• Presidents Day Music on WPRB

    Presidents Day Music on WPRB

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    I realize that the mere mention of “president” these days is the equivalent of dropping a torch on a powder keg. Nevertheless, tomorrow morning on WPRB, I will go forward with my annual observance of Presidents Day. I trust everyone is adult enough to celebrate our democracy with music inspired by Washington, Lincoln, Andrew Jackson, Chester Alan Arthur, JFK, and Richard Nixon without having a meltdown in the comments section.

    New this year will be “A White House Cantata,” derived from Leonard Bernstein’s final, failed musical (written with Alan Jay Lerner), “1600 Pennsylvania Avenue,” which flopped loudly in 1976. The work parallels a century’s worth of American presidents, from Washington through Theodore Roosevelt, with commentary from African American White House servants. After the show folded, the composer recycled several of the numbers in his later concert works. (And yes, I am aware that Adams was the first president to occupy the White House.)

    Join me as we follow our precedent of being presidential, tomorrow morning from 6 to 11 EST, on WPRB 103.3 FM and at wprb.com. I’ll be practicing arithmetic on the back of a coal shovel and hurling silver dollars across the Potomac, on Classic Ross Amico.


  • John Adams at 70 A Composer’s Legacy

    John Adams at 70 A Composer’s Legacy

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    There’s something oddly appropriate about a composer named John Adams arriving between the birthdays of Lincoln and Washington.

    Adams turns 70 today. Considered by some to be America’s foremost living composer, he emerged from the fog of minimalism to become the most versatile and substantial of those who have embraced the style.

    Personally I’ve always been divided on Adams’ music. Some of it I find fun (“Short Ride in a Fast Machine,” “Grand Pianola Music”), some of it I find to be quite good (“Shaker Loops,” “El Niño”), some of it I find to be boring, clumsy or downright embarrassing (“Harmonium,” for as much as I could stand of “Doctor Atomic”).

    I concede that my reactions are very subjective. There’s no arguing against Adams’ influence or his standing. Happy birthday, sir, and congratulations on your long-term success.

    Adams’ music will be featured today alongside that of fellow birthday celebrants Christopher Rouse, Georges Auric, Robert Fuchs and Michael Praetorius, when I take to the airwaves from 4 to 7 p.m. EST on WWFM – The Classical Network and at wwfm.org.


  • St Valentine’s Skull & Antheil Waltzes

    St Valentine’s Skull & Antheil Waltzes

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    Happy Valentine’s Day! Behold the skull of St. Valentine and enjoy these “Valentine Waltzes” by Trenton’s own George Antheil.

    There are eleven of them in all. Here’s the 5th:

    And Number 9:


  • Beat the February Blues with Classical Music

    Beat the February Blues with Classical Music

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    February starting to get to you? Join me this afternoon for an arrangement by Leopold Godowsky of a waltz by Johann Strauss II, guitar music by Fernando Sor, and a clarinet quintet by George Kleinsinger of “Tubby the Tuba” fame. I’ll also have a romantic violin concerto for Black History Month. All in all, we’ll do our best to keep it warm and light (or at least melodic), from 4 to 7 EST, on WWFM – The Classical Network and at wwfm.org.


    IMAGE: The twinkle-toed Strauss brothers


  • Lincoln’s Legacy in Music on The Lost Chord

    Lincoln’s Legacy in Music on The Lost Chord

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    Abraham Lincoln, 16th President of the United States. Above and beyond his own considerable accomplishments, Lincoln has inspired a lot of music. This Sunday on “The Lost Chord,” we’ll honor him on his birthday, with three diverse works.

    Composer David Diamond set the Gettysburg Address as “On Sacred Ground,” a work for mixed chorus, children’s chorus, baritone solo and orchestra. The piece was given its first performance two days before the centenary of Lincoln’s delivery of the actual Address, which he spoke on November 19, 1863. We’ll hear it tonight, to start.

    Then, as a bit of a palate-cleanser, we’ll listen to Paul Turok’s buoyant “Variations on an American Song: Lincoln and Liberty,” also composed in 1963. The melody is based on a traditional Irish fiddle tune, “Rosin the Bow,” which had been outfitted with new lyrics for use in Lincoln’s 1859 presidential campaign:

    “Then up with our banner so glorious,
    The star-spangled red-white-and-blue,
    We’ll fight till our Cause is victorious,
    For Lincoln and Liberty, too!”

    Finally, we’ll return to Gettysburg and music by American composer Roy Harris, who shares Lincoln’s birthday, though born 89 years apart. Furthermore, Harris was born in a log cabin in Lincoln County, Oklahoma. If that doesn’t fill one with a sense of destiny, I don’t know what will!

    In his day, Harris was regarded as one of America’s greatest composers, particularly renowned for his symphonies. His Symphony No. 3 is his most famous work; what we’ll be hearing is the Symphony No. 6, subtitled “Gettysburg.”

    Each movement bears a superscription taken from the Gettysburg Address.

    I. Awakening (“Fourscore and seven years ago…”);

    II. Conflict (“Now we are engaged in a great civil war…”);

    III. Dedication (“We are met on a great battlefield of that war…”);

    IV. Affirmation (“…that we here highly resolve that these dead shall not have died in vain…).

    It’s all music in honor of the Great Emancipator. I hope you’ll join me for “Lincoln Portraits,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and at wwfm.org.


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