Category: Daily Dispatch

Today is the birthday of William Grant Still, the so-called “Dean of Afro-American composers.”

Still, who lived from 1895 to 1978, emerged from unlikely circumstances – born in Woodville, Mississippi, and raised in Little Rock, Arkansas – to become a major force in American music. Having abandoned a career in medicine for studies at the Oberlin Conservatory of Music and the New England Conservatory in Boston, Still was a “first” in many regards.

His Symphony No. 1, the “Afro-American Symphony,” was the first written by a black composer to be performed by a major orchestra (the New York Philharmonic). He was the first to have been allowed the opportunity to conduct a major orchestra (the Los Angeles Philharmonic, at the Hollywood Bowl). His opera, “Troubled Island,” became the first to be produced by a major company (the New York City Opera). Another of his operas, “A Bayou Legend,” was the first to be performed on national television (as recently as 1981). His works were performed internationally by the Berlin Philharmonic, the London Symphony Orchestra, the BBC Symphony, and the Tokyo Philharmonic.

Perhaps the least likely pupil of Edgard Varèse, Still incorporated jazz and blues elements into his concert music. He cut his teeth writing arrangements for Paul Whiteman, W.C. Handy, and Artie Shaw. According to Eubie Blake, one of Still’s improvisations in the pit band during Blake’s revue “Shuffle Along” became the basis for Gershwin’s hit tune “I Got Rhythm.” Still didn’t appear to be bitter about the appropriation (which Blake conceded was probably inadvertent). In fact, Still and Gershwin remained on amicable terms and made it a point to attend performances of one another’s music.

I’m sure Gershwin would have been only too happy to have composed the second movement of Still’s Symphony No. 2, “Song of a New Race”:

Still’s Symphony No. 1 (the first of five) – better known as the “Afro-American Symphony” – is a personal favorite, as fresh and difficult to resist as Dvořák’s “American” String Quartet. For me, the first recording, with Karl Krueger conducting, is still the best.

I. https://www.youtube.com/watch?v=5s7o8UfKsV0
II. https://www.youtube.com/watch?v=xSQUrW8eBhU
III. https://www.youtube.com/watch?v=lzzddBmiFow
IV. https://www.youtube.com/watch?v=Fu_qzX5K39g

It was only fairly recently that I learned of (and acquired) this recording of Still’s “Lenox Avenue,” with the composer conducting:

It’s been issued as a limited edition compact disc on the Kritzerland label.

http://www.kritzerland.com/still.htm

Still waters run deep. Happy birthday, William Grant Still!