Category: Daily Dispatch

  • Seward Johnson Sculptor Dies at 89

    Seward Johnson Sculptor Dies at 89

    I’ve been remiss in not mentioning the death of sculptor Seward Johnson, who died last week at the age of 89. If you’ve ever done a double take at an immoveable figure seated on a bench or banged your head against a bronze umbrella, chances are you are familiar with his work. Johnson was born in New Brunswick, NJ, in 1930.

    He was especially adept at casting three dimensional realizations of works by the French masters, many of them on display at Grounds For Sculpture in Hamilton, a 42-acre sculpture park he established in 1992. His sense of whimsy was evident, whether expanding the world of Grant Wood’s “American Gothic” or casting a 26-foot Marilyn Monroe, caught in her iconic subway grate scene from “The Seven Year Itch.” Some would say he had the itch for kitsch. But Johnson was a populist at heart.

    In his later years, he enjoyed leading sing-alongs of showtunes and American standards at Rat’s Restaurant, located on the grounds of Grounds. The grandson of Robert Wood Johnson I, founder of Johnson & Johnson, he also happened to be a nephew of Kirk Douglas.

    https://www.mycentraljersey.com/story/entertainment/people/2020/03/13/j-seward-johnson-world-renowned-sculptor-dies-89/5041696002/


    PHOTO: “Unconditional Surrender,” by Seward Johnson

  • Free Opera Online Met Streams Encore HD

    Free Opera Online Met Streams Encore HD

    Everything is cancelled. But nature abhors a vacuum, so some musicians, ensembles, and organizations (Yo-Yo Ma, Joyce DiDonato, the Philadelphia Orchestra) have been stepping up to offer free concerts and recitals online.

    The latest is The Metropolitan Opera, which will share select encore “Live in HD” presentations for the duration of the house’s closure, streamed at its website, metopera.org. The series will begin tonight with Elīna Garanča as an especially sultry Carmen. But for me the pick of the bunch for this first week is Renée Fleming and the late Dmitri Hvorostovsky in “Eugene Onegin,” which will be made available on Sunday.

    The operas stream free from 7:30 in the evening to 3:30 the following afternoon. You’ll find more information and a complete schedule when visiting metopera.org.

  • Irish Music on The Lost Chord Pre-St. Patrick’s

    Irish Music on The Lost Chord Pre-St. Patrick’s

    Don’t let the Italian surname fool you; my mother’s people came from Ireland. My own sensibilities tend more toward the Northern climes than to the Mediterranean. And I could be quite happy on a steady diet of praties and Guinness.

    This Sunday night on “The Lost Chord,” green is the new black. I hope you’ll join me, if only virtually, in anticipating St. Patrick’s Day, with music from, and in celebration of, the Emerald Isle. We’ll hear works by Irish composers John Larchet, Philip Hammond, Howard Ferguson, and A.J. Potter, and works on Celtic themes by Percy Grainger, Sir Arnold Bax, and John Foulds.

    That’s “The Sharing of the Green.” It will be all Guinness and no Corona, this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • WWFM: Coronavirus, Remote Ops & Classical Music

    WWFM: Coronavirus, Remote Ops & Classical Music

    Any weekend that begins with Friday the 13th and ends with the Ides of March is bound to bring bad news.

    Last night, I received notification that, because of Coronavirus concerns, Mercer County Community College will shift to remote operations beginning on Monday. The move will coincide with spring break and will span an initial period of two weeks, with extensions, obviously, as necessary.

    WWFM, which makes its home on the MCCC campus, will continue its operations, but with a skeletal staff, so you may notice a temporary increase in syndicated and remote programming. Also during the period, it is possible that only the most urgent phone calls, messages, and email will receive immediate responses. Communication with our listeners is important to us, and we always try to get back to you as soon as we can, but under the circumstances we appreciate your patience and understanding.

    Over the past two weeks, it became increasingly evident that our community was at risk for a health emergency. I was asked to pull together five weeks’ worth of recorded shows for “Picture Perfect” and “The Lost Chord,” to be aired in the event of an extended shut-down and to be sent out into syndication. The first of these shows will air on Friday, March 20 (Picture Perfect), and Sunday, March 22 (The Lost Chord). Should the state of emergency continue, there is enough fresh material to last through April 20. It is unclear whether these shows will be posted as webcasts, or if that will have to wait until my return. “Music from Marlboro” will be suspended for the duration of my absence.

    These actions should come as little surprise, as schools and places of gathering have been shut down all across the United States in an attempt to stem the spread of Coronavirus.

    It would be vain of me to expect that my absence from the air waves will cause panic in the streets. You’ll still get your classical music, albeit in other forms. I just wanted to let you know that, for now, I remain healthy, and I am an inveterate handwasher.

    Though I will certainly miss our time together, I will use the break to work on another long-term project, for which I’ve been accumulating information over the past several months, and which I will announce here eventually.

    In terms of the newspaper, I’ve already had one article go to print with a disclaimer that the subject, a concert, had been cancelled, and a second article consigned to the Phantom Zone, to be resurrected when another event is rescheduled, hopefully, for a future season.

    It’s probably not the best time to ask for money, but I do want to point out that WWFM’s Bach 500 campaign is still ongoing. I’m not sure at this point what we can promise in terms of wall-to-wall Bach on Bach’s birthday (March 21), but your contribution will still help us to achieve financial success. Best now to make that donation online at wwfm.org. As of Saturday morning, we are halfway to our goal of 500 contributions. Remember, you can make that donation in any amount. It doesn’t matter how much you give. We make our goal when 500 of you step up.

    For now, stay healthy, everyone. Enjoy what you can. Hopefully we’ll meet up again in a few weeks, and I’ll be back to sharing my usual blend of music and unintentional comedy.

    Thank you for your understanding, thank you in advance for your concern, and thank you for your support of WWFM – The Classical Network.

  • Irish Film Scores on Picture Perfect

    Irish Film Scores on Picture Perfect

    It’s Friday the 13th. Bad luck for Victor McLaglen. Still four days away, but John Wayne will pound his face so hard that he’ll still be spitting teeth on St. Patrick’s Day.

    McLaglen gets his lathering in the epic climax of John Ford’s “The Quiet Man.” Victor Young’s score will be one of the highlights this week, on “Picture Perfect,” which will be devoted to films with Irish settings and Irish themes.

    “The Luck of the Irish” (1948) features Tyrone Power as an American journalist who travels to Ireland, where he gets in touch with his roots – and a full-size leprechaun, played by Cecil Kellaway.

    No “Darby O’Gill”-style special effects here. Kellaway is just some guy in a leprechaun hat. When Power comments, “Say, aren’t you rather large for a leprechaun?,” Kellaway responds, “That’s a page of me family history I’d rather we not go into.” It was hoped that Barry Fitzgerald would have taken the role – and how perfect would that have been? – but he couldn’t be secured. In the event, Kellaway was nominated for an Academy Award for Best Supporting Actor.

    The music is by the English-born Cyril J. Mockridge, who was Alfred Newman’s assistant at 20th Century Fox. Mockridge is probably best known for his score to “Miracle on 34th Street.” “The Luck of the Irish” is full of Celtic-style folk melodies and some shimmering leprechaun music, but why it quotes “Greensleeves” is anybody’s guess. Probably at the request of a producer. (Green = Irish, right?)

    John Williams wrote a gorgeous, melancholy score for “Angela’s Ashes” (1999), adapted from Frank McCourt’s bestselling memoir. It’s refreshing to hear Williams give free rein to his lyrical side, beyond the context of lightsabers, magic wands and rampaging dinosaurs. The recording we’ll hear is from the difficult-to-acquire international release. The version issued stateside was marred by dialogue from the film. (Why do they do that?)

    You can’t have an hour of Irish film music without including something with The Chieftains. “Circle of Friends” (1995) is based on the novel by Maeve Binchy, about three childhood friends, who reunite in college, and their adventures with the young men they find there. The film stars Minnie Driver, Chris O’Donnell, Alan Cumming and Colin Firth. Michael Kamen wrote the score, but it’s The Chieftains, obviously, that lend it an air of authenticity.

    Finally, Victor Young’s palette is all green in “The Quiet Man” (1952). John Wayne, Maureen O’Hara, Barry Fitzgerald, Victor McLaglen, Mildred Natwick, Ward Bond, and a Mulligan stew of Irish character actors flesh out what must be John Ford’s most delightful film. It earned him his fourth Academy Award for Best Director, and the film itself was nominated for Best Picture.

    The alternately romantic and boisterous, folk-inflected score perfectly complements Ford’s tone of sustained whimsy, for what is essentially a love story unfolding in the face of cultural differences. Also the face of Victor McLaglen.

    Shamrocks will shake amidst the blarney rubble, on “Picture Perfect,” music for the movies, this Friday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

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