering 1964-1968, and a stereo set embracing the later RCA years. Last year, there was an Ormandy/Minneapolis set of mono recordings predating his Philadelphia years. I already have a fair amount of that material, but it’s only 11 CDs, so maybe I should take a closer look to be sure it’s not something else I should invest in. But it’s really Philadelphia I want. Including maybe a Robin Hood Dell set!

    In case you missed it, here’s my enthusiastic reception of the “Eugene Ormandy: The Columbia Legacy” boxed set from May 2020.

    The actual press release on Sony Classical’s website is cut-and-pasted with no paragraph breaks and no indication of the actual disc-by-disc content. Here’s a better indication from a secondary source. Still, no mention of the soloists.

    https://www.importcds.com/eugene-ormandy-and-philadelphia-orch-columbia-coll/194399774328

    Okay, Sony, so maybe you’re not the best when it comes to promoting your reissues. Just keep producing sets of the quality of the original Ormandy box, and you can keep taking my money!

  • Schwanda the Bagpiper Weinberger’s One Hit Opera

    Schwanda the Bagpiper Weinberger’s One Hit Opera

    Capitalizing on the widely-held belief that the proper domain of the bagpipe is Hell, Jaromir Weinberger crafted his most popular hit. In fact, “Schwanda the Bagpiper” (in Czech, “Švanda dudák”) was his only hit. In 1927, the opera became an international sensation. But beyond a couple of orchestral highlights (the Polka and Fugue), even that one hit isn’t all that well known.

    Learn more about this rollicking farce, involving a love triangle, a card game with the devil, and the beguiling power of the bagpipes. Jaromir Weinberger may have been a one-hit wonder, but there’s still plenty of bounce in this Czech. I hope you’ll join me for “Czech in the Balance” on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EDT)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EDT)

    Stream them here!

    https://kwax.uoregon.edu/

  • New Show Opener Space 1999 An American Werewolf

    Have you checked out our exciting new show-opener yet? Thanks to Jeffrey Morris and Frederick Haugen for the cool graphic design and Michael Nelson for the funky theme music, which lends the segment such a great retro vibe.

    Jeffrey was Roy’s guest last night for a discussion about “Space: 1999” nightmare-fuel episode “Dragon’s Domain” (1975). The conversation is archived here: https://www.facebook.com/roystiedyescificorner/videos/740540671404055

    Jeffrey is in the process of filming a documentary about the cultural impact of “Space: 1999”s iconic spacecraft, the Eagle. Learn more about it and his other film and television projects for @[100058107853311:2048:FutureDude Entertainment] at futuredude.com.

    Roy and I will reconvene tomorrow to sink our teeth into “An American Werewolf in London” (1981). Flash us a moon in the comments section, when we livestream on Facebook, YouTube, etc., this Sunday night at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner

  • Dino Movie Mayhem on Picture Perfect

    Dino Movie Mayhem on Picture Perfect

    I know, I know, strictly speaking, Godzilla is not a dinosaur. Don’t give me any guff. All I’m looking for is an hour’s worth of “fearfully great lizards” (from the Greek), and I don’t care how I get them.

    This week on “Picture Perfect,” the focus will be on four films that convey the disastrous results of bringing dinosaurs into the world of men.

    “One Million Years B.C.” (1966) features special effects by the legendary Ray Harryhausen and an equally legendary fur bikini, worn by Raquel Welch. Not to be confused with the more recent “10,000 B.C.,” this was actually a Hammer Studios remake of a 1940 Hollywood film, “One Million B.C.” – a fact as little known as the well-kept historical secret that man and dinosaurs did indeed co-exist. With its stop-motion dinosaurs, fur bikinis, and Peter Brady-style volcanoes, this cheese ball classic is a guilty pleasure indeed. The music was by Mario Nascimbene, who wrote one of my favorite scores for Kirk Douglas, “The Vikings.”

    Harryhausen also provided the special effects for “The Valley of Gwangi” (1969). Gwangi, a cross between an Allosaurus and a Tyrannosaurus rex, is discovered by cowboys in a lost valley in Mexico. Lending an air of realism, there is also a clan of Gypsies. Of course, the first thing you want to do when you discover a 14-foot predator is to monetize it by putting it on display for the public employing questionable safety standards. Obviously, none of these cowboys have seen “King Kong.” Gwangi is promptly conscripted into a wild west show, with predictable results.

    The music is by Jerome Moross, composer of one of the all-time classic western scores, that for “The Big Country,” and there are musical moments in this film that almost seem as if they’re left over from the earlier classic. Which is fine by me.

    Purists, no doubt, will object to my inclusion of Godzilla on a dinosaur program. Godzilla is not, strictly speaking, a dinosaur, but rather a monster unleashed by a nuclear blast. Still, according to the Smithsonian, he has the head and lower body of a Tyrannosaurus, a triple row of dorsal plates like those of a Stegosaurus, the neck and forearms of an Iguanodon, and the tail and skin texture of a crocodile.* No Ray Harryhausen stop-motion effects here. Just some guy in a suit. (Actor and stunt performer Haruo Nakajima played Godzilla 12 consecutive times, beginning with the original film.)

    We’ll hear the “Godzilla” theme (1954), composed by Akira Ifukube. And we’ll preface that with a little conversation between Godzilla and Orga, from the 23rd Godzilla movie, “Godzilla 2000: Millennium.”

    As he did with the Indiana Jones films, director Steven Spielberg turned to B-movie source material for his visual inspiration for “Jurassic Park” (1993), based on the novel by Michael Crichton. The herky-jerky dinosaur effects of yore are replaced by state-of-the-art computer-generated imagery, in the story of a safari park on a remote island gone wrong. Sure, we’ve come a long way from Raquel Welch getting carried off by a Pteranodon, but admit it, we all still want to see people fighting dinosaurs. Instead of fudging history, now we can feel superior by fudging science. “Jurassic Park” plays on the most recent scientific thinking, with DNA extracted from mosquitoes trapped in amber, cloning, and the theory that dinosaurs were not lizards, after all, but rather birds. (Yeah, and Pluto isn’t a planet!) The music is by long-time Spielberg-collaborator, John Williams.

    Dinosaurs walk the earth, on “Picture Perfect,” music for the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Remember, KWAX is on the West Coast, so there’s a three-hour difference for the Trenton-Princeton area. Here are the respective air-times of my recorded shows (with East Coast conversions in parentheses):

    PICTURE PERFECT, the movie music show – Friday on KWAX at 5:00 PACIFIC TIME (8:00 PM EDT)

    THE LOST CHORD, unusual and neglected rep – Saturday on KWAX at 4:00 PACIFIC TIME (7:00 PM EDT)

    Stream them here!

    https://kwax.uoregon.edu/


    *If we’re going to drag science into the thing, here’s an amusing article I discovered in Smithsonian Magazine, in which paleontologists speculate what dinosaurs may have been a part of Godzilla’s DNA. Before his radioactive mutation that is.

    https://www.smithsonianmag.com/science-nature/what-kind-of-dinosaur-is-godzilla-45639768/?no-ist&fbclid=IwAR24EdNM5di33tj86DHPbteSnliHqkkP8ZtEMfkIC-eowDPRNmtZnSw1ks8

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