Tag: Camp David Accords

  • Jimmy Carter’s White House Music Scene

    Jimmy Carter’s White House Music Scene

    Jimmy Carter was a good friend of Willie Nelson. I remember watching an interview once in which he suggested Nelson smoked weed on the roof of the White House. But Carter liked all kinds of music and invited musicians of all stripes to visit, shake hands, receive medals, and perform.

    One of these was Leontyne Price, who made several noteworthy appearances at the White House and Camp David. Price, who had received the Presidential Medal of Freedom from Lyndon B. Johnson in 1964 and opened the Metropolitan Opera House at its current location at New York City’s Lincoln Center in 1966 (with Samuel Barber’s “Antony and Cleopatra”), was enlisted to perform, on March 26, 1979, at the banquet that celebrated the Camp David Accords, before President Anwar Sadat of Egypt and Prime Minister Menachem Begin of Israel. On October 6, 1979, she was asked to welcome Pope John Paul II on his first papal visit to the White House, singing to an audience of 6,000 on the South Lawn that included the Pope, the president, the nine justices of the Supreme Court, the assembled House and Senate, state governors, and others. “She’s by far the most accomplished singer we ever had,” Carter noted in his diary.

    While a great fan of country music, jazz, blues, folk, sacred music, and rock (among others), he understood the broader cultural significance and civilizing influence of classical music. He and Rosalynn both received a sound music education in high school and were instilled with a working knowledge of the classics, the way it used to be. In turn, their daughter Amy was given violin lessons, often with Rosalynn at the piano. During the Carter presidency, classical music played in the Oval Office for eight to ten hours a day.

    You can learn more about the President’s varied musical tastes and his interactions with famous musicians here:

    https://www.whitehousehistory.org/music-at-jimmy-carters-white-house


    PHOTO: The Carters and Price at the White House in 1978

  • Battlestar Galactica Camp David Interrupted

    Battlestar Galactica Camp David Interrupted

    45 years ago today, the hotly-anticipated three-hour debut of “Battlestar Galactica” was interrupted by an interminable news break as, after twelve days of secret negotiations, Menachem Begin and Anwar Sadat signed the Camp David Accords at the White House, overseen by President Carter. A big deal, to be sure, but what 12-year-old cared about peace in the Middle East? We wanted our “Battlestar Galactica!”

    Tonight, on a special edition of “Roy’s Tie-Dye Sci-Fi Corner,” we’ll do what we can to bring harmony to the galaxy with an amicable conversation about human annihilation and studio lawsuits.

    You have to hand it to creator Glen A. Larson. Every penny of this $8 million “Star Wars” cash-grab made it on screen, with special effects by “Star Wars” exile John Dykstra, the Los Angeles Philharmonic enlisted to perform Stu Phillips’ score, Lorne Greene lured from the Ponderosa, supporting parts for Oscar winners Ray Milland and Lew Ayres, and the voice of none other than Mr. Steed himself, Patrick Macnee.

    It was 10:30 p.m. at the time of the news flash, and the Cylons were closing in! There were a lot of bleary-eyed children in homeroom the next day, I can assure you, as it would have been the rare parent indeed that could have coerced their child to bed with a half hour left of “Battlestar Galactica.”

    So was it as good as “Star Wars?” No way! But it was a game attempt to meld the tropes of George Lucas’ space opera with the planet-of-the-week approach of “Star Trek.” Like “Star Wars,” the series is full of archetypal, religious, and mythological symbolism, but a lot of it never seems to gel. We have Moses. We have Iago. We have a primal fear of bugs. And the fighter pilots all wear Egyptian pharaoh helmets.

    As Macnee states in the weekly show’s opening voice over, “There are those who believe that life here began out there, far across the universe, with tribes of humans, who may have been the forefathers of the Egyptians or the Toltecs or the Mayans.” So basically, he’s telling us it’s a long time ago, in a galaxy far, far away.

    Also, remember, Erich von Däniken was a very big deal at the time, with “Chariots of the Gods” prominently displayed among the literary offerings of supermarkets everywhere. And the show is apparently loaded with LDS themes. (Larson was Mormon.)

    Of course, whatever resonance “Galactica” was aiming for was undermined completely by a follow-up series, “Galactica 1980,” really a badly-compromised, bargain basement second season, in which representatives of the fleet have very lame and very cheap adventures on (then) present-day earth. But it’s best not to linger on that agony.

    Roy and I will cut through the felgerarb, with a discussion of “Battlestar Galactica,” on the next Roy’s Tie-Dye Sci-Fi Corner. Bring your cubits to the comments section, when we livestream on Facebook, YouTube, etc., THIS SUNDAY EVENING AT 7:00 EDT!

    https://www.facebook.com/roystiedyescificorner


    Friday got away from me, so I was unable to promote Roy’s conversation with Dominic Stefano and Dave Rash to mark the 60th anniversary of “The Outer Limits” (1963). Dominic is the son of series creator Joseph Stefano. Stefano and Rash have collaborated on several “Outer Limits” projects. Friday’s show, which is prefaced by an update with Jeffrey Morris on his upcoming “Space: 1999” documentary, “The Eagle Has Landed,” has been archived here:


    Lending to our unbearable excitement: Frank Frazetta artwork in TV Guide!

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