Tag: Early Music Month

  • Early Music Month on WPRB: A Funhouse Mirror

    Early Music Month on WPRB: A Funhouse Mirror

    My, but it’s Early – Early Music, that is!

    This morning on WPRB, don’t expect the usual duets for solo instrument and piano. In honor of Early Music Month, we’ll gaze into a distant mirror – albeit a funhouse mirror – glimpsing courtly dances, Gregorian chant, madrigals, and hymn tunes, transformed by “contemporary” composers – that is to say, composers who have worked over the course of the past century.

    At 9:00, I’ll be joined by John Burkhalter, a stalwart of the local Early Music scene and a member of the Guild for Early Music. He’ll fill us in on the Guild and a series of upcoming concerts that will feature vocal and instrumental music from the 12th through the 18th centuries. The concerts will be presented by the Guild’s member groups throughout the month of March. You’ll find a complete schedule at guildforearlymusic.org.

    Our playlist this morning will include music inspired by Elizabethan dances, a guitar concerto based on Renaissance madrigals, arrangements of virginal pieces and cantigas for different instrumental ensembles, and wind music based on early lute pieces, among others. Around 9:45 or 9:50, we’ll enjoy a recording of Philadelphia composer, writer, and radio personality Kile Smith’s “Vespers,” ably performed by The Crossing and Piffaro, The Renaissance Band.

    It’s a taste of Merrie Olde Princeton, from 6 to 11 EST, on WPRB 103.3 FM and at wprb.com. The bodkins are perpetually at odds, on Classic Ross Amico.

    #EarlyMusicMonth
    Early Music America

  • Early Music Month: Renaissance Sounds on The Lost Chord

    Early Music Month: Renaissance Sounds on The Lost Chord

    This Sunday night on “The Lost Chord,” we continue our celebration of Early Music Month with three works by contemporary American composers who look back to the Renaissance.

    William Kraft (b, 1923), long associated with the Los Angeles Philharmonic, composed “Vintage Renaissance” for the Boston Pops. The work incorporates two 15th century melodies: “Danza,” by Francesco de la Torre, and an anonymous “bransle.”

    George Frederick McKay (1899-1970), the so-called “Dean of Northwest Composers,” founded the composition department at the University of Washington, where he taught for over 40 years. His “Suite on Sixteenth Century Hymn Tunes” is based on works by Louis Bourgeois (c. 1510-1559), compiler of Calvinist hymn tunes and composer of the Protestant doxology known as the “Old 100th.”

    Lukas Foss (1922-2009), the German-born musical prodigy who settled in the United States in 1937, composed his “Renaissance Concerto” in 1986. The work, for flute and orchestra, falls into four movements: “Intrada;” “Baroque Interlude” (on a theme of Rameau); “Recitative” (after Monteverdi); and “Jouissance” (after a 1612 madrigal by a composer of the name David Melville).

    I hope you’ll join me for “It’s Never Too Late to Be Early,” this Sunday night at 10 ET, with a repeat Wednesday evening at 6; or that you’ll listen to it later as a webcast at wwfm.org.

    #EarlyMusicMonth

    Early Music America

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