Tag: Generazione dell’Ottanta

  • Happy Birthday Ildebrando Pizzetti

    Happy Birthday Ildebrando Pizzetti

    Why couldn’t I have been blessed with a name like Ildebrando Pizzetti?

    Pizzetti was one of the composers of the “generazione dell’Ottanta” (“Generation of the ‘80s”), contemporaries of Ottorino Respighi, all born around 1880. These artists of the post-Puccini generation made their reputations largely in the concert halls as opposed to the opera houses – quite the change of pace for Italy.

    Pizzetti was best-known as an associate of Gabriele d’Annunzio, providing incidental music for a number of d’Annunzio’s plays and setting “Fedra” as an opera. He also wrote the music for “Cabiria” (1914), the film that kicked off the “Masciste” craze. You know, all those badly dubbed imports that feature Hercules, Goliath, Samson, etc. More often than not, in Italian, the protagonist is named Masciste. You can thank D’Annunzio for the creation of the modern prototype.

    Pizzetti lived from 1880 to 1968. Today is his birthday. Here is some of his music for D’Annunzio’s hyper-sensual lyric drama, “La Pisanella.” (The complete title is “La Pisanella où la Mort parfumée.”) Ida Rubinstein danced the title role of the courtesan-saint who seduces and destroys the royal family of the medieval kingdom of Cyprus. At the play’s conclusion, she is smothered by a downpour of rose petals!

    Here’s the orchestral suite:

    Happy birthday, Ildebrando Pizzetti!


    Pizzetti (right) with Arturo Toscanini

  • Ravel’s Trio & Rediscovering Casella

    Ravel’s Trio & Rediscovering Casella

    One hundred years ago today, the world was introduced to Maurice Ravel’s Piano Trio in A Minor. It was first performed in Paris by Gabriel Wilaume, violin, Louis Feuillard, cello, and at the keyboard, none other than the composer Alfredo Casella.

    To be able to hear any of Casella’s own music in concert these days is a rarity, but it was just announced yesterday that his Symphony No. 2 will feature on a concert next season by The Philadelphia Orchestra. Gianandrea Noseda will conduct. Last season, he directed the orchestra in a colorful suite from Casella’s opera, “La donna serpente” (“The Snake Woman”).

    The composer’s star may have faded, but his music has been increasingly present in recordings in recent years. A figure of the so-called “generazione dell’ottanta” (“Generation of ’80” – a group of composers born around 1880 – alongside Gian Francesco Malipiero, Ildebrando Pizzetti, Franco Alfano and Ottorino Respighi), Casella impressed music-loving Philadelphians of an earlier era to the extent that his Serenata, Op. 46, split the vote in a chamber music contest held by The Musical Fund Society in 1926. The rest of the prize money went to Béla Bartók, for his String Quartet No. 3.

    Casella’s “Concerto Romano” was inspired by the Wanamaker Organ.

    Here’s Ravel’s Piano Trio (with Yehudi Menuhin, Gaspar Cassadó and Louis Kentner):

    And the first movement of Casella’s Serenata for Clarinet, Bassoon, Trumpet, Violin and Cello:

    PHOTO: Casella in spats!

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