• Black Composers Series Rediscovered

    Black Composers Series Rediscovered

    by 

    in
    2 responses

    To reiterate, the compact disc reissue of CBS Records’ landmark Black Composers Series – available complete for the first time in over 40 years – though lamentably underpublicized, is an event of enormous significance.

    These visionary recordings, made under the direction of conductor Paul Freeman (pictured) and employing world class orchestras and soloists, were originally released on vinyl between 1974 and 1978, providing rare exposure to 200 years worth of neglected music at a time when most of it was essentially unknown.

    Tune in tonight for the third in a four-part survey of highlights from this exciting boxed set, which was released by Sony Classical just in time for #BlackHistoryMonth.

    José Silvestre de los Dolores White y Lafitte (or José or Joseph White, for short) was one of the great romantic violinists. Born in Cuba in 1835, he made his public debut at the age of 18 with the most celebrated North American pianist of the day, Louis Moreau Gottschalk. It was Gottschalk who encouraged White to study at the Paris Conservatory and who raised the money to send him there. This launched the young man on a globetrotting trajectory that sent him all over Europe, the Caribbean, South America, Mexico, and the Northeastern United States.

    White died in Paris in 1918. We’ll hear his Violin Concerto in F-sharp minor, played by the prolific and committed Aaron Rosand. Why this is not a repertory piece is anybody’s guess.

    David Baker, born in 1931, was professor of jazz studies at the Indiana University Jacobs School of Music, a program he founded. From 1991 to 2012, he was also director and conductor of the Smithsonian Jazz Masterworks Orchestra. On top of everything else, he was extraordinarily productive as a writer and recording artist, leaving over 65 recordings, 70 books, and 400 articles.

    Baker died in 2016. He was trained as a trombonist – he was active as a jazz performer throughout the 1940s and early ‘50s – but a facial injury suffered in an automobile accident caused him to switch to the cello. We’ll hear Baker’s Cello Sonata, composed in 1973 for the great Janos Starker, who will perform it with Alain Planès at the keyboard.

    Finally, Roque Cordero was born in Panama City in 1917. He studied composition with Ernst Krenek and conducting with Dmitri Mitropolous. He became director of Panama’s Institute of Music and artistic director and conductor of its National Symphony. Later, he was assistant director of the Latin American Music Center, professor of composition at Indiana University, and, from 1972, distinguished professor emeritus at Illinois State University. Cordero died in Dayton, Ohio, in 2008, at the age of 91.

    Fascinatingly, Cordero’s music tends to balance Panamanian folklore with more advanced techniques. The boxed set contains not only his Violin Concerto, with Sanford Allen the soloist, but also “Eight Miniatures for Small Orchestra” of 1948. We’ll hear Paul Freeman conduct the latter with the Detroit Symphony Orchestra.

    I hope you’ll join me for “Black to the Future, Part III,” yet another program of highlights from the Sony Classical reissue of CBS Records’ forward-looking Black Composers Series, this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.


  • Cows Love Music? My Vegetarian Journey Begins

    Cows Love Music? My Vegetarian Journey Begins

    by 

    Judging from the number of videos posted on YouTube, this is apparently a thing: impromptu recitals for appreciative cows. (The accordion is particularly well represented.)

    I try not to eat much meat anyway, but I am perilously close to vegetarianism.

    Accordion:

    Trombone:

    Violin:

    Big band (cows love “Tequila”):


  • WWFM Thanks Our Listeners

    WWFM Thanks Our Listeners

    by 

    in
    8 responses

    Thank you for the flowers.

    I’m speaking figuratively, of course. Maybe it was my pep talk using the skull of St. Valentine.

    Whatever the case, we were successful in making our goal yesterday. We crossed the finish line last night with about ten minutes to spare and managed to mop up the shortfall from last month’s Mozart campaign. So it’s celebratory bonbons for breakfast this morning.

    As we get back to our regular programming, please enjoy it in the knowledge that it’s made possible because of concerned and engaged listeners just like you. Thanks once again for keeping WWFM – The Classical Network close to your heart. We love our listener-members! xoxoxoxo


  • John Williams Presidential Movie Scores

    John Williams Presidential Movie Scores

    by 

    in
    2 responses

    Presidents Day is on the way.

    Over the course of his 60-year career, John Williams has had opportunities to score just about every kind of film. Not surprisingly, this would include several fictionalized accounts of American presidents. This week on “Picture Perfect,” we’ll sample music from four of them.

    “JFK” (1991) is one of three collaborations between Williams and director Oliver Stone. The film has more to do with conspiracy theories surrounding Kennedy’s assassination than anything to do with his presidency. A controversial feature, no doubt – still, a compelling piece of cinema. It certainly inspired an effective score.

    Kevin Costner plays New Orleans district attorney Jim Garrison, Sissy Spacek, his wife, and Gary Oldman, Lee Harvey Oswald. Tommy Lee Jones and Joe Pesci are unforgettable as a pair of outlandish conspirators, and Donald Sutherland is a government whistleblower who identifies himself only as “X.”

    Williams and Stone had previously worked together on “Born on the Fourth of July.” Later, they would team on a second presidential collaboration, a character study of Richard Milhous Nixon – called, well, “Nixon” (1995). Anthony Hopkins plays the president, heading an impressive cast, which includes Joan Allen, Powers Boothe, Ed Harris, Bob Hoskins, E.G. Marshall, David Hyde Pierce, Paul Sorvino, Mary Steenburgen, and James Woods.

    Williams also wrote the music for Steven Spielberg’s “Amistad” (1997). The film, about a mutiny on board a slave ship in 1839 and the resulting courtroom drama, features two American presidents: Nigel Hawthorne plays Martin van Buren, the sitting president; and again, Anthony Hopkins appears, in a memorable supporting turn, as aging former president John Quincy Adams. Adams argues the defense of the Africans who took part in the mutiny.

    Daniel Day-Lewis plays the nation’s 16th president, in Spielberg’s “Lincoln” (2012). He’s lent able support by Sally Field as Mary Todd Lincoln, David Strathairn as Secretary of State William Steward, and Tommy Lee Jones as Thaddeus Stevens.

    It’s a bold assessment, but Day-Lewis elevates “Lincoln,” the film, to greatness, with arguably one of the most amazing performances in cinematic history. Day-Lewis’ gentle but shrewd Man of Destiny would go to any lengths to hold the country together. Williams taps into America’s proud musical heritage, clearly influenced by Copland and the folksier side of Ives, to create a score of stirring nobility.

    I hope you’ll join me as John Williams does the presidents on “Picture Perfect,” music for the movies, this Friday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.


    PHOTOS: (clockwise from left) Day-Lewis as Lincoln; Hopkins as Nixon; poster for “JFK;” Hopkins as John Quincy Adams


  • St Valentine Skull Classical Music and Mortality

    St Valentine Skull Classical Music and Mortality

    by 

    in
    5 responses

    Roses are red; Rosses are blue.

    Here’s my annual posting of the skull of St. Valentine. Think of it as a memento mori.

    Relationships die. You’ll die. I’ll die. Everything and everyone we’ve ever cared about will be gone eventually. But while we’re here, we can at least keep classical music on the radio.

    Call now and make your Valentine’s donation to WWFM – The Classical Network at 1-888-232-1212. Or be bitter like me, circumvent humanity, and contribute online at wwfm.org.

    Thank you for ensuring a modicum of beauty in our bleak existence.


Tag Cloud

Aaron Copland (93) Beethoven (95) Composer (114) Film Music (145) Film Score (143) Film Scores (255) Halloween (94) John Williams (195) KWAX (229) Leonard Bernstein (104) Marlboro Music Festival (125) Movie Music (160) Mozart (91) Opera (213) Philadelphia Orchestra (89) Picture Perfect (174) Princeton Symphony Orchestra (109) Radio (88) Ross Amico (244) Roy's Tie-Dye Sci-Fi Corner (290) The Classical Network (101) The Lost Chord (269) Vaughan Williams (105) WPRB (397) WWFM (881)

DON’T MISS A BEAT

Receive a weekly digest every Sunday at noon by signing up here


RECENT POSTS