Category: Daily Dispatch

  • Marlboro Music Lives On WWFM

    Marlboro Music Lives On WWFM

    Just because the summer festival is over doesn’t mean that the music goes away. Representative musicians from Marlboro tour throughout the year.

    This week on “Music from Marlboro” we’ll hear performances from two concerts given at the Isabella Stewart Gardner Museum in Boston. Jennifer Johnson Cano, Mezzo Soprano, will appear in Ottorino Respighi’s “Il Tramonto” (“The Sunset”) for vocalist and string quartet, on a text of Shelley, recorded in 2010. Then violinists Joseph Lin and Judy Kang, violist Richard O’Neill, and cellist David Soyer will perform Claude Debussy’s String Quartet in G Minor, from 2002.

    The program will open with Maurice Ravel’s “Introduction and Allegro” for harp, flute, clarinet and string quartet, captured at the Marlboro Music Festival’s Persons Auditorium in July of 2010.

    I hope you’ll join me for another “Music from Marlboro,” this Wednesday evening at 6:00 EDT, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page

  • Rediscovering Sir George Dyson’s Lost Symphony

    Rediscovering Sir George Dyson’s Lost Symphony

    Sir George Dyson, an exact contemporary of Sir Arnold Bax, was enough highly regarded that he was honored with a knighthood in 1941; but, sadly, who knows his music today, especially in the United States – this despite the fact that his son, the physicist and mathematician Freeman Dyson, is professor emeritus at the Institute for Advanced Study in Princeton, and his grandson, also George Dyson, is an author and historian of technology who lives in Washington state?

    Join me this afternoon for Sir George’s Symphony in G, composed in 1937 and out of circulation since the late ‘40s. The piece was revived and recorded for the first time by Richard Hickox in 1994. Hear it, among my featured works, between 12 and 4 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

  • Albert Dietrich & Friends Birthday Broadcast

    Albert Dietrich & Friends Birthday Broadcast

    Albert Dietrich (1829-1908) was a pupil of Robert Schumann, who was also a good friend of Johannes Brahms. In fact, the three artists sat down to compose a collaborative sonata, known as the “FAE” (“frei aber einsam,” “free but lonely”) for their mutual friend, the violinist Joseph Joachim. A virtually forgotten figure, Dietrich was born on this date.

    Join me this afternoon to enjoy some of his worthwhile music, alongside contributions of Karl Böhm, Ivor Gurney, Istvan Kertesz, John Shirley-Quirk, and Richard Tucker, whose birthday anniversaries we’ll also celebrate, between 4 and 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.


    PHOTOS (clockwise from left): Albert Dietrich, Johannes Brahms, Robert Schumann and Joseph Joachim

  • Childhood Nostalgia in Classical Music

    Childhood Nostalgia in Classical Music

    The limpid air and lambent, silvery light of late August imbue one with a sense of nostalgia swaddled in the gentle melancholy of another summer winding down. How I feel for the young ‘uns straining against the inescapable vortex of another school year.

    This Sunday night on “The Lost Chord,” we listen to music by four composers who engage in musical reminiscences of childhood.

    The American symphonist William Schuman based his “American Festival Overture” (1939) on a three-note call-to-play from his boyhood in New York City that was shouted on the syllables “Wee-Awk-Eee!”

    Haskell Small’s “Visions of Childhood” (2011) is a cycle of piano pieces in the Robert Schumann “Kinderszenen” mode, a grown artist looking back to his boyhood. The work falls into ten brief movements: “A Long Time Ago;” “Playing Rough;” “A Little Story;” “Feeling Lonely;” “School’s Out;” “Haunted House;” “Frolicking;” “Look at Me!;” “Roller Coaster;” and “Lullaby.”

    Charles Ives may have been a radical innovator, but his subject matter frequently looked back in nostalgia to the New England of his childhood. His Violin Sonata No. 4 (1906-1915, revised in 1942) bears the subtitle, “Children’s Day at the Camp Meeting,” a programmatic work that balances hymn tunes and rowdy boyhood high jinks.

    As he entered his 70s, George Crumb embarked on a remarkably productive Indian Summer, which resulted in no less than seven volumes of “American Songbooks,” the last completed in 2011, when the composer was 82 years-old. Each volume consists of deeply personal treatments of songs Crumb recollected from growing up in West Virginia. We’ll hear selections from “American Songbook III: The River of Life” (2008). By employing his characteristic shades and cross-hatchings through an assortment of ear-tickling percussion effects, the composer provides his own commentary on the time-worn source material, lending it both unsuspected depth and an aura of timelessness.

    It’s a far cry from “Kinderszenen.” Join me for “Nostalgia Isn’t What It Used to Be” – 20th and 21st century composers look back to childhood – this Sunday night at 10:00 EDT, on WWFM – The Classical Network and wwfm.org.

  • Callas Carmen Prêtre Hilarious Conductor

    Callas Carmen Prêtre Hilarious Conductor

    I hope you find this as amusing as I did. Conductor Georges Prêtre, who died earlier this year at the age of 92, doesn’t waste a gesture, in this selection from Bizet’s “Carmen” (with Maria Callas).

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