• Schubert’s Light & Shadow From Marlboro

    Schubert’s Light & Shadow From Marlboro

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    When we think of the music of Schubert’s final year, what comes across most strikingly, perhaps, is the complexity of feeling. Sensitively modulated light and shadow – the unpredictable contrasts of major and minor, agitation and calm, ecstasy and depression – create a sensation not unlike that experienced when wisps of cloud sweep across the sun on a mild autumn day. We find it in the late piano sonatas; we find it in the transcendent String Quintet in C major. It’s a beauty so intense that it actually kind of hurts.

    Every rule has its exception, of course, and on this week’s “Music from Marlboro,” we catch Schubert in a comparatively light-hearted mood – which I think appropriate on the occasion of his birthday – with his Piano Trio No. 1 in B-flat major, D. 898. While the trio does venture into remote keys and has its share of turbulence, the overarching spirit is very, very far from the eerie resignation of “The Hurdy-Gurdy Man.” In fact, it’s a pretty happy piece. We’ll hear it performed at the 2008 Marlboro Music Festival by pianist Jonathan Biss, violinist David Bowlin, and cellist Marcy Rosen.

    Then we’ll round out the hour with what might possibly have been the final music Schubert ever wrote. “The Shepherd on the Rock,” D. 965, on a text by Wilhelm Müller and Karl August Varnhagen von Ense, was composed barely a month before the composer’s death at the age of 31. The multi-sectional “lied” traverses a wide range of moods, as a shepherd listens to echoes from the valley below, grapples with his feeling of loneliness, and finds hope in the prospect of Spring and rebirth.

    Marlboro veterans, soprano Benita Valente, clarinetist Harold Wright, and pianist Rudolf Serkin, set down a classic – indeed legendary – recording of the work in 1960. This live performance was captured at Marlboro nine years later. In the words of Rudolf Serkin, “An artistic achievement cannot and should not be repeated. Isn’t it a miracle that a performance never is the same?”

    Get ready to share his wonder. It’s an all-Schubert hour, on this week’s “Music from Marlboro,” this Wednesday evening at 6:00 EST, on WWFM – The Classical Network and wwfm.org.

    Marlboro School of Music and Festival: Official Page


  • Accordion Concert Preview on The Classical Network

    Accordion Concert Preview on The Classical Network

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    If the accordion is your thing – or even if you think it’s not – I hope you’ll join me this Wednesday afternoon on The Classical Network for a visit from Robert Young McMahan.

    McMahan, who is on the faculty of The College of New Jersey, is one of the foremost authorities on the instrument. He’ll drop by to talk about an upcoming concert that will take place this Saturday at Mayo Concert Hall in the TCNJ Music Building titled “Bellows and Bows: A Potpourri of Chamber Works for Violin, Cello, and Accordion.” The 8:00 program will include works by Lukas Foss, Johan Halvorsen, George Kleinsinger, Edward McQuire, Alberto Acosta Ortega, Mátyás Seiber, Jaroslav Vanĕc̆e, Heitor Villa-Lobos, and McMahan himself.

    We’ll also get a taste of the accordion’s striking sonorities when applied to the classical repertoire. Join us for music and a brief conversation this afternoon at 4:00. It will certainly lend variety to a projected Schubert birthday celebration, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.


  • Haydn and Ravel at Kaufman Music Center

    Haydn and Ravel at Kaufman Music Center

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    There will be no hiding from Haydn, and we’ll revel in Ravel, on today’s Noontime Concert on The Classical Network, as we bring you another program from Merkin Concert Hall at Kaufman Music Center. The award-winning Verona Quartet will perform Franz Joseph Haydn’s String Quartet in B-flat major, Op. 50, No. 1 “Prussian” (1787) and Maurice Ravel’s String Quartet in F major (1903).

    Kaufman Music Center is located at 129 West 67th Street in New York City. The center is home to Merkin Concert Hall, as well as Lucy Moses School, a community arts school for all ages, and Special Music School, a K-12 public school for musically gifted children. Merkin’s Tuesday Matinee series presents rising stars from all over the world, which have won some the most prestigious international prizes and have delighted audiences on the stages of major concert halls both here and abroad.

    The next program in the series will feature pianist Xuesha Hu. She will perform Beethoven’s “Appassionata” Sonata, Samuel Barber’s Sonata in E minor, Mendelssohn’s “Scottish Fantasy,” and Liszt’s “Dante” Sonata. The concert will take place on February 6 at 2 p.m. You’ll find more information, including a complete schedule, at kaufmanmusiccenter.org.

    Following today’s concert broadcast, I hope you’ll stick around for music by the late Finnish master Einojuhani Rautavaara, among my featured composers, between 12 and 4 p.m., on WWFM – The Classical Network and wwfm.org.


    PHOTO: Two gentlemen – and ladies – of Verona


  • Remembering Igor Zhukov & Composer Birthdays

    Remembering Igor Zhukov & Composer Birthdays

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    Pianist Igor Zhukov, an Emil Gilels pupil who remains largely unrecognized in the West, died on Friday at the age of 80. We’ll hear one of Zhukov’s remarkable concerto recordings this afternoon on The Classical Network. There will also be plenty of birthdays to observe, including those of composers Daniel-François-Esprit Auber, Havergal Brian, Frederic Cowen, Frederick Delius, Ludolf Nielsen, and Georg Christoph Wagenseil, as well as those of performers Malcolm Binns and Cho-Liang Lin. I honestly don’t know if there will be enough cake to go around. Join me for eight birthdays and a funeral, this Monday, from 4 to 7 p.m. EST, on WWFM – The Classical Network and wwfm.org.


  • Gordon Jacob Rediscovered on The Lost Chord

    Gordon Jacob Rediscovered on The Lost Chord

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    This Sunday night on “The Lost Chord,” we honor the accomplishments of Gordon Jacob.

    Jacob is perhaps best remembered these days as an orchestrator. He did a popular arrangement for full orchestra of Vaughan Williams’ “English Folk Song Suite,” originally composed for symphonic band; he orchestrated Sir Edward Elgar’s Organ Sonata; and his arrangement of the ballet “Les Sylphides” has been eclipsed only by that of Roy Douglas.

    But he was also a prolific composer himself. In all, he wrote some 400 works. In fact, when weighing the size of his output against his reputation, it’s tempting to underestimate – as the Angel did his Biblical namesake – Jacob’s tenacity.

    We’ll listen to an example of his work as an arranger, the “William Byrd Suite,” in a classic recording on the Mercury label, and his rarely-heard Symphony No. 1, dedicated to the memory of his brother, who died in the First World War, in its world premiere recording on the Lyrita label.

    I hope you’ll join me as we grapple with the range of Jacob’s accomplishments, in “Wrestling Jacob,” this Sunday night at 10:00 EST, on WWFM – The Classical Network and wwfm.org.

    In the meantime, follow the link for a witty survey ranking the various depictions of Jacob wrestling the angel in Western Art:

    http://the-toast.net/2014/09/16/famous-paintings-jacob-wrestling-angel-ranked-much-actions-resemble-slow-dancing/


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