Tag: KWAX

  • Night Music Nocturnes on Sweetness and Light

    Night Music Nocturnes on Sweetness and Light

    This week on “Sweetness and Light,” we’ll be thinking cool and happy thoughts with an hour of night music – nocturnes, music reflective of the night sky, even sleep!

    I hope you’ll join me for selections by Alexander Borodin, Antonín Dvořák, Jacques Offenbach, Claude Debussy, Manuel Ponce, John Field, and light music masters Charles Ancliffe, Archibald Joyce, and Robert Farnon.

    Everything’s fine when the sun is asleep! I’ll be a fool for cool on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 PDT, exclusively on KWAX, the radio station of the University of Oregon!

    Stream it, wherever you are, at the link:

    https://kwax.uoregon.edu/

  • Christmas in July Wintry Movie Music on KWAX

    Christmas in July Wintry Movie Music on KWAX

    It’s the 25th. Christmas in July! This week on “Picture Perfect,” there won’t be a manger or a Santa Claus in sight, but I’m sure we’ll all be grateful for a blast of frigid air and some chilly scenes from world cinema.

    We’ll begin with music from “The Snow Storm” (1964), an adaptation of Pushkin’s “The Tales of the Late Ivan Petrovich Belkan.” The score’s Waltz and Romance enjoyed particular popularity, earning its composer, Georgy Sviridov, two of his greatest hits.

    Then Arthur Honegger will take us to higher altitudes with his music for “The Demon of the Himalayas” (1935), complete with the eerie electronic timbre of the ondes Martenot.

    Ralph Vaughan Williams will guide us to the South Pole with selections from his score for “Scott of the Antarctic” (1948). The music perfectly reflects the sublime, austere beauty of an unforgiving landscape. The score became the basis for the composer’s seventh symphony, “Sinfonia Antartica” (note the Italian spelling; hence the single “c”).

    Finally, the “Battle on the Ice” from “Alexander Nevsky” (1938) provides a textbook marriage of music and film. Director Sergei Eisenstein granted the composer, Sergei Prokofiev, the unusual luxury of having the images cut to suit his music, as opposed to the usual practice, which is the other way around. The result is not only one of the great films, but also one of the great film scores.

    Feeling hot under the collar? Chill out with wintry scenes from world cinema this week, on “Picture Perfect,” music from the movies, now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Childhood Summers Music and Nostalgia

    Childhood Summers Music and Nostalgia

    At midlife, the seasons fly by so quickly, they scarcely seem to register. This week on “Sweetness and Light,” we defy the gravitational pull of back-to-school advertisements and premature Halloween displays to indulge in some nostalgic recollections of the carefree and seemingly endless summers of youth.

    Join me for alternately boisterous and languid works by Eugène Bozza, Sergei Prokofiev, Déodat de Severac, and William Walton.

    It’s music reflective of riding bikes, tramping through woods and meadows, building forts, laughing with friends, and getting up to no good. When you’re a kid, there’s always plenty of adventure to be had, with the guaranteed security of a homecooked meal and a roof over your head. At least if you’re as fortunate as I was.

    I don’t know, perhaps this kind of off-the-leash freedom and hedonistic enjoyment is a thing of the past, in a society where dreams are strangled by subdivisions and superwarehouses, surveillance cameras and militarized police, helicopter parents and cell phones, psychopaths and existential dread. But even with a hemmed-in, over-scheduled existence crammed with organized activities and soul-crushing electronics, I think the illusion of time stretching on forever must surely still be one of the enchantments of youth?

    I don’t want to think about it. In a world wreathed by barbed wire, I will hang onto my illusion that childhood is the last frontier. Listen for me rafting down the Delaware, crowing like Peter Pan, on “Sweetness and Light,” this Saturday morning at 11:00 EDT/8:00 EDT, exclusively on KWAX, the radio station on the University of Oregon!

    Stream it wherever you are at the link:

    https://kwax.uoregon.edu/

  • Shelley’s Summer Music Lost Chord on KWAX

    Shelley’s Summer Music Lost Chord on KWAX

    Music, when soft voices die,
    Vibrates in the memory…

    This week on “The Lost Chord,” ‘tis an hour of seasonal works inspired by Percy Bysshe Shelley and friends.

    Hearken to Geoffrey Bush’s “A Summer Serenade,” from 1948, settings of poems by Shelley, James I of Scotland, Samuel Daniel, William Blake, Thomas Heywood, and the ever-prolific Anonymous.

    Then listen, listen, Mary mine, to Arnold Bax’s “Enchanted Summer,” from 1918, the text drawn from Act II, Scene 2, of Shelley’s “Prometheus Unbound.” Composed in the midst of a run of Bax’s better-known nature poems (on the one hand, “Into the Twilight” and “In the Fairy Hills,” and on the other, “Nympholept” and “The Garden of Fand”), the work opens with the play of light and shadow on a forest floor, traverses mysterious caves and crags, and conjures woodland spirits; dallies with “voluptuous nightingales;” and eavesdrops on the exchange of two fauns, who contemplate the wondrous things they have witnessed.

    In conclusion, bring hot blushes to thy cheek, with one of Romantic poetry’s most protracted pick-up lines and Roger Quilter’s “Love’s Philosophy,” from 1905.

    ’Tis mine hope that thou wilt join me for “Summer Shelley, Some Are Not.” The dulcet music swells, on “The Lost Chord,” now in syndication on KWAX, the radio station of the University of Oregon!


    Clip and save the start times for all three of my recorded shows:

    PICTURE PERFECT, the movie music show – Friday at 8:00 PM EDT/5:00 PM PDT

    SWEETNESS AND LIGHT, the light music program – Saturday at 11:00 AM EDT/8:00 AM PDT

    THE LOST CHORD, unusual and neglected rep – Saturday at 7:00 PM EDT/4:00 PM PDT

    Stream them, wherever you are, at the link!

    https://kwax.uoregon.edu/

  • Childhood Summers with Harpist Alisa Sadikova

    Childhood Summers with Harpist Alisa Sadikova

    I’ve been kicking around themes for this weekend’s “Sweetness and Light,” hoping to write and record the show today, and it occurs to me, it being a light music program with something of an escapist bent, I might indulge my nostalgia for the carefree and seemingly endless summers of my childhood. Last week, I put together a playlist about fountains, which turned out to be a lot more satisfying than I had anticipated. To conflate the two, here’s a YouTube video I discovered while researching and refreshing my memory as to the repertoire. It’s such a remarkable document, I think it’s worth sharing – although the piece played by this astonishingly talented young harpist (at the age of 9!) is misattributed to Marcel Grandjany. It’s actually “La Source” by Albert Zabel. I think you’ll agree it is five minutes well-spent!

    Alisa Sadikova is now 22 years-old. Although the actual piece did not make it onto my playlist of fountain music – who knew the competition would be so fierce? – I was very pleased to make its acquaintance, especially in Sadikova’s mesmerizing and enriching performance.

    Again, this week the musical selections will be curated with the purpose of recollecting those halcyon summers of youth and adventure. I didn’t play the harp, but I sure did suck the marrow out of life. “Sweetness and Light” airs on KWAX, Saturday mornings at 11:00 EDT/8:00 EDT. Stream it wherever you are at the link. https://kwax.uoregon.edu/

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