Category: Daily Dispatch

  • Brahms vs Tchaikovsky Birthday Bash on WWFM

    Brahms vs Tchaikovsky Birthday Bash on WWFM

    It’s time for our annual steel-cage death match between Johannes Brahms and Peter Ilych Tchaikovsky. For the shared birthday anniversary of classical music’s greatest frenemies, WWFM The Classical Network will celebrate with a mixed menu of their music, today from 10 a.m. to 7 p.m. EDT.

    Whether your personal taste runs to Brahms, the great classicist among Romantics, or Tchaikovsky, always heart-on-the-sleeve, we hope you will support the tremendous variety of music offered year-round on The Classical Network by contributing right now at 1-888-232-1212, or online at wwfm.org.

    As an added bonus, George Marriner Maull will cap this special day with a program of music and discussion, featuring members of The Discovery Orchestra, coming to you live from Mercer County Community College’s Black Box Theater, adjacent to the WWFM studios. This very special edition of “Inside Music” will commence tonight at 8 pm. (Please note: “Inside Music” is ordinarily heard on the second and fourth Saturdays of every month at 7:30 p.m.)

    Learn more about tonight’s broadcast here:
    https://www.wwfm.org/post/inside-music-goes-live-brahmstchaikovsky-birthday-celebration

    While Brahms and Tchaikovsky were both born on this date – Brahms in 1833, and Tchaikovsky in 1840 – their stars didn’t quite align when it came to what they wanted to express in their art.

    Tchaikovsky notoriously confided to his diary, “I have played over the music of that scoundrel Brahms. What a giftless bastard!”

    For his part, Brahms demonstrated his slight regard of Tchaikovsky’s Fifth Symphony by falling asleep, during a rehearsal, in the composer’s presence.

    The two were finally brought together socially on New Year’s Day, 1888. And surprise! They actually delighted in one another’s company.

    “I’ve been on the booze with Brahms,” Tchaikovsky wrote. “He is tremendously nice – not at all proud as I’d expected but remarkably straightforward and entirely without arrogance. He has a very cheerful disposition, and I must say that the hours I spent in his company have left me with nothing but pleasant memories.”

    The following year, the two met again in Hamburg. That’s when Brahms slept through the Fifth Symphony. Tchaikovsky bore it lightly and was convivial throughout the meal they shared afterward. Although Brahms was harsh in his assessment of the last movement of the symphony and Tchaikovsky confessed an overall aversion to Brahms’ style, the evening was full of good cheer and ended with Tchaikovsky inviting Brahms to visit him in Russia.

    How large a role alcohol may have played in the two men’s warmth for one another we can only guess. It was not just anyone who could be Brahms’ drinking buddy.

    Regardless of their mutual affection, the two never could reconcile themselves to one another’s music. After a lovely evening with Brahms, during which both men drank and smoked prodigiously, while Adolph Brodsky – the violinist who had introduced Tchaikovsky’s Violin Concerto – rehearsed a Brahms piano trio, Mrs. Brodsky asked Tchaikovsky what he had thought of the piece.

    “Don’t be angry with me, my dear friend,” he said, “but I did not like it.”

    Happily, we can enjoy both men’s contributions, thanks to your continued support of classical music, in all its variety, on WWFM – The Classical Network!

    https://wwwfm.secureallegiance.com/wwfm/WebModule/Donate.aspx?P=DEFAULT&PAGETYPE=PLG&CHECK=vOU2bz5JCWmgCDbf53nm9ezWDeZ%2BeA1M&fbclid=IwAR2Z5QwBDt_X7iHkl7UeDuP59E-Xc14Vk8cRM7Ic8NKgMBIhLeMRE8DVBKQ

  • This Island Earth Shaggy Dog Story Sci-Fi

    This Island Earth Shaggy Dog Story Sci-Fi

    Did this revered Technicolor sci-fi classic – distinguished by Eisenhower Era pulp magazine production design, Oompa Loompa-haired extraterrestrial intelligence, interplanetary conflict, and bug-eyed monsters – really turn out to be just one long shaggy dog story? Find out tomorrow, when we discuss “This Island Earth” (1955).

    Two world-renowned atomic scientists, Dr. Carl Meacham (resonant Rex Reason, looking all the world like Stewart Granger) – referred to as “Doctor,” or by his surname – and Dr. Ruth Adams (Faith Domergue) – invariably addressed as “Ruth” – are enlisted by the high-browed Exeter (Jeff Morrow) for a hush-hush project shrouded in mysterious off-world implication. At least the title of the book Meacham is handed isn’t translated as “To Serve Man!”

    Along the way, there are also some lighthearted shenanigans with the Professor from “Gilligan’s Island” and perhaps three minutes of screen time for the much-trumpeted Metaluna Mutant.

    It’s telling that the film was originally released as a double-feature with “Abbott and Costello Meet the Mummy.” That which reaches us when we are young is most fondly-remembered.

    Share your senility in the comments section, on the next Roy’s Tie-Dye Sci-Fi Corner. Step back from your interocitor, as we livestream on Facebook! All will be consumed by flame, this Friday evening at 7:00 EDT.

    https://www.facebook.com/roystiedyescificorner

  • Raritan River Music Festival Returns

    Raritan River Music Festival Returns

    Like the flowers in spring, live music events are gradually creeping back into bloom.

    The Raritan River Music Festival will begin its 32nd season this weekend, with options to enjoy four outdoor performances, in-person or at-home, via real-time internet streaming. Socially-distanced, covered seating will be available over four Saturdays in May at Blue Army Shrine in Asbury, NJ (not to be confused with Asbury Park).

    For more information and concert details, visit raritanrivermusic.org.

  • Cinco de Mayo: How Mexico Saved the U.S.

    Cinco de Mayo: How Mexico Saved the U.S.

    On May 5, 1862, the Mexican army routed superior French forces at the Battle of Puebla, in the process quite possibly saving the United States’ bacon.

    You see, Napoleon III was not entirely unaware of a little something raging here in the U.S. called the Civil War. It was Napoleon’s idea that by moving in while the union was compromised, he might be able to strike an alliance with the Confederacy and further advance French interests in North America. If not for the events of Cinco de Mayo, we could all be wearing berets right now and saying things like “mais oui.”

    Mexico’s underdog victory at Puebla postponed the French advance for an entire year, plenty of time for Lincoln’s generals to score enough decisive victories that no matter what Napoleon’s designs, they likely would have had very little impact on the outcome of the War Between the States.

    Since Mexico’s historic upset, acquisitive European forces have thought twice before attempting to invade any country in the Americas. So be sure to hoist a margarita to our brothers and sisters to the south.

    I’ll be adding tequila to my coffee and nachos to my oatmeal for Cinco de Mayo!

    ¡Viva México!


    “Sones de Mariachi” by Blas Galindo

    “Xochipilli” by Carlos Chavez, composed for MoMA to showcase pre-Columbian Aztec instruments

    Segovia plays “Sonata Mexicana” by Manuel Ponce

    “The Night of the Mayas” by Silvestre Revueltas

    An encore by Revueltas, “Ocho por radio”

    “Huapango” by José Pablo Moncayo

    I love how YouTube assumes that since I am clicking on videos of Mexican music that my ads should now be in Spanish. Mayo my!

  • Happy Star Wars Day Art Music and Memories

    Happy Star Wars Day Art Music and Memories

    It’s Star Wars Day. May the Fourth be with you!

    Personally, I can’t believe that the designation was made on account of a Dad-worthy pun. The first “Star Wars” opened on May 25, 1977, surely a more appropriate anniversary? But any excuse to celebrate “Star Wars” is fine by me, I suppose, as long as I don’t have to celebrate anything released after 1983.

    Until yesterday, I was completely unaware of artist Christopher Shy, but he is one extraordinarily talented individual. Pictured are just a few of his “Star Wars” paintings. The one that employs the original Ralph McQuarrie designs is a hoot!

    Check out his Facebook page for further original interpretations of Godzilla, “Ghostbusters,” Superman, “Star Trek,” “The Thing,” “The Creature from the Black Lagoon,” and many more. Also, make it a point to visit his website, artofronin.com. This will take you directly to a gallery of his work:

    https://www.artofronin.com/showcase

    While you’re at it, why not also spin some of John Williams’ “Star Wars” music? Williams’ original score is a postmodern masterpiece, with echoes of Korngold, Holst, Stravinsky, and William Walton, bound together, permeated, and propelled into delirious transcendence by his stirring, soulful, indelible themes.

    Generally speaking, I enjoy listening to the soundtrack albums in the form they were originally released. It’s nice to have the music note-complete, as has become the fashion on CD , but there was a certain artistry to the arrangements, layouts, and development of commercially-issued soundtracks of the LP era that made them special experiences unto themselves.

    That said, “The Empire Strikes Back” is one of the few note-complete film music recordings that I can listen to straight-through without getting fatigued. In that regard, it must be my favorite of the “Star Wars” scores.

    The original “Star Wars” soundtrack, from 1977, holds great nostalgic significance for me. I spent countless hours writing, drawing, and dreaming to that music. “Star Wars,” to great extent, introduced me to orchestral music, and it changed my life. But, also for me, “The Empire Strikes Back” is the standalone masterpiece, if taken on a purely musical level.

    Here’s how it was originally heard on LP, back in 1980:

    https://www.youtube.com/watch?v=ttZEjs13oO8

    Here it is, note-complete, as on CD – unfortunately with the tracks posted separately, allowing plenty of opportunities for interpolated YouTube ads:

    May the Fourth be with you, indeed!

    Certainly, I wouldn’t want to be without the music for either of the first two films. And by “first two,” I’m speaking in terms of release dates, NOT the geek-pedantic episode numbers. The title “A New Hope” is, quite simply, not in my vocabulary.

    Whatever your bliss, I wish you a happy Star Wars Day. Just keep your midichlorians off this page!

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