The years, they do fly by. How could Yo-Yo Ma be 67? It seems only yesterday we were celebrating his 60th birthday.
Arguably the most visible and charismatic cellist of his generation, Ma was born on October 7, 1955. He’s recorded more than 90 albums and been recognized with 19 Grammy Awards. In addition, among innumerable other honors, he has been the recipient of the National Medal of the Arts and the Presidential Medal of Freedom. As recently as 2020, he was included in Time Magazine’s “100 Most Influential People.”
Ma began playing cello at the age of 4. That’s when he “put away childish things” – that is to say, a juvenile pursuit of the violin, viola, and piano! At 5, he began performing in public, and at 7, played for Presidents Dwight D. Eisenhower and John F. Kennedy. At 8, he was introduced to American television audiences courtesy of Leonard Bernstein. The next year, Isaac Stern brought him along to “The Tonight Show with Johnny Carson.”
This was all before Ma attended Juilliard, where he studied with Leonard Rose. He dropped out of Columbia – only to attend Harvard. He spent four summers at the Marlboro Music Festival, where he played under the direction of legendary cellist and conductor Pablo Casals. He’s been friends with Emanuel Ax, a regular chamber music partner, since their student days.
Ma has long been acclaimed for his interpretations of the Bach Cello Suites, chamber music by Beethoven and Brahms, and most of the major concertos for cello and orchestra. However, his first commercial recording, believe it or not, was of the Cello Concerto by English composer Gerald Finzi. Ma recorded the piece while in his early 20s, with the Royal Philharmonic Orchestra conducted by Vernon Handley.
Later, having conquered the classical concert hall and established his mastery of the standard repertoire, Ma proved increasingly restless and exploratory, with forays into Baroque music on period instruments, American bluegrass, Argentinean tango, improvisatory duets with Bobby McFerrin, and several musical journeys along the Silk Road.
He’s also been active in film, contributing to the soundtracks of “Seven Years in Tibet” and “Memoirs of a Geisha” for John Williams and “Crouching Tiger, Hidden Dragon” (the recipient of an Academy Award for Best Original Score) for Tan Dun. And of course his album of arrangements of Ennio Morricone themes sold faster than a tray full of cannoli.
Ma’s friendship with Williams also yielded a cello concerto, which they first recorded together in 1994. My most recent Ma acquisition is his recording of the concerto in its revised version, released earlier this year on Sony Classical, and of course it’s wonderful. However, the earlier release has an alluring bonus in Williams’ “Elegy,” reworked from material originally conceived for “Seven Years in Tibet” – six transporting minutes of unalloyed loveliness.
Ma is one of classical music’s last media celebrities, whether introducing kids to the cello on PBS’ “Arthur,” “Sesame Street,” or “Mr. Rogers’ Neighborhood,” or playing Bach in support of dancer Misty Copeland and sitting in with the band on “The Late Show with Stephen Colbert.”
I’ve been privileged to see him in concert several times. His love for music is such that it is not unusual for him to return after intermission, following a star turn in a big concerto, to modestly sit with the rest of the cello section and play in a symphony on the second half.
All in all, I suspect he’s a really good guy. Happy birthday, and thanks for everything, Yo-Yo Ma!
John Williams’ “Elegy”
On Colbert with Misty Copeland
At the age of 7, presented by Leonard Bernstein
“Crouching Tiger, Hidden Dragon”
Ma with saxophonist Joshua Redman, playing “Crazy Bus” on “Arthur”
On “Sesame Street”
Gerald Finzi’s Cello Concerto
Bach, Suite No. 1 for Unaccompanied Cello
