• Nicolai Gedda Dies at 91

    Nicolai Gedda Dies at 91

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    Like Mark Twain, reports of his death were greatly exaggerated. In 2015, legendary Swedish tenor Nicolai Gedda became the subject of a death hoax that sent panic and despair rippling through the opera-loving community. Alas, today is no hoax. Gedda has died at the age of 91. One of the most widely-recorded tenors in history, he made his final opera recording in 2003 at 77 years-old. R.I.P.

    https://www.francemusique.fr/opera/nicolai-gedda-est-32119


    A devil-may-care Gedda as Berlioz’s Benvenuto Cellini


  • Radio Days Snowstorm to Pantaloon Slumber

    Radio Days Snowstorm to Pantaloon Slumber

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    When I was a lad I would brave all weather in order to get to a radio shift.

    On one notable occasion, I remember being nearly snowed in on the job. New Jersey literally shut down its highways just as I was crossing the Scudder Falls Bridge into Pa. All of Bucks County stretched out before me like a field of amorphous snow cones. I could scarcely distinguish road from countryside, and there was no one in front of me, so I had to do my best to navigate across the tops of the scoops.

    By the time I got back to Philly the snow as so high, I could scarcely get traction. There was no way I would be able to parallel park, so it was very fortunate indeed that there was a legal parking space open at the end of a line of cars. Sure it was six blocks from my apartment, but beggars can’t be choosers. I was certainly more fortunate than the evening board-op, who literally rode into the station on the plow and had to sleep there, rising early to spin CDs all by herself into the following evening. Such was the dedication of the radio host.

    That was then. Now that I am a middle-aged pantaloon I’d just as soon stay in bed. Thanks again to Bobby and Nicky for filling in for me this morning on WPRB 103.3 FM and at wprb.com. Tune in before 11:00 EST if electronic, minimalist and drone music are your thing.


    All the world’s a stage,
    And all the men and women merely players;
    They have their exits and their entrances,
    And one man in his time plays many parts,
    His acts being seven ages. At first, the infant,
    Mewling and puking in the nurse’s arms.
    Then the whining schoolboy, with his satchel
    And shining morning face, creeping like snail
    Unwillingly to school. And then the lover,
    Sighing like furnace, with a woeful ballad
    Made to his mistress’ eyebrow. Then a soldier,
    Full of strange oaths and bearded like the pard,
    Jealous in honor, sudden and quick in quarrel,
    Seeking the bubble reputation
    Even in the cannon’s mouth. And then the justice,
    In fair round belly with good capon lined,
    With eyes severe and beard of formal cut,
    Full of wise saws and modern instances;
    And so he plays his part. The sixth age shifts
    Into THE LEAN AND SLIPPERED PANTALOON,
    With spectacles on nose and pouch on side;
    His youthful hose, well saved, a world too wide
    For his shrunk shank, and his big manly voice,
    Turning again toward childish treble, pipes
    And whistles in his sound. Last scene of all,
    That ends this strange eventful history,
    Is second childishness and mere oblivion,
    Sans teeth, sans eyes, sans taste, sans everything.


  • Snow Day No Ross Amico on WPRB

    Snow Day No Ross Amico on WPRB

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    Due to the impending weather event (up to 12 inches of snow according to some sources), I hope you won’t mind too awfully if I sit out for “Classic Ross Amico” tomorrow morning on WPRB. My car is barely road-worthy even under the best of circumstances, and anyway I’ve been sick for the past two days (hence my paper-thin tone by the end of my air shifts). Taking a break will allow me to sit in my pajamas all day, propped up in bed, reading a book.

    Who or what, exactly, will take my place is uncertain. It might be a Princeton student or at any rate someone within walking distance of the station, or it might be the automation, which could not by any means pass for classical. (I’m told this will change, beginning in the 5 a.m. hour, in the coming weeks.) For as much as I would love to do a snow show, it would hinge on my actually being able to get to the station to do one! All in all, this could be a good time to reacquaint yourselves with your CD collections.

    Thank you for your interest. I’m hoping to be back next Thursday, from 6 to 11 a.m., on WPRB 103.3 FM and at wprb.com, with Classic Ross Amico.


    UPDATE: It looks as if the shift will be split between two student DJs, Nicky and Bobby, starting at 7 a.m. They’ll likely draw pretty heavily from the station’s arcana section, so a lot of the music will be contemporary and/or avant-garde. The name Pauline Oliveros has been bandied. Thanks, guys!


  • John Williams 85th Birthday Salute

    John Williams 85th Birthday Salute

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    Hard to believe, John Williams is 85 years-old today. Oh Johnny, how do I love thee? Enough to go to battle with Norman Lebrecht on his blog, slippedisc.

    John Williams is 85 tomorrow

    I hope you’ll join me today, as I give Williams a more proper birthday salute, from 4 to 7 p.m. EST, on WWFM – The Classical Network and at wwfm.org.

    Thank you, John, for all the great music. You’ve been an essential part of the soundtrack of my life for 40 years. Long may you reign.


    PHOTOS (clockwise from left): Williams with the 2016 AFI Lifetime Achievement Award, the first bestowed upon a composer; Williams with his “Star Wars” Oscar in 1978; Williams conducting sometime in the 1970s; Williams takes a bow.


  • Dett’s “Ordering of Moses” Black History Month

    Dett’s “Ordering of Moses” Black History Month

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    It’s Black History Month. Rather than wait for the Passover season, I thought this would be an excellent excuse to unveil a recent recording, on the Bridge Records, Inc. label, of R. Nathaniel Dett’s “The Ordering of Moses.”

    Dett, the grandson of fugitive slaves, was born on the Canadian side of Niagara Falls. He studied all over the place, including Oberlin, the Eastman School, Harvard, and the American Conservatory at Fontainebleau, France. He taught all over the place, too. He made influential contacts and brought increased visibility to Black concert music. His was an important voice in the history of American art.

    “The Ordering of Moses” was composed in 1932. The recording, which documents a live 2014 concert of the Cincinnati Symphony Orchestra and May Festival Chorus conducted by James Conlon, is electrifying.

    Hear it today. It’s one of our featured works between noon and 4:00 p.m. EST, on WWFM – The Classical Network and at wwfm.org.


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