• Haydn’s Stolen Skull A Composer’s Odd Afterlife

    Haydn’s Stolen Skull A Composer’s Odd Afterlife

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    No, this isn’t a still from a black-and-white vampire movie. It’s a photograph documenting the belated reunion, in 1954, of skull and skeleton of Franz Joseph Haydn, following a separation of 145 years. The intermediary, with the mad scientist hairdo, is Austrian poet and sculptor Gustinus Ambrosi.

    While Haydn was one of the most venerated composers of his age, at the time of his death Vienna was under occupation by Napoleon’s troops. So the plan was to get Haydn underground ASAP, with the idea of exhuming him at a later date and laying him to rest with the kind of funeral he deserved.

    It would be ten years before someone reminded the composer’s former employer, Prince Esterházy, of his promise. A marble tomb was commissioned in Haydn’s honor. All the arrangements were in place. But when the time came for the coffin to be opened – on Halloween Day, 1820 – Haydn’s noggin was nowhere to be found.

    The composer had spent much of his career isolated at the country estate of Esterházy, some 30 miles outside of Vienna, feeling cut off from the rest of the world. Now, in death, someone had cut off his head.

    Marvel at the weird tale of Haydn’s stolen skull, and how the Father of the Symphony now rests – a veritable Franz Joseph Hydra – with more than one head.

    https://en.wikipedia.org/wiki/Haydn%27s_head

    While I’m sure few surprises could match that of opening Haydn’s coffin to discover an empty wig, this one gave nodding concertgoers a start in 1792. Times were more refined.

    Of course, the music has been the subject of much parody. Here’s Donald Swann’s arrangement of Haydn’s “Surprise” Symphony for the Hoffnung Music Festival:

    Happy birthday, Haydn. Rest in pieces.


  • Dr No 60th Anniversary Bond on Roy’s Tie-Dye Sci-Fi

    Dr No 60th Anniversary Bond on Roy’s Tie-Dye Sci-Fi

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    This week on “Roy’s Tie-Dye Sci-Fi Corner,” we kick off the show’s third season with a discussion about “Bond… James Bond,” in the character’s feature film debut, “Dr. No” (1962).

    To mark the 60th anniversary of the film’s release, we’ll note what made that first installment such a success – Sean Connery’s suave, dangerous, even ruthless characterization as Ian Fleming’s super-spy; the assignment to an exotic, Caribbean locale; an overweening villain with deadly prosthetic appendages bent on world-domination; the fortuitous appearance of Ursula Andress as a shell diver, emerging from the ocean in an unforgettable bikini – and how these ingredients were later ramped-up and perhaps overdone, as the Bond franchise continued to unfold.

    This inaugural run is a dream for anyone who adores the surf guitar and swinging brass of the James Bond theme, which is played throughout, and repeatedly landed composer Monty Norman and arranger John Barry in court, as they grappled for the rights to this exceptionally lucrative tune.

    Say yes to “No,” as Roy and I bond over Bond, on the next Roy’s Tie-Dye Sci-Fi Corner. We’ll be shaken, not stirred, by your insights in the comments section, when we livestream on Facebook, this Friday evening at 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner


  • Kate Mulligan Leads Capital Philharmonic

    Kate Mulligan Leads Capital Philharmonic

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    Kate Mulligan is the new executive director of the Capital Philharmonic of New Jersey. In fact, she’s its first executive director.

    Interestingly, her other passion is horses. She’s an award-winning equestrian jumper, a champion with a drive for excellence.

    She’ll be introduced to the public at this weekend’s “New Year’s Eve Redux” concert on April 1 (no fooling), to be presented by CPNJ at Trenton’s Patriots Theater at the War Memorial.

    Read all about it in my cover story for this week’s U.S. 1.


    The cover:

    https://www.communitynews.org/princetoninfo/eeditions/page-page-01/page_5383e2ac-368c-54f1-a0c9-b08a08fa88bf.html

    The story:

    https://www.communitynews.org/princetoninfo/coverstories/mulligan-takes-the-reins-at-capital-philharmonic/article_34bda410-afa7-11ec-9b32-b7a5ae5c56b6.html

    New Jersey Capital Philharmonic Orchestra


  • Wilms Dutch Anthem Composer Rediscovered

    Wilms Dutch Anthem Composer Rediscovered

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    German-born Dutch master Johann Wilhelm Wilms, yet another composer whose music most of us would never hear if not for the miracle of recordings, was baptized on this date 250 years ago. Wilms’ setting of the poem “Wien Neêrlands bloed” (“Those in whom Dutch blood”) served as the Dutch National Anthem from 1815 to 1932.

    His Symphony No. 7 exhibits a touch of that lion-lamb temperament that rings especially true during the mercurial month of March. Neither as fiery as Beethoven, nor as fey as Schubert, but certainly as versatile as Wilms.

    The Symphony No. 4, an attractive piece of early Romanticism:

    A bit more refined, the Sonata in C major for Piano Four-Hands:

    Happy bicenquinquagenary, Johann Wilhelm Wilms!


  • William Walton: Star Wars Inspiration

    William Walton: Star Wars Inspiration

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    Today is the 120th anniversary of the birth of Sir William Walton. Walton is perhaps best remembered for his coronation marches and film scores, but he also wrote operas, symphonies, concertos, chamber music, and choral works.

    Sadly, these days, we don’t seem to encounter these much in concert anymore, at least in the U.S., which is a great pity, since Walton was an impeccable craftsman and his music often quite inspirational.

    Be that as it may, his influence has been felt by just about anyone who’s ever gone to the movies since 1977. That’s the year John Williams married Walton’s heroic sound to George Lucas’ vision of a long time ago, in a galaxy far, far away.

    Walton’s concert music may have fallen out of fashion, but Williams would have never become the household name he has without having assimilated his marches, harmonies, and orchestrations. When André Previn first heard Williams conduct his music to “Star Wars,” he could hardly contain his glee, exclaiming, “Why, it’s Willie Walton!”

    Hear for yourself…

    “Star Wars” throne room – from the one-minute mark, pure Walton:

    What Walton cooked up for the Queen in 1953 – there’s a proto-“Star Wars” moment about two minutes in, but do listen to the whole thing:

    This is what he composed for her dad in 1937:

    For Olivier’s film of “Richard III”

    “Belshazzar’s Feast”: “Praise Ye!”

    “Belshazzar’s Feast”: “Alleluia”

    In 1966, Previn himself laid down what is considered the benchmark recording of Walton’s Symphony No. 1. It’s possible he managed to surpass it with this explosive performance with the London Symphony Orchestra in 1970:

    Happy birthday, Sir William Walton!


    PHOTO: Walton (right) with Previn, his champion


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