Category: Daily Dispatch

  • Celebrating Chinese New Year with Classical Music

    Celebrating Chinese New Year with Classical Music

    I hope you’ve got plenty of firecrackers. It’s time to frighten the monstrous Nian and welcome spring. In other words, it’s #ChineseNewYear.

    This afternoon on The Classical Network, we welcome the Year of the Pig. Music by Chinese composers, including Chen Yi, Tan Dun, and Zhou Tian, will be interleaved with performances by Chinese musicians, including a thrilling rendition of the Liszt Sonata in B minor by the artist formerly known as Yundi Li.

    We’ll enjoy the “Butterfly Lovers Concerto,” by Gang Chen and Zhanhao He, a work which, because of its beauty and popularity, has been described as “the Tchaikovsky Concerto of the East.” The concerto was an enormous success at its premiere in 1959. However, thanks to the vagaries of totalitarianism, everyone associated with the piece was jailed during the Cultural Revolution.

    Another figure who suffered persecution was Ma Sicong, who fled the Red Guards to settle in Philadelphia, where he lived as a political exile for the last two decades of his life. We’ll hear Ma’s most famous piece, the “Inner Mongolia Suite.”

    First, on today’s Noontime Concert, Britannia rules the waves. It’s a program devoted to the works of Thomas Arne. Arne is best known for having written “Rule, Britannia,” which crowns his masque “Alfred” of 1740. But what else did he compose? Broaden your knowledge with an hour of Arne’s vocal works and trio sonatas, performed by The Queens Consort. The program was presented last April at St. Bartholomew’s Church in New York City, part of the Thursday afternoon free Midtown Concerts series made possible in part by Gotham Early Music Scene, or GEMS.

    Of course, we all know it’s really Nian who rules the waves. Join me for a new year of expanding horizons, from 12 to 4 p.m. EST, on WWFM – The Classical Network and wwfm.org.

  • LBJ Saved Leinsdorf A Musical Rescue

    LBJ Saved Leinsdorf A Musical Rescue

    It was recently brought to my attention that we have Lyndon Johnson to thank for Erich Leinsdorf.

    In 1938, Leinsdorf was 26 years-old and conducting at the Metropolitan Opera, when his visa expired. This was very bad timing indeed. Of course, Leinsdorf had been working hard to build a career in New York. But to really put things in perspective, the Anschluss had just taken place in March. For Leinsdorf, an Austrian Jew, to travel back to Vienna would have been the beginning of the end.

    He immediately applied for a six month extension, but grew increasingly uneasy as he received no response. Fortunately, a couple of American friends with good connections were able to hook him up with Johnson, who was then but a young congressman of 30 himself. It was Johnson’s idea to have Leinsdorf leave the country but to reenter through Cuba as an immigrant. He did everything to smooth his path. Leinsdorf followed Johnson’s instructions and before long he was back in the U.S. to declare his intention to become a citizen.

    The two men remained friendly for decades. Leinsdorf even supported Johnson’s run for the Senate. Later, however, when he disagreed with some of Johnson’s policies, he didn’t hesitate to let him know. The following was Johnson’s response to Leinsdorf’s criticisms: “Your letter makes me proud that I could have a hand in making a new citizen, who would so well use his citizenship.” Would that this story could play out that way today!

    Leinsdorf may have had the good fortune to escape Hitler, but in 1962 he had the bad luck to land one of the most prominent conducting posts in the United States – music director of the Boston Symphony Orchestra – in the wake of the great Charles Munch. Not only was Leinsdorf unprepared to handle the politics of the organization – in a ceaseless battle against musicians and administration, his outspokenness didn’t earn him many friends – he also came in for a sound drubbing from the critical establishment, which found many of his performances to be just meh.

    As someone who saw Leinsdorf conduct often in Philadelphia during his twilight years, I couldn’t disagree more. As a guest conductor, Leinsdorf brought plenty of interesting music and assembled it into satisfying programs. What’s more, unburdened by the pressures of being boss, he turned in some pretty good performances and actually seemed to enjoy himself.

    This afternoon, I’ll celebrate Leinsdorf on the anniversary of his birth with some of his better recordings, which I’ll shuffle into the mix between 4 and 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.


    On November 22, 1963, Leinsdorf found himself in the unenviable position of breaking the news of President Kennedy’s assassination from the stage of Boston’s Symphony Hall and over WGBH radio. He then conducted the funeral march from Beethoven’s “Eroica” Symphony in JFK’s honor. It’s especially moving to hear the audience’s reaction in those days before cell phones. Remember also that the musicians were in the process of digesting the news themselves, as the replacement scores had only just been distributed.

  • Black Composers Series Returns

    Black Composers Series Returns

    It took four decades for these landmark recordings to make it to CD. They’ve finally appeared in a box of ten. We’ll be sampling highlights in just about three hours: music by Joseph Bologne (Chevalier de Saint-Georges), Olly Wilson, and Fela Sowande.

    That’s “Black to the Future” – selections from Columbia Masterworks’ forward-looking Black Composers Series, reissued now on Sony Classical – on “The Lost Chord,” the first of four parts, for #BlackHistoryMonth, Sunday nights in February at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Black Composers Series Returns After Decades

    Black Composers Series Returns After Decades

    I’ve been waiting for this set to be reissued for decades. DECADES.

    Over 40 years after its original appearance, CBS Records’ landmark Black Composers Series has finally come to compact disc. Made under the direction of conductor Paul Freeman and employing world class orchestras and soloists, these recordings originally appeared on vinyl between 1974 and 1978, providing rare exposure to 200 years worth of neglected music at a time when most of it was essentially unknown.

    Some of the composers have since benefited from the advocacy of others; a few of the pieces were rerecorded by Freeman in the digital era; but most of the music is still seldom, if ever, heard.

    Sony Classical has reissued these invaluable documents as a boxed set, reproducing the series’ original cover art on the individual cardboard sleeves. There’s also a moderately informative booklet, and a bonus disc of spiritual arrangements by Hale Smith and others, also conducted by Freeman. That’s a lot to celebrate!

    To coincide with #BlackHistoryMonth, we’ll hear highlights from this most exciting release, over a four-week period.

    Tune in tonight for the first installment, featuring works by violinist, conductor, and master swordsman Joseph Bologne, Chevalier de Saint-Georges (1745-1799), who led the first performances of Haydn’s “Paris” Symphonies; Olly Wilson (1937-1918), who established the first ever electronic music program at a conservatory, Oberlin; and Fela Sowande (1905-1987), who wrote concert music after traditions of his native Nigeria.

    That’s “Black to the Future,” the return of CBS Records’ forward-looking Black Composer Series, Sunday nights in February at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

  • Punxsutawney Phil Sees Early Spring

    Punxsutawney Phil Sees Early Spring

    Punxsutawney Phil does not see his shadow. Early spring!

    Let the earnest deconstructions begin…

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