Tag: Brahms

  • Music Feuds Why We Love Musician Rivalries

    Music Feuds Why We Love Musician Rivalries

    Musicians can be so bitchy sometimes – which of course is just one more reason to love them. Throughout history, especially since the 19th century, musicians have frequently been divided into opposing camps: Brahms vs. Wagner; Callas vs. Tebaldi; Elvis vs. The Beatles.

    Of course, as often as not, it is the figures-in-question’s deranged followers that throw kerosene on the flames. Still, it’s affirming in some way to reflect on just how much to some people music really matters.

    Stravinsky vs. Schoenberg:
    http://www.laweekly.com/music/stravinsky-vs-schoenberg-who-was-more-gangsta-2405079

    Elvis vs. The Beatles:
    http://www.theguardian.com/music/2011/oct/04/beatles-met-elvis-liverpool-exhibition

    The War of the Romantics (Brahms vs. Wagner):
    https://en.wikipedia.org/wiki/War_of_the_Romantics

    Brahms vs. Tchaikovsky:

    Brahms and Tchaikovsky

  • Brahms and Tchaikovsky: Best Frenemies Forever

    Brahms and Tchaikovsky: Best Frenemies Forever

    Brahms and Tchaikovsky were totally B.F.F. – Best Frenemies Forever.

    The latter famously confided to his diary, “I have played over the music of that scoundrel Brahms. What a giftless bastard!”

    And that’s only the short version.

    The two shared the same birthday, May 7 (Brahms born in 1833 and Tchaikovsky in 1840). Unfortunately, that was about all they had in common – Brahms, the great classicist among Romantics, and Tchaikovsky, always heart-on-the-sleeve.

    Or so they thought, until the two met on New Year’s Day, in 1888. Surprise! They actually delighted in one another’s company. There was much drinking and backslapping and drinking and hanging on one another’s shoulders and drinking and happy tears and drinking. (Of course, all this took place in spite of Brahms falling asleep during a rehearsal of Tchaikovsky’s Fifth Symphony.) In fact, they liked one another so well, they decided to do it again.

    However, the two never could reconcile themselves to one another’s music. After a lovely evening with Brahms, during which both men drank and smoked prodigiously, while Adolph Brodsky (the violinist who had introduced Tchaikovsky’s Violin Concerto) rehearsed with some friends a Brahms piano trio, Mrs. Brodsky asked Tchaikovsky what he had thought of the piece.

    “Don’t be angry with me, my dear friend,” he said, “but I did not like it.”

    Happy birthday, boys!


    PHOTOS: Peter Ilych Tchaikovsky (left) and Johannes Brahms, agreeing to disagree

  • Schulz’s Favorite Composer Revealed

    Schulz’s Favorite Composer Revealed

    Who was Charles M. Schulz’s favorite composer? Hint: It wasn’t Beethoven.

    You can find out the correct answer tonight on “The Lost Chord,” as my guest this evening will be pianist Orli Shaham, who heard it directly from Schulz’s mouth.

    In advance of Brahms’ birthday (on May 7), Shaham will discuss her new album, “Brahms Inspired,” scheduled for release on the Canary Classics label on June 9. The two-CD set features music by some of the composers who influenced Brahms (Bach, Schubert, Chopin, Schumann) and some that Brahms, in turn, inspired (Schoenberg). We’ll be listening to three brand new works, two of them commissioned by Shaham, by Bruce Adolphe, Avner Dorman and Brett Dean, interspersed with late keyboard music by the master himself.

    Shaham will appear in recital at Reform Congregation Keneseth Israel in Elkins Park, Pa., right on the outskirts of Philadelphia, on May 16 at 7:45 p.m. For tickets and information, look online at http://www.kenesethisrael.org/

    For more about Orli, visit her website, http://www.orlishaham.com.

    Who was Schulz’s favorite composer? Well, actually, I suppose you can surmise the answer from the theme of the show, but do tune in anyway, if you can. At least you’ll learn why Schroeder is fixated on Beethoven instead.

    That’s “Aimez-vous Brahms?” on “The Lost Chord,” tonight at 10 ET, with a repeat Wednesday evening at 6; or listen to it later as a webcast at http://www.wwfm.org.

  • Brahms and Tchaikovsky Birthday

    Brahms and Tchaikovsky Birthday

    Now, now, boys! Play nice.

    Today is the shared birthday of Brahms and Tchaikovsky, two of the great musical geniuses of their time. Brahms was born in 1833, and Tchaikovsky was born in 1840.

    Of course, Brahms has the advantage of the Austro-German propaganda machine, placing him at the center of the musical universe (although it didn’t help him with George Bernard Shaw, who described him as “a sentimental voluptuary”); Tchaikovsky has taken it on the chin not only for being born outside the German tradition, but also from his own countrymen for being too “cosmopolitan.”

    Yet audiences go crazy for his ballets, concertos and symphonies. Give him some credit for achieving such polish in a country that, until around the time of his birth, had very little serious musical tradition of its own. With his gift for melody and pathos, and his talent as an orchestrator, he would have flourished no matter where he lived.

    Brahms too was a natural. Sometimes his symphonies can seem a little over-breaded, and on occasion he can come across as something of a stuffed owl. But even so, he is Minerva’s owl, wise, learned and all-knowing. His piano works and chamber music are some of the best there are.

    Interestingly, the two composers actually met twice, and they got along smashingly. In a letter to his publisher, Tchaikovsky was effusive about Brahms’ cheerfulness and lack of pretension.

    “I’ve been on the booze with Brahms,” he wrote. “He is tremendously nice – not at all proud as I’d expected but remarkably straightforward and entirely without arrogance. He has a very cheerful disposition, and I must say that the hours I spent in his company have left me with nothing but pleasant memories.”

    That was in 1888, after a rehearsal of Brahms’ Piano Trio No. 3 in Leipzig.

    The following year, the two met again in Hamburg, where Brahms slept through a rehearsal of Tchaikovsky’s Symphony No. 5. If Tchaikovsky was insulted, he bore it lightly and was convivial all through the meal they shared after. Although Brahms was harsh in his assessment of the last movement of the symphony and Tchaikovsky confessed an overall aversion to Brahms’ style, the two seem to have parted great friends. Tchaikovsky even invited Brahms to visit him in Russia, something which never came to pass.

    How much alcohol played into the two men’s warm feelings we can only guess. It was not just anyone who could be Brahms’ drinking buddy.

    Who was the better composer? Who cares. In an open heart, there is room for both. Happy Birthday, Brahms and Tchaikovsky!

  • Trenton Princeton Orchestral Weekend Brahms Abounds

    Trenton Princeton Orchestral Weekend Brahms Abounds

    No less than three orchestras descend on the Trenton-Princeton area this weekend. The New Jersey Symphony Orchestra and the Princeton Symphony Orchestra will perform at Princeton University’s Richardson Auditorium (tonight at 8 p.m. and Sunday at 4 p.m., respectively), and the New Jersey Capital Philharmonic will perform at the Trenton War Memorial’s Patriots Theater (tomorrow at 8 p.m.).

    In this three-ring orchestral circus, the clown car is seemingly chock full of Brahms, as he and Beethoven appear on two of the three programs (NJSO & PSO). The NJCP will do their best to keep all the plates spinning with Rimsky-Korsakov’s “Scheherazade.”

    Anthony McGill will unveil Richard Danielpour’s Clarinet Concerto, “From the Mountaintop” (NJSO); Aisha Dossumova will tread the highwire with two violin showpieces, Franz Waxman’s “Carmen Fantasy” and Saint-Saëns’ “Introduction and Rondo Capriccioso” (NJCP); and Joseph Kalichstein, of the Kalichstein-Laredo-Robinson Trio, will lend a touch of gravitas with Beethoven’s Piano Concerto No. 4 (PSO).

    Two of Brahms’ four symphonies, fully half of his symphonic output, will be performed on the Richardson concerts. You can read more about it in my articles in today’s Trenton Times:

    http://www.nj.com/times-entertainment/index.ssf/2014/05/scheherazade_at_heart_of_new_j.html

    http://www.nj.com/times-entertainment/index.ssf/2014/05/2_orchestral_concerts_to_featu.html

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