• Bach’s St. John Passion: Princeton & Solebury

    Bach’s St. John Passion: Princeton & Solebury

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    When placed alongside the “St. Matthew Passion,” Johann Sebastian Bach’s “St. John Passion” is especially striking in its immediacy. The work is smaller in scale, yet more extravagant, less contemplative, and perhaps even a little rawer. It’s also much less frequently performed. Though Bach never composed an opera, this is about as close as he would ever get.

    The Dryden Ensemble will offer three opportunities to hear it live: this Friday and Saturday at 7:30 p.m., at All Saints’ Church in Princeton, and this Sunday at 3 p.m., at Trinity Episcopal Church in Solebury, PA.

    The “St. John Passion” was first performed on Good Friday, 1724, shortly after Bach’s 39th birthday. Dryden will present the work using the same forces Bach himself employed: a choir of eight superb singers and a small orchestra of period instruments. Tenor Jason McStoots will sing the part of the Evangelist, and baritone William Sharp will portray Jesus. Scott Metcalfe will conduct. For tickets and information, look online at http://www.drydensemble.org.

    Then join me this afternoon on The Classical Network, as I’ll be hosting Dryden’s artistic director Jane McKinley, Metcalfe, and McStoots. They’ll drop by at 5:00 to tell us more about this run of performances and to talk about the significance of the “St. John Passion.”

    Following our conversation, which will include musical excerpts, I’ll also have a recording of Bach sonatas played by violinist Lara St. John.

    As a counterbalance to this all-Bach hour, I’ll be celebrating the birthdays today of American composer Samuel Barber and conductor Thomas Schippers. We’ll also take in the otherworldly Theremin Concerto by Finnish composer Kalevi Aho. Here are a few comments by the soloist, Carolina Eyck, for whom the work was written:

    As we chat about Bach this afternoon and enjoy his music, remember, we are currently in the midst of our Bach 500 campaign. In celebration of the anniversary of Bach’s birth (on March 21st, 1685), we are asking for 500 listeners to step up and make a donation to The Classical Network IN ANY AMOUNT. You set the level.

    When we reach 500 donations, we’ll tally in the funds from our Bach Pot – contributions solicited in advance from some especially ardent supporters – and, best of all, we’ll be able to cancel fundraising on Bach’s birthday and enjoy just his music.

    You can do your part to help make that happen by calling us during business hours at 1-888-232-1212, or by donating anytime online at wwfm.org.

    Once we raise the money, we’re Bach to the music!

    Thank you for your support. It’s because of the generosity of listeners just like you that we have been able to share the world’s great music since 1982. Make your donation, then join me today for Bach, Barber, and uncanny Aho, from 4 to 7 p.m. EDT, on WWFM – The Classical Network and wwfm.org.

    The Kalevi Aho Society


  • Max von Sydow Dies at 90 A Cinema Legend

    Max von Sydow Dies at 90 A Cinema Legend

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    Legend of world cinema Max von Sydow has died. Bergman’s leading man. Pazuzu’s nemesis. Woody Allen’s greatest misanthrope.

    Sydow was 90 years-old. May the gods of Asgard guide his steps toward their gates.

    https://www.nytimes.com/2020/03/09/movies/max-von-sydow-dead.html


  • Bach Barber & Aho on WWFM

    Bach Barber & Aho on WWFM

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    We’ll enjoy a nice stack of Barber, Bach, and Kalevi Aho today.

    Representatives of The Dryden Ensemble will stop by to talk about the group’s upcoming performances of Bach’s “St. John Passion,” which will take place this weekend, at All Saints’ Church in Princeton (Friday & Saturday at 7:30 p.m.) and Trinity Episcopal Church in Solebury, PA (Sunday at 3).
    The interview and musical illustrations will be heard this afternoon at 5:00. I’ll be with you from 4 to 7 p.m EDT.

    Good chat. Good music. No corn syrup, on WWFM – The Classical Network and wwfm.org.


  • Medieval Times & Magma Webcasts Now Online

    Medieval Times & Magma Webcasts Now Online

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    Time to get medieval!

    This weekend’s “Picture Perfect” (Medieval Times) and “The Lost Chord” (Magma Come Loudly) are now posted as webcasts.

    https://www.wwfm.org/post/picture-perfect-march-6-medieval-times

    https://www.wwfm.org/programs/lost-chord-ross-amico

    Lava you, my loyal listenahs. ❤️


  • Volcano Music Blows Up The Lost Chord

    Volcano Music Blows Up The Lost Chord

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    Did you remember to “spring forward?” This Sunday night on “The Lost Chord,” now that we’ve all lost an hour, thanks to the time change, I figured everyone ought to be pretty drowsy by 10 p.m. So I had better be damn well sure to choose some very loud music. Also, it’s Alan Hovhaness’ birthday.

    Hovhaness composed his Symphony No. 50 in the wake of Mount St. Helens’ cataclysmic eruption in 1980. When Helens blew, she killed 57 people, reduced hundreds of square miles to wasteland, and caused over a billion dollars in damage. This is music calculated to keep everyone awake.

    Hovhaness viewed mountains as symbols of man’s attempt to know God – symbolic meeting places between the mundane and spiritual worlds. The friction of the natural and the transcendent informs the progression of the symphony, from a sense of grandeur in the first movement, a prelude and fugue in praise of Helens; the placidity of Paradise Lake, the beauty of which disappeared forever; and the volcano itself, recalled in the third and final movement, most percussively rendered. The violence subsides, and the dawn hymn of the opening returns in triumph.

    Hovhaness’ volcano symphony is like a walk in the park alongside the mad inspirations of Icelandic genius Jon Leifs. Leifs’ “Hekla,” from 1961, is probably the closest you’ll ever want to get to a volcanic eruption. Requiring 19 percussionists banging away on anvils, stones, sirens, plate bells, chains, shotguns, cannons, and a large wooden stump, it has been called the loudest piece of classical music ever written. For their own well-being, the performers were instructed to wear earplugs.

    As a bonus, with what’s left of our hearing, we’ll also enjoy “Volcanic Eruption and Atonement” from Leifs’ ballet, “Baldr.”

    Down a six-pack of energy drinks and leap into a pool of ice. Then tune in for an hour of volcano music. If there was a degree awarded for distinguished achievement in volcanology, these composers would have graduated “Magma Come Loudly.”

    Prepare to be blown away, this Sunday night at 10:00 EASTERN DAYLIGHT TIME, on WWFM – The Classical Network and wwfm.org.


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