Category: Daily Dispatch

  • RRR Movie Review Epic Bollywood Bromance

    RRR Movie Review Epic Bollywood Bromance

    If you ever wondered what a David Lean film would look like if directed by Baz Luhrmann, look no further than “RRR.”

    Last night, I finally got around to watching this box office juggernaut – India’s most expensive film to date – now the second highest-grossing Teluga film in the world. You may recall, “RRR” took home an Academy Award for Best Original Song for “Naatu Naatu,” by two artists who go by the names M.M. Keeravani and Chandrabose.

    Keeravani also provided the film’s score. In his memorable acceptance speech, he cited John Williams as one of his inspirations, and then sang the rest of his sentiments to the tune of The Carpenters’ “Top of the World,” which he said he listened to as a boy growing up in India. The media back home, apparently, mistook Keeravani’s remark as his having listened to actual singing carpenters!

    From the disparate tones of the various clips I’d seen from the film, I couldn’t imagine what the picture could possibly be about. Let’s just say it’s an imagined epic bromance between two historical freedom fighters during the time of the British Raj. The film plays out like an Alexandre Dumas novel (“Queen Margot,” perhaps?) but with the over-the-top rhythms of Kung Fu Theater. And oh yes, seemingly out-of-nowhere Tollywood dance numbers.

    Ultimately, it’s as big and dumb as any Hollywood blockbuster, with worse CGI, but hilariously deployed. I can’t say I was ever bored for the film’s three-hour running time, and I was genuinely into the divided loyalties and emotional conflicts facing the two leads.

    The Brits are all mustache-twirling villainy, supercilious and brutal. Jason Isaacs missed a trick by not being in this one. If Sylvester Stallone met Arnold Schwarzenegger for an epic dance-off on the road to winning independence from King George III, this would pretty much be the film.

    I was expecting maybe a little more tragic grandeur at the end, but there’s something to be said for pleasing the crowd and sending everyone home with smiles on their faces.

    “RRR” is available for streaming on Netflix. This is the WTF dance number that has everyone talking.

    https://www.youtube.com/watch?v=OsU0CGZoV8E

    The trailer

    Keeravani’s Oscar acceptance

    https://www.youtube.com/watch?v=25utf_UaOPc

  • Beethoven’s Goat Hair DNA Mystery

    Lest there be any doubt that Beethoven was the GOAT, check out this article in today’s Washington Post.

    “The year before Beethoven died, the wife of a colleague earnestly wanted a lock of his hair, but she became the victim of a prank. Beethoven and his secretary instead sent a coarse snip of a goat’s beard…”

    Makes it kind of awkward when scientists try to sequence your DNA.

    https://www.washingtonpost.com/science/2023/03/22/beethoven-genome-hair/?fbclid=IwAR2p4FXLOMxPc8avXJcVDdbWj8w_dOhiLEWwSpWQlYH-taNcBRe81o3Yrbs

    Incidentally, Ferdinand Hiller, whom the article cites, was more than just a teenager who collected hair, a notable pianist and composer in his own right. I’ve posted about him once or twice myself.

  • Marcel Marceau: Celebrating 100 Years of Silence & Art

    Marcel Marceau: Celebrating 100 Years of Silence & Art

    Marcel Marceau would have been 100 today. But I’m not going to say anything about it. (He was a mime. Get it?)

    Except I will:

    In 1970, an album was released by MGM Records called “The Best of Marcel Marceao” [sic]. Whether this was a typo or a legal dodge is anybody’s guess. Both sides of the record consist of 19 minutes of silence followed by audience applause. Here’s my favorite bit:

    Michael Jackson, a longtime admirer, acknowledged Marceau as an influence on his own gracefully-executed moves. Would Jackson ever have moonwalked without Marceau? The two had been scheduled to appear together in a concert for HBO, but the event was cancelled after Jackson was hospitalized for exhaustion.

    Marceau may have performed in silence, but he was not totally without ears. A number of his routines were executed to music, included “La création du monde,” which he mimed to the second movement of Mozart’s Piano Concerto No. 21 (not Milhaud). Later, at Morceau’s request, the piece was played at his funeral, along with the Sarabande from Bach’s Cello Suite No. 5.

    https://fresques.ina.fr/en-scenes/fiche-media/Scenes00803/interpretation-de-marcel-marceau-sur-le-concerto-pour-piano-n-21-de-mozart.html

    Skating to Emile Waldteufel:

    Marceau was a worldwide celebrity, who appeared as a guest on “The Red Skelton Hour,” “Rowan & Martin’s Laugh-In,” “Flip” (with Flip Wilson), “Mr. Rogers Neighborhood,” “The Dick Cavett Show,” “The Merv Griffin Show,” “The Mike Douglas Show,” and many others. One of his most bizarre film appearances was in the cult classic “Barbarella” (in which he does not mime). He also appeared in “Paganini” with Klaus Kinski.

    Marceau “walking against the wind” in Mel Brooks’ “Silent Movie”:

    At five, Marceau’s mother took him to see a Charlie Chaplin film. It determined the course of his life.

    At 17, during the Nazi occupation of France, Marceau, who was Jewish (his birth name was Mangel, but he adopted Marceau in tribute to a general in the French Revolution), joined the Resistance and assisted in rescuing thousands. He was unable to save his father, however, who was killed at Auschwitz.

    With the liberation of Paris, Marceau joined the French army. Because of his fluency in English and German, he acted as a liaison officer with Patton’s Third Army.

    After the war, Marceau pursued a career in theater. In 1947, he created his trademark Bip the Clown.

    Marceau was the recipient of many honors in his native land. In the U.S., he was awarded a Primetime Emmy and bestowed with honorary degrees from institutions of higher learning – including Princeton University.

    In all, he enthralled audiences for 60 years.

    Joyeux 100e anniversaire, Marcel Marceau!


    To Bach: “Youth, Maturity, Old Age and Death”


    PHOTOS: Marceau with Victor Borge in 1963

  • Celebrate Bach Support WWFM’s Bach 500

    Celebrate Bach Support WWFM’s Bach 500

    Once again, the day is upon us – Johann Sebastian Bach’s birthday. WWFM – The Classical Network is heading into the homestretch on its annual “Bach 500.” Every year, it has been the station’s custom to celebrate Bach while amassing 500 listener donations IN ANY AMOUNT. You set the level. Once the 500 is achieved, the fundraising ends and we douse one another with champagne, metaphorically speaking. The bubbly is in the music.

    Please do your part to support classical music in your community and, by way of internet streaming, around the world. It’s contributions from listeners like you that provide a home for shows like “Picture Perfect” and “The Lost Chord.”

    How do you make it happen? It’s easy! Head on over to wwfm.org, and click on “Become a member of our Bach 500,” or follow the link below. Or do it the old-fashioned way and call 1-888-232-1212.

    Less than 250 laps left in this race! Thank you for your support, and go, JSB, go!

    https://wwwfm.secureallegiance.com/wwfm/WebModule/Donate.aspx?P=DEFAULT&PAGETYPE=PLG&CHECK=vOU2bz5JCWmgCDbf53nm9ezWDeZ%2beA1M

  • Spring Music Bridge Britten

    With the vernal equinox upon us, enjoy Frank Bridge’s “Enter Spring” (1926-27). The conductor: Bridge’s star pupil, Benjamin Britten.

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