• Gervase de Peyer Remembered on WWFM

    Gervase de Peyer Remembered on WWFM

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    Gervase de Peyer, longtime principal clarinetist of the London Symphony Orchestra and a founding member of the Melos Ensemble, died on Saturday at the age of 90. Join me this afternoon on WWFM, as we celebrate his artistry with recordings he made as a chamber musician and as a concerto soloist.

    We’ll also observe birthday anniversaries of the great Chilean pianist Claudio Arrau; Austrian immigrant Karl Weigl, a pupil of Zemlinsky, who lived his final decade in the United States; and American composer Stephen Albert, who died too young, in an automobile accident in Cape Cod, at 52 years-old.

    Variety is the spice of life – or death, as the case may be – from 4 to 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.


  • Gervase de Peyer Clarinet Legend Dies at 90

    Gervase de Peyer Clarinet Legend Dies at 90

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    Gervase de Peyer, longtime principal clarinetist of the London Symphony Orchestra and a founding member of the Melos Ensemble, has died at the age of 90. He also contributed to the founding of the Chamber Music Society of Lincoln Center.

    http://www.classicfm.com/discover-music/instruments/clarinet/features/gervase-de-peyer-dies/

    A full biography, representative discography, and reminiscences available here:

    https://gervasedepeyercom.ipage.com/index.html


  • Finnish Music Takes Wing on The Lost Chord

    Finnish Music Takes Wing on The Lost Chord

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    With the chill of February upon us, it will be good to feather our nests. This Sunday night on “The Lost Chord,” we’ll have two pieces from Finland, both of them inspired by the region’s avian life.

    Einojuhani Rautavaara wrote his “Cantus Arcticus” in 1972. He described it as a “concerto for birdsong and orchestra.” The work incorporates tape recordings made on the bogs of Liminka, near the Arctic Circle. More than just a gimmick, the piece is an inspiring triptych that manages to transcend its potentially New Age conceit. The final movement takes the form of a long crescendo for orchestra, which incorporates the song of whooper swans.

    Swans, of course, also played a crucial role in the creation of Jean Sibelius’ uplifting Symphony No. 5. The composer was moved to write the grand theme of the symphony’s finale after observing a flock of swans in flight over his home on the shores of Lake Tuusula in Järvenpää. The tolling French horns unfailingly generate a glow of hope and optimism. Such noble music! I don’t mind sharing that this is probably my favorite symphony.

    Wait a minute – the Symphony No. 5 is standard repertoire. What’s this doing on “The Lost Chord?”

    In 1995, conductor Osmo Vänskä recorded Sibelius’ first thoughts on the symphony, as it was heard at its 1915 premiere. Though the work was enthusiastically received, Sibelius became increasingly dissatisfied with it, as he prepared the manuscript for publication.

    In what must be one of the most amazing feats of revision ever, he crafted from the comparatively rough material the masterwork we know today. When you hear this original version, you will marvel at the composer’s clarity of purpose, his remarkable objectivity, and just how hard he worked. It’s almost like a completely different piece, one that uses the same recognizable themes, but completely rethinks the structure and, at times, the orchestration. Listening to certain passages is like strolling across familiar terrain. Then the ground shifts, and you find yourself walking down a strange path. If you haven’t heard it, definitely make a point to check it out.

    I hope you’ll join me as Finnish music takes wing, on “Snow Birds,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and at wwfm.org.


  • Saad Haddad Composer Interview WPRB

    Saad Haddad Composer Interview WPRB

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    My guest earlier this week, on WPRB 103.3 FM and at wprb.com: Saad Haddad, Composer (left), a nice guy who writes intriguing music. I wish him all the best and hope to see him again next season (by which time maybe I’ll have my own smartphone).

    Visit his website at http://www.saadnhaddad.com/


  • WPRB’s Spring Schedule Returns Beloved Shows

    WPRB’s Spring Schedule Returns Beloved Shows

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    I’m very happy to announce that, after several months off, Sandy Steiglitz of Sunday Morning Opera with Sandy will return to the airwaves tomorrow morning on WPRB. I hope you will join her for Charles Gounod’s “Roméo et Juliette,” from an historic Met broadcast featuring Jussi Björling and Bidú Sayão. The “pre-show,” a potpourri of arias and scenes, will begin at 05:30 EST; the opera itself will commence at 07:00.

    WPRB has published its spring schedule. You might also be interested to know that Marvin Rosen of Classical Discoveries (which will continue to be heard from 5:30 to 11 a.m. on Wednesday mornings) will also be settling in on Mondays for the return of “Treasures of Early Music” (also from 5:30 to 11). So if you enjoy music of the Middle Ages, Renaissance and Baroque, set your alarm to 103.3 FM.

    In addition, I will be coming back for another season of Classic Ross Amico, which will be heard as always on Thursdays from 6 to 11 a.m. I can’t deal with getting up any earlier, so please make note. If you tune in at 5:30, you may get blasted out of bed by the overnight playlist, which tends toward that bebop the kids are listening to these days.

    WPRB, of course, offers all kinds of music throughout its broadcast day, from classical to world, from jazz to alt rock, from folk to classic rock, from ambient to I don’t-know-what-the-hell-you-call-it. You press the button, you win a prize, when you tune in to WPRB 103.3 FM and wrpb.com.


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